Peter Schamoni

After ten years, Hella Mayer and her boyhood friend Andreas meet again in Berlin on the street. Both know each other from common dance lessons times.

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The film features several horse trainers and other track workers talking about their roles at the track, always eventually interrupted by an older man who claims to be the true authority, and demands that they be thrown out. One recurring young man, the first to appear, claims that he protects the horses from enthusiastic racing fans. He does not appear to be employed by the track, but seems to provide his services voluntarily. His protection from "fanatics" gives the film its title. The film is shot in a documentary style, but the sheer implausibility of the dialogue leaves the exact nature of the film ambiguous.

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Documentary by Wilhelm Roth about the state of affairs of the Young German Cinema.

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Interview film with the protagonists of the New German Cinema in 1966.

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T. finds a letter. Instead of just dropping it in a mailbox, he decides, conscientious as he is, to deliver it personally. He wanders the entire world, discovers astounding forms of existence, but cannot be hindered from his duty and keeps looking until he finally finds the address. There, he finds out that he has delivered his own judgment.

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Documentary about the current state of German cinema. Produced for German television.

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Allegory of a man who leads the people to destruction and then is reborn to recommence the cycle.

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Kristl was a member of the prestigious Zagreb Studio of Animation and his early works as painter and filmmaker had brought him instant acclaim and instant censorship. He fled Croatia and lived in Germany; he died there in 2004. Poor People, a “collective scream” of Cold War fear, was produced just after he left his country.

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During the Prohibition the US government has been just as successful at stopping drinking as they have been in the War on Drugs. Customs Officer Arne Kolk is determined to stop the alcohol smugglers at any price.

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This documentary celebrates Max Ernst, one of the most influential and visionary artists of the past century. The film covers the highlights of Ernst's fascinating career via a format that mirrors the restless reality of his life. An inveterate traveler and always on the move, Ernst lived and worked in Germany, France and America. His nomadic way of life kept him searching: "A painter is lost if he finds himself."

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A study of German 19th Century Romantic art through the writings and paintings of Carl David Friedrich and his fellow artist, Carl Gustav Carus.

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"Spring Symphony" is the story of Robert Schumann and Clara Wieck. Both were music entities. Robert Schumann turns out to have been a second tier composer, if that, never rising to the heights of a Beethoven or Mozart. In contrast, Clara Wieck was a master technician in the playing of the piano, a composer (probably not at Schumann's level), and was a child prodigy.

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A singer and a mysterious foreigner plan an abduction.

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Daddy, filmed in cooperation with movie director Peter Whitehead, discovers the connection between a father and little girl. Like the majority of Niki De Saint Phalle’s films, the flick combines autobiography with imagination, mixing erotic scenes of incest with a reverse of energy as the female character humors the daddy figure. Saint Phalle narrates the film, offering an almost psycho-analytical explanation of its content and explains the different inexplicable.

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A chubby-born young capitalist goes to the Riviera with three bums and casual laborers to successfully use his grandfather's surefire system in French casinos.

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In 1972, the camera eye observes Friedensreich Hundertwasser in the ambiance he has created for himself and presents a wide selection of his beautifully coloured pictures, which are owned by collectors all over the world, while the artist himself speaks about his life, his work, his ideas, and his manifestoes.

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Cilly is too young for compromises. The man she loves is much older than her. Although he too is overwhelmed by his passion, he hesitates to burn all his bridges. When he is finally ready to end his marriage for this relationship, the conflicts between the lovers become increasingly intense...

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Brother and sister meet again after 15 years and fall in love with each other.

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West Berlin, summer 1968: the attitude to life at the time through the eyes of (at least) three different quartets: the anarchic bards of "Insterburg & Co." wander through the backyards of Kreuzberg, passing the time with silly poems, homemