Yasumi Hara

A decadent count in 1920′s Japan becomes obsessed with the life and works of the Marquis de Sade. He creates a theatre to show plays adapted from the notorious writer’s novels and recruits thieves, prostitutes and low lives to act out his fantasies on stage for the delectation of his rich, jaded friends. In search of new sensations the nobleman orders one of the actors, on pain of death, to make love to the nobleman’s wife while he watches. Unfortunately, this incursion of real life into his fantasy world will have dire consequences for the count and his divinely decadent coterie.

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Nagare, a painter who wanted to commit a lover’s suicide with Mizue, the wife of his friend and patron Takigawa. Growing afraid at the last moment, he doesn’t go through with it – but Mizue sinks to the bottom of Blue Lake. Some time later, Nagare follows an invitation by Takigawa, who claims to have forgiven everything. To Nagare’s shock, Takigawa’s new wife, Ameko, looks exactly like Mizue. While staying as Takigawa’s guest, Nagare becomes haunted by Mizue’s ghost, who wants to be reunited with him at the bottom of Blue Lake.

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Akio Jissoji's Ultraman is a 1979 Japanese tokusatsu kaiju film directed by Akio Jissoji. It is a compilation film made up of scenes from Jissoji's episodes of the original Ultraman TV series.

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A trio of high school students, Ichiro, Hiroshi, and Reiko, try to give a demonstration against the suspension , but they are ignored by the students and embark on an unreliable journey.

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A rigidly devoted young servant lives in a decaying aristocratic household as its members drift toward modernity, hedonism, and financial collapse. While the family quarrels over the fate of their estate, he clings to tradition and ritual, becoming a quiet witness to the social change and emotional unrest around him.

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Two university students from Kyoto decide to swap partners and spend the night in an isolated motel. However, one of the couples is attacked. Desperate for answers, they search for the attackers and come across a cult that promotes sexual freedom.

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The second film in Toho's series on the military history of the Showa era, Hiromichi Horikawa's war drama offers a look at the career of controversial politician Hideki Tojo and the strained relationships between Japan's government, military, and the media.

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Advancements in science and the unchanging human psyche have given rise to new forms of terrifying crimes as the Science Research Institute (SRI) investigates various strange phenomena in Japan.

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Late entry "Ekimae" feature, about the hunt for lost treasure.

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The story centers on the fierce competition among newspaper reporters stationed at the Tokyo Metropolitan Police Department as they race to break major scoops. Alongside this, the film humorously depicts a rookie reporter who grows while repeatedly making mistakes. The first film in a series adapted from an NHK TV drama. Focused on those who work at the 'Sakurada Press Club', the home base of crime reporters who pursue exclusive stories in a corner of the Tokyo Metropolitan Police Department.

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An ageing fishing boat, Dai-go Fukuryu Maru ("Lucky Dragon No. 5") sets out from the port of Yaizu in Shizuoka Prefecture. It travels around the Pacific line fishing. While the ship is near Bikini Atoll, the ship's navigator sees a flash. All the crew come up to watch. They realize it is an atomic explosion, but take time to clear their fishing gear. A short time later, grey ash starts to fall on the ship. When the ship returns to port the sailors have been burned brown. They unload the fish, which are then transported away. They visit the local doctor and then go to Tokyo for an examination. It turns out they are all highly radioactive. Their symptoms become worse, and the contaminated fish causes a panic.

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Television production of I Want to Be a Shellfish. On a post-war peaceful day in Japan, Toyomatsu Shimizu, a barber as well as a good father and husband, is suddenly arrested by the Prefectural Police as a war criminal and sued for murder. According to the accusation by GHQ, Toyomatsu "attemped to kill a US prisoner", which was nothing but an order by his superior and failed after all with hurting the prisoner by weak Toyomatsu. Also, Toyomatsu was driven to corner at the trial by the fact that he fed the US prisoner some burdock roots to nourish him. Toyomatsu believes nothing but being not guilty, but he is sentenced to death by hanging. Prior to the execution, Toyomatsu writes a long farewell letter to his family, the wife and the only son: "If I ever incarnate, I hate to be a human being any more.... Oh yes, I would like to be...a shellfish living on the rock-bottom of the sea."

