Marcel Mouloudji

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Set during World War II in France, the story begins when a resistance fighter is given shelter in an asylum by a friend who manages the institution. Soon after, the manager is arrested by the Gestapo, which gets the resistance fighter involved. He finds the informer who set his friend up and kills him. But then no one will believe his story about the informer and he becomes desperate enough to start losing his own mental balance. A young doctor and the daughter of one of the inmates help him keep it together, but he knows he cannot continue like this for long.

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In the darkness gunfire is heard. On a road near a Spanish city an abandoned prison-van is parked. Next to the van lies two dead guards. The two prisoners they transported have escaped.

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Michel Piccoli plays a police inspector whose best friend is murdered on the orders of gang boss Charles Vanel. The inspector knows full well that Vanel is too crafty and well-connected to ever stand trial for his crime, so he carefully lays a subtle trap for his adversary. Unfortunately, both Piccoli and Vanel are thwarted by a pair of scheming females.

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In this leftist short named after a French military unit in the Algeria War, a youth who had been called up returns to his hometown and tries to enjoy life and love but is haunted by his memory of tortures and executions.

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Just released from prison after serving a six-month sentence, Fernand Bastia goes into hiding. He has indeed double-crossed his gang by keeping part of the product of a robbery for himself. Thanks to his sister Marcella, Fernand has taken refuge in a small circus where she works. There, he falls in love with Gina but also arouses the jealousy of Quedchi, a fairground stall-holder who has seen him hiding the stolen money. After a while, Fredo Riccioni, the boss of the gang and his men, manage to trace him...

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A dying man entrusts 25 million to a young girl's care, but she's afraid of being suspected of theft.

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Georges works in a small-town drugstore. Passionate about music, he writes songs. When Anne-Marie, whom he loves, loses her parents, he leaves with her for Paris, protecting her because she is blind. His friends Paul and Marthe put them up in the vacant apartment of the publisher Recordier. When he returns, he's irritated, but Anne-Marie sings Georges' songs so well that he makes her a radio star. Georges flies into a rage, slamming doors. An upset Anne-Marie has an accident. Operation restores her sight. All that's left for good Paul to do is reunite the brave Georges with the sweet Anne-Marie.

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Four-episode Franco-Italian omnibus film. Four men from different national and cultural background take refuge in a cabin after being sidetracked by bad weather on their way to conference.

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In the early 1950s, the popular radio show "La Kermesse aux Étoiles", hosted by the famous Jean Nohain, mixing lottery games and performances of various artists, will be disrupted by the adventures of a man and his fiancée seeking to recover a dangerous bottle of perfume (explosive) which was unfortunately mixed with the prizes to be won ...

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La Vie d'un honnête homme English: The Virtuous Scoundrel, is a French comedy drama film from 1953, directed by Sacha Guitry, written by Sacha Guitry, starring Michel Simon and Louis de Funès.

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The short stories of Guy de Maupassant enjoyed a renaissance in the early 1950s, thanks in great part to the Max Ophuls production Le Plaisir. In Trois Femmes, three De Maupassant stories are dramatized, each conveying the central theme of women falling in love. In the first, a black female carnival entertainer causes an uproar when she falls in love with a white soldier. In the second, a young bride is pressured into having a baby to collect a huge inheritance. And in the final episode, a pregnant girl is "adopted" and protected by a small circle of friends. In standard De Maupassant fashion, each of the three stories in Trois Femmes is capped by a surprise twist.

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Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

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Felix is a middle-aged bourgeois husband. Much to his discomfort, he learns that his wife Gabrielle is carrying on with a young man--a very young man. Rather than express outrage, Felix decides that there's something lacking in him. He spends the rest of the picture trying to keep his wife by altering his own personality and outlook.

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Back from the war, Marceau Le Guern remembers. Educated in an orphanage run by Dominican brothers, he fell into misery when he left it. His only asset was his good looks, which did not escape the attention of Madame Alice, a shady woman who persuaded him to pose for pornographic photos meant for lonely aging women. Marceau also served as a gigolo before the war and captivity put an end to this juicy business. Now he wants to start a new life, all the more as ha has found love in the person of a pure young lady named Dominique. But Madame Alice won't hear of it...

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Elsa Lundenstein is accused of having murdered her lover. The jury discusses the case vividly. All members are somehow prejudiced because of personal life experience and subsequently each member reads something different into the presented facts.

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When he finds a package in the metro, given this period of restrictions, Mr. Truche thinks it may be a good deal, he takes it home but discovers a woman's head inside. A friend of Mr. Truche having just disappeared, the superintendent accuses her of having murdered her and discovers the head buried in his cellar. But the girlfriend, whom Mr. Truche loves platonically, returns from the countryside and at the same time we spot the assassin of the unknown woman.

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A young rogue kills an old lady to rob her. Arrested, he believes it is for this crime, hides nothing from his lawyer, who soon tells him that he is only accused of another theft prior to his crime. Sentenced to six months suspended prison sentence, he will also have to answer for the crime of the old lady.

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A woman returns to her hometown along the French coast, seeking answers about the death of her brother.

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1948. Madeleine is the headmistress of a kindergarten in Ménilmontant. Dr Libois, the school doctor, is very close to her heart. When Rose, a new helper comes to the school, Libois is impressed at once by her understanding of the little ones and her dedication to them. Little by little, Libois grows fond of Rose while becoming estranged from Madeleine. He eventually marries Rose.

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A proud femme fatale who works at a mountainous farm property manages, after being prodded by her lover, to become the heiress, but she plays the rival men against each other.

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A society heiress and a resistance fighter are tragically killed at the same moment and meet in the afterlife. They are offered a second chance at life if they can prove their love is real or be doomed to roam the earth as ghosts.

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Film in two eras.1st era: They are not angels. Chronicle of a Free French parachute training camp during the Second World War. 2nd era: Terre de France. A group of paratroopers landed in Brittany sabotages the German installations.

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In the harbor of Toulon, on the “Ocean” training ship, the apprenticeship of the cabin boys and experts of the Navy is punctuated by permissions in town, friendships, bullying, and loves.

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During the stagecoach trip of a frightened group of inhabitants of Rouen, Elisabeth Rousset, known as "Boule de Suif", renders these people a signal service, but comes up against their stupidity and their sufficiency. A little later, Boule de Suif assassinates the formidable Prussian lieutenant whom his friends had nicknamed Fifi and who shamelessly displayed his taste for pillage and his sadistic tendencies.

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A young sculptor presides over the destinies of a student club where a miserable young girl ends up one evening. The treasurer of the association falls in love with the young girl who returns the favor. The war. The sculptor comes back blind. Out of gratitude, the young girl marries him and restores his confidence in his talent; out of discretion, the treasurer steps aside.

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