Patricio Guzmán

A short documentary interviewing an astronomer.

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In 2008 Patricio Guzmán carried out a survey to find out the "state of historical memory" in Santiago. To do this, it brings together a small number of historians, psychologists, economists, engineers, lawyers and other members of the Chilean elite. It is a documentary in the form of a report that directly shows the opinions of each participant (including Juan Emilio Cheyre, former commander-in-chief of the armed forces). As expected, the result is controversial.

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A short documentary of filmmaker Patricio Guzmán interviewing local astronomers.

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On September 11, 1973, President Salvador Allende's democratically elected Chilean government was overthrown in a bloody coup by General Augusto Pinochet's army. Patricio Guzmán and five colleagues had been filming the political developments in Chile throughout the nine months leading up to that day. The bombing of the Presidential Palace, in which Allende died, would now become the ending for Guzmán's seminal documentary The Battle of Chile (1975-76), an epic chronicle of that country's open and peaceful socialist revolution, and of the violent counter-revolution against it. This four part series includes interviews with survivors and Patricio Guzman

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My Jules Verne, by director Patricio Guzman, presents modern-day explorers who retrace the paths of some of Jules Verne's intrepid characters. Accompany Hubert Reeves, Laurence de La Ferrière, Hubert Falco and others to the Antarctic, to the centre of the earth, under the seas and into outer space.

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A leftist revolutionary or a reformist democrat? A committed Marxist or a constitutionalist politician? An ethical and moral man or, as Richard Nixon called him, a "son of a bitch"? In SALVADOR ALLENDE, acclaimed Chilean filmmaker Patricio Guzmán (The Battle of Chile and Chile, Obstinate Memory) returns to his native country thirty years after the 1973 military coup that overthrew Chile's Popular Unity government to examine the life of its leader, Salvador Allende, both as a politician and a man.

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A charming and meditative ode to the city of Madrid, where Guzmán studied directing and filmmaking during the 1960s, and escaped to from Chile after the military coup. Traveling through the streets of contemporary Madrid, Guzmán’s essayistic film freely draws inspiration from the landmarks, the music, the people, and the culture to evoke experiences, reflections, and insights in order to relate the nature of his historical and personal connection to the city.

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True story of the saga that was hoped to be the long-awaited justice brought to bear upon Augosto Pinochet, Chilean dictator from 1973 to 1990. In September 1998, Pinochet flew to London on a pleasure trip but experienced back pain and underwent an operation in the London Clinic. Upon waking, he was arrested by Scotland Yard. Could it be that this was to become the first Latin American dictator to answer for crimes while serving as Head of State? After 500 days of house arrest, he nevertheless eventually returned unscathed to Chile, despite the compelling case built against him before & during this period by a young Spanish prosecutor, Carlos Castresana.

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A passionate fan of Daniel Defoe’s Robinson Crusoe as a 13-year-old boy, Guzmán was delighted to find in his adult years that the story is based on actual events & a real place in the middle of the Pacific Ocean, 700 kilometres from the Chilean coast. This moves him to film & construct a kind of ironic travel journal as he sets out to rediscover the island, all the while in constant play with the fields of history, literature & imagination.

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After decades of fascist rule in Chile, Patricio Guzmán returns to his country to screen his documentary The Battle of Chile.

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The Chilean documentary maker enters the small Mexican town of San José de Gracia, marked by its conservative spirit, following the book with which historian Luis González narrated a good part of the town's past and its strong involvement in the Cristero Wars.

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Based on a best-selling book in Mexico written by Luis Gonzales, Barriers of Solitude looks at the effects of major historical events on the village of San Jose de Gracias. He interviews the residents, recording their collective reactions to new rulers, revolution, and civil war. The surprising results are presented in this program, indicating that occurrences that might seem to have far-reaching influences do not have a significant effect on rural populations. When Maximillian was installed as the new emperor of Mexico in 1857, the people of San Jose de Gracias recall that the highlight of the year was a breathtaking display of aurora borealis.

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Taking as a guiding theme of religion in Latin America, the film shows the pre-Columbian myths, the arrival of the white man, later syncretism and liberation theology. The main theme is the "popular religion". In Latin America this forms a kind of religious sacred territory where millions of Indians seeking refuge. This is repeated in Brazil, where African religions are another impenetrable territory, which also functions as a stronghold, a refuge.

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Documentary that explores the role of the Chilean Catholic Church in the fight against Augusto Pinochet’s dictatorial regime, giving great emphasis to the creation of the Vicariate of Solidarity and protests against violations to human rights.

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Exiled Chilean director Patricio Guzmán filmed in Cuba and in Venezuela to create this controversial statement on the creation and survival of Latin American culture from the late-15th century to the present. For some viewers, the film will be superficially symbolic and rhetorical, for others, it will be a strong and personal vision of several centuries of history.

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Guzmán’s final installment shifts from covering the actions of Allende’s opponents to those who battled to revive & promote their toppled leader’s vision for a new Chile.

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Chronicles the events immediately surrounding the CIA- supported coup itself.

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The chronicle of the political tension in Chile in 1973 and of the violent counter revolution against the democratically elected government of Salvador Allende.

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The documentary narrates the events that took place during the first year of the Unidad Popular government, in chronological order.

