André Heller

André Heller is staging "Der Rosenkavalier" (his first opera production) at the Berlin State Opera. The story of a young nobleman caught between two women in Maria Theresa's Vienna is full of bold twists and fantastic entanglements. And as if made for an imaginative realization with all the means of modern theater. André Heller can rely on a first-class ensemble... André Heller is a chansonnier, actor, circus founder, vaudeville maker and stager of spectacles in which a variety of genres are combined with exuberant fantasy. In Berlin, Heller follows in the footsteps of Max Reinhardt, who ruled the Berlin stages at the beginning of the 20th century and revolutionized the theater with a multitude of innovations. Reinhardt also staged the world premiere of "Der Rosenkavalier" in 1911. It will be interesting to see how today's multimedia genius deals with the legacy of the great theater genius of yesteryear.

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Documentarians Andre Heller and Othmar Schmiderer turn their camera on 81-year-old Traudl Junge, who served as Adolf Hitler's secretary from 1942 to 1945, and allow her to speak about her experiences. Junge sheds light on life in the Third Reich and the days leading up to Hitler's death in the famed bunker, where Junge recorded Hitler's last will and testament. Her gripping account is nothing short of mesmerizing.

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The three-part documentary “Beckenbauer – The Last Emperor” chronicles a life so exuberant it feels as though it were more than one. Torsten Körner, who co-wrote the highly acclaimed biography “Der freie Mann” with Franz Beckenbauer 20 years ago, has crafted a historically precise, at times nostalgic journey through life that connects Beckenbauer’s private life with his public one, the real with the imaginary. From Munich’s “Giesing” neighborhood—known as the “Glasscherbenviertel”—to the hearts of the German people and ever higher, all the way to New York; from the 1966 World Cup to becoming a global figure; and as the “Emperor” and a “beacon of light,” to the most famous German in the world: “Beckenbauer – The Last Emperor” illustrates, as rarely before, what constituted the modernity of both the soccer player and the “pop star” Beckenbauer.

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André Heller is staging "Der Rosenkavalier" (his first opera production) at the Berlin State Opera. The story of a young nobleman caught between two women in Maria Theresa's Vienna is full of bold twists and fantastic entanglements. And as if made for an imaginative realization with all the means of modern theater. André Heller can rely on a first-class ensemble... André Heller is a chansonnier, actor, circus founder, vaudeville maker and stager of spectacles in which a variety of genres are combined with exuberant fantasy. In Berlin, Heller follows in the footsteps of Max Reinhardt, who ruled the Berlin stages at the beginning of the 20th century and revolutionized the theater with a multitude of innovations. Reinhardt also staged the world premiere of "Der Rosenkavalier" in 1911. It will be interesting to see how today's multimedia genius deals with the legacy of the great theater genius of yesteryear.

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He's known as "Tyrol's Zappa" and a "real anarchist." Whether folk music, jazz or what's known as serious music, Werner "Preisegott" Pirchner has in a creative way greatly expanded upon the limited acoustic range of his homeland, enriching it with some unfamiliar sounds from around the globe. Whoever comes into contact with him, such as Josef Hader and Tobias Moretti, can sense the power of his music, lets it carry them away, and embraces it wholeheartedly.

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Documentarians Andre Heller and Othmar Schmiderer turn their camera on 81-year-old Traudl Junge, who served as Adolf Hitler's secretary from 1942 to 1945, and allow her to speak about her experiences. Junge sheds light on life in the Third Reich and the days leading up to Hitler's death in the famed bunker, where Junge recorded Hitler's last will and testament. Her gripping account is nothing short of mesmerizing.

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In 2001, twelve singing divas from all over the world gathered in Taormina, in the world-famous Greek amphitheater. Under the direction of André Heller, they let their unique voices ring out in the magically illuminated venue. This "festival of the last prima donnas" included, among others, the American star soprano Jessye Norman, the "Voice of Africa" ​​Ami Koita, the jazz singer Dee Dee Bridgewater, hailed as the "new Ella Fitzgerald," as well as the highly successful Israeli pop singer Noa and her Arab-Palestinian counterpart Amal Murkus, the "Piaf of the Gypsies" Esma Redzepova, and the reincarnation of Naples music, Lina Sastri.

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Gustl Bayrhammer takes audiences big and small on a musical journey to “Wonderland”. There he meets various characters from comic books, fairy tales and legends.

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