Juan Carlos Gené

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Buenos Aires, 1880. A journalist interviews Manuel Esteban Corvalán, one of the last living men who crossed the Andes in 1817 with José de San Martín, during the Argentinian and Chilean wars of independence, as one of his secretaries, when he was only 15 years old.

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At late 19th Century, the Argentinean Pampa is changing. Martin Fierro is a renegade that fights against the power and corruption that try to subordinate him and to take away his most precious value: freedom. With his strength and courage, Martin Fierro represents the fight for justice. Based on the most important book of Argentinean Literature, "The Gaucho Martin Fierro", the film intends to rescue the current value of the story and the epic character of Martín Fierro for an audience mainly young, especially students and families.

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Buenos Aires at the end of the millennium a young filmmaker hopeless about their future decides to film his last act.

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A fugitive bursts into the home of two Catholic nuns. In an attempt to save his life, they hide him from the marauding military patrols, despite the danger they face if they are caught.

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Peronist view of its history between the fall in 1955 and the electoral triumph of 1973 using a metaphor of the poem Martin Fierro.

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Set around 1910 in the Chaco region, the film depicts the plight of quebracho woodcutters, cruelly exploited by English businessmen with the support of the authorities, local police, and a paramilitary force established by the employers themselves.

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In a tiny town in an unnamed Latin American country in the 1930s, a young telegraph operator helps link the small, repressed community to the outside world, against the will of the powerful colonel who rules the village like a dictator.

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A fugitive bursts into the home of two Catholic nuns. In an attempt to save his life, they hide him from the marauding military patrols, despite the danger they face if they are caught.

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The failure of Budiño Ramon, who plans first murder of his father and is recognized after unable to carry it out, is due largely to the general attitude of a society that tolerates no dramatic gestures. However, the inadequacies of radical class, beliefs, feelings, profession and memory also plays a leading role in the drama.

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Commissioner Leon (Miguel Angel Landa) of the Technical Judicial Police is assigned to the kidnapping of a child of the upper class of Caracas. The details of the kidnapping the attention of Leon, as there is no evidence of violence in the child's home, or witnesses to the abduction. Based on that Leon believes that the hijackers knew the boy and soon begins to suspect several young people from wealthy families of Caracas.

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