Tom Elling

A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, dreams that may of course also be stark naked reality, at least to the dreamers, as they come and they go like bubbles, rising, floating, bursting. A man appears out of nowhere. Poet Peter Laugesen co-wrote the script with Tom Elling, who was Lars von Trier's director of photography on "The Element of Crime".

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Behind the scenes documentary of Lars von Trier's The Element of Crime (1984).

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A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, dreams that may of course also be stark naked reality, at least to the dreamers, as they come and they go like bubbles, rising, floating, bursting. A man appears out of nowhere. Poet Peter Laugesen co-wrote the script with Tom Elling, who was Lars von Trier's director of photography on "The Element of Crime".

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Four young people, two girls and two boys, are about to graduate from high school. Their parents belong to the 1968 generation, so they have never encountered authority or serious demands, but are used to behaving as they see fit. They have a great appetite for life, but also a certain fear of the future. Their lives are only secure on the surface. One experiences a family tragedy, another has become addicted to drugs and ends up committing suicide.

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Fisher, an ex-detective, decides to take one final case when a mysterious serial killer claims the lives of several young girls. Fisher, unable to find the culprit, turns to Osbourne, a writer who was once respected for his contributions to the field of criminology. Fisher begins to use Osbourne's technique, which involves empathizing with serial killers; however, as the detective becomes increasingly engrossed in this method, things take a disturbing turn.

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A German officer visits his Danish mistress after the occupation of Denmark has ended.

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