Mick Gondouin

An adventure set in the early part of the 20th century, focused on a popular novelist and her dealings with would-be suitors, the cops, monsters, and other distractions.

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A cop infiltrates a corrupted party in order to eliminate a "godfather" who is responsible of his old friend's death.

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Santos Palace is a coffee shop in Belgium. There, a waitress serves a strange client. Their eyes meet, minutes pass and we seem to witness a love story that hasn’t began or may have already started, with its potential jealousies and passions, or which may never happen at all; another type of romance. The feeling of seeing or being seen, the rhythmical editing, the use of cinemascope to make objects and spaces appear as abstract forms, the predominance of detailed shots: these are all obsessions, forms and audiovisual ideas that explode in this surprising film.

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Young Frenchwoman Mathilde searches for the truth about her missing fiancé, lost during World War I, and learns many unexpected things along the way. The love of her life is gone. But she refuses to believe he's gone forever — and she needs to know for sure.

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A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can’t be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.

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French novelist Vincent Ravalec made his directorial debut with this French drama about small-time crook Gaston (Yvan Attal) who poses as a millionaire after he picks up hitchhiking 16-year-old Marie-Pierre (Virginie Lanoue). Actually living in a seedy apartment, Gaston deals in stolen goods, but he soon climbs to bigger heists, including car thefts. Concealing his illegal activities, Gaston operates his company, Extramill, out of upscale, posh offices, while he and Marie-Pierre move into a sedate upper-middle-class neighborhood. Life is sweet, but the onset of paranoia, kinky sex activities, and police probes eventually culminate in violence.

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In a French prison, three men are coming to terms with the emotional and physical torment which their incarceration brings them. Arnaud is serving a six-month sentence for drug smuggling; he protests his innocence and will do anything to secure an early release. Francky is a hardened criminal who has all but lost his wife and family and who seeks comfort in self-inflicted abuse. Kader is in prison for theft; he is the most philosophical of the three men, he is growing accustomed to prison life and seems to prefer it to the world outside.

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After biologist Sylvie discovers her brother Paul trying to steal a gun from her lab, he explains that he wishes to avenge the death of their father whom he suspects died at the hands of his business partner.

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The Select Hotel is a dead end place for those who do not have enough cash to go somewhere else. The last shelter for those who hang around at night. These shadows walking silently along the streets, selling their poor body heat for a few crumpled banknotes, swallow and digested by their voracious thirst for a cheap high. Enough to forget for a while the distress of a ruined life and to dream of a more rejoicing elsewhere. Nathalie and her brother Tof struggle against this futureless world. Pierre, a shoe-repairer, troubled by Nathalie's grace will take part for a while to the life of these two children of misery.

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Mona is the girlfriend of Pierre, who is a member of a rather pathetic rock band in France. Their hero is the singer "Johnny Valentine " who, seeing that Mona is being neglected, decides to make her his own.

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