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Five boys escape from their life of bondage on an island 10 miles off Hiroshima, and are picked up in the Inland Sea, drifting in an open boat.

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Based on a 1956 television feature on Japan’s national network, NHK, this is one of Uchida’s rarest films. A socially conscious drama with a contemporary backdrop, Dotanba focuses on the attempts to rescue a group of trapped miners. The title is a figure of speech — (essentially “last minute” or “eleventh hour”) — that refers to a situation of peril. The film boasts a script co-written by Uchida and Akira Kurosawa’s frequent screenwriter, Shinobu Hashimoto, and stars Kurosawa’s frequent star Takashi Shimura.

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Depicts the boyhood days of Dr. Noguchi, world famous bacteriologist, who was born in a poor village as a farmer's son.

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Japanese drama

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The film consists of three short stories. Tomiko, the heroine of the first story, "The Flower Girl" (dir. Kozaburo Yoshimura), is a little girl who bears the unbearable burden of caring for her family. Tomiko's father has been unable to find work for a long time, and her older sister is terminally ill—it is unlikely that she will ever recover. To feed her family, Tomiko runs around the city from morning until late at night selling flowers... The second novella (dir. Tadashi Imai) also depicts the lives of the poor. An unfamiliar girl brings young Kavano a letter from his mother. It turns out that the girl's name is Kuniko, she is very hardworking, but her family is dying of hunger. Therefore, her mother decided to send Kuniko to her son so that he would marry her. The short story is called "The Unexpected Bride." The third short story, which gave the film its title, is particularly interesting: "When You Love" (dir. Satsuo Yamamoto). It shows the family of a young peace activist.

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The story of a group of young people who organise their own travelling symphony orchestra to provide music for people living in remote villages shortly after the war.

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Based on the novel by proletarian writer Sunao Tokunaga. The story is about a long strike by workers at a large printing house and the strikers' steadfastness, which neither hunger nor violence could break. The heroine of this story actively participates in her colleagues' struggle against layoffs, oppression, and police brutality.

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Military doctor Leutenant Hanada deserts during the war in the Philippines with a local girl. The officer in command orders Lieutenant Uji to shoot Hanada. Uji takes a sharpshooter called Takagi and tracks him. At first Uji cannot forgive Hanada but as Uji is isolated from the main force he too starts to think of desertion.

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Historical fiction about the aftermath of the atomic bombing of Hiroshima, Japan, on 6 August 1945, and its effects on various civilians, especially children, of that city.

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A movie that depicts the tragic fate of many Yokaren flight-academy pilots.

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A group of Okinawan high school girls are drafted as nurses during the American invasion of the island. As the enemy army advances further, the situation for the girls becomes increasingly desperate as food and shelter run out and the number of injured climbs, leading to the film's tragic finale.

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Returning from wartime China, Keiichi reunites with his mother Inako and adopted sister Tomi. He becomes drawn to Tomi’s beauty, and his mother appears supportive. But Keiichi soon meets Tsuneko, a former wartime nurse who has borne his child. Faced with a summons to stand trial for wartime atrocities, he entrusts Tomi and his son to Inako, then voluntarily turns himself in—believing he must answer not just to Japan, but to the world’s conscience.

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This film is strongly anti-war film. The film is based on the collection of writings by Japanese student soldiers who died during World War II. The film is located to Burma. It shows the everyday problems of soldiers in contrast of their ideas and the cynicism of their commanders. Soldiers are also victims of military bullying by their commanders.

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University students Sudo and Mori make money by picking up rich girls in dance clubs and conning them into giving them cash. Mori is the brains of the operation, and Sudo is the suave dancer who picks up the girls. Sudo becomes gradually involved with three different girls and is drawn into the gangster milieu, which he seems unable to resist even though he is responsible for his mother, grandmother, and sister Masako. In this world of bad boys and girls, Masako is the pillar of strength and moral virtue who finally enables Mori to straighten out.

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An attempt is made to suppress a journalist's investigation of collusion between a rural police chief and the local gangster bosses.

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A young girl searches for her long-lost brother in postwar Tokyo, clinging to hope and music amid the rubble of a broken Japan. Along the way, she touches the hearts of those around her with her resilience and song.

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