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In a country subjected to a cruel dictatorship, a political activist is savagely tortured, unleashing the indignation of certain leftist intellectuals.

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Experimental film production that presents a newscast with a critical perspective of the popular culture transmitted by TV, using collage techniques and juxtaposition of images from newspapers, magazines, advertising, film and television.

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Short film that narrates in an educational way the processes of developing wicker and clay crafts. The film is based on the experience of a character who tells a story to his nephews. Work carried out as part of the documentary series "Andanzas de un Chileno".

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Animated short that addresses social and personal issues, begins with the prison and prisoners are seen as slaves and gendarmes as the all powerful, in a celebration of the gendarmes the prison burns down and the gendarmes kill the prisoners, one manages to escape and faces the city there is a parallel between a zoo and the prison showing that it is similar, and this character releases the animals. A police chase is seen where the character runs, he enters a dead end street where they meet a bank, a church and other institutions which are compared to a jail, remaining motionless observing that any of their options are similar and it is seen that both society and the police fall on him.

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Daily interviews discussing the guest's personal lives and national contingency.

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From cinema-verite; pioneers Albert Maysles and Joan Churchill to maverick movie makers like Errol Morris, Werner Herzog and Nick Broomfield, the world's best documentarians reflect upon the unique power of their genre. Capturing Reality explores the complex creative process that goes into making non-fiction films. Deftly charting the documentarian's journey, it poses the question: can film capture reality?

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A leftist revolutionary or a reformist democrat? A committed Marxist or a constitutionalist politician? An ethical and moral man or, as Richard Nixon called him, a "son of a bitch"? In SALVADOR ALLENDE, acclaimed Chilean filmmaker Patricio Guzmán (The Battle of Chile and Chile, Obstinate Memory) returns to his native country thirty years after the 1973 military coup that overthrew Chile's Popular Unity government to examine the life of its leader, Salvador Allende, both as a politician and a man.

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After decades of fascist rule in Chile, Patricio Guzmán returns to his country to screen his documentary The Battle of Chile.

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Underappreciated actor Jack Noah is on location in Parador at the time the dictator dies. The dictator's right-hand man makes Jack an offer he cannot refuse... to play the dictator. Jack's acting skills fool the masses but not close friends and employees of the dictator.

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A short documentary interviewing a renown astronomer and astrophysicist.

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A leftist revolutionary or a reformist democrat? A committed Marxist or a constitutionalist politician? An ethical and moral man or, as Richard Nixon called him, a "son of a bitch"? In SALVADOR ALLENDE, acclaimed Chilean filmmaker Patricio Guzmán (The Battle of Chile and Chile, Obstinate Memory) returns to his native country thirty years after the 1973 military coup that overthrew Chile's Popular Unity government to examine the life of its leader, Salvador Allende, both as a politician and a man.

Open details →

A charming and meditative ode to the city of Madrid, where Guzmán studied directing and filmmaking during the 1960s, and escaped to from Chile after the military coup. Traveling through the streets of contemporary Madrid, Guzmán’s essayistic film freely draws inspiration from the landmarks, the music, the people, and the culture to evoke experiences, reflections, and insights in order to relate the nature of his historical and personal connection to the city.

Open details →

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A passionate fan of Daniel Defoe’s Robinson Crusoe as a 13-year-old boy, Guzmán was delighted to find in his adult years that the story is based on actual events & a real place in the middle of the Pacific Ocean, 700 kilometres from the Chilean coast. This moves him to film & construct a kind of ironic travel journal as he sets out to rediscover the island, all the while in constant play with the fields of history, literature & imagination.

Open details →

The Chilean documentary maker enters the small Mexican town of San José de Gracia, marked by its conservative spirit, following the book with which historian Luis González narrated a good part of the town's past and its strong involvement in the Cristero Wars.

Open details →

Based on a best-selling book in Mexico written by Luis Gonzales, Barriers of Solitude looks at the effects of major historical events on the village of San Jose de Gracias. He interviews the residents, recording their collective reactions to new rulers, revolution, and civil war. The surprising results are presented in this program, indicating that occurrences that might seem to have far-reaching influences do not have a significant effect on rural populations. When Maximillian was installed as the new emperor of Mexico in 1857, the people of San Jose de Gracias recall that the highlight of the year was a breathtaking display of aurora borealis.

Open details →

Guzmán’s final installment shifts from covering the actions of Allende’s opponents to those who battled to revive & promote their toppled leader’s vision for a new Chile.

Open details →

The chronicle of the political tension in Chile in 1973 and of the violent counter revolution against the democratically elected government of Salvador Allende.

Open details →

The documentary narrates the events that took place during the first year of the Unidad Popular government, in chronological order.

Open details →

In a country subjected to a cruel dictatorship, a political activist is savagely tortured, unleashing the indignation of certain leftist intellectuals.

Open details →

Experimental film production that presents a newscast with a critical perspective of the popular culture transmitted by TV, using collage techniques and juxtaposition of images from newspapers, magazines, advertising, film and television.

Open details →

Short film that narrates in an educational way the processes of developing wicker and clay crafts. The film is based on the experience of a character who tells a story to his nephews. Work carried out as part of the documentary series "Andanzas de un Chileno".

Open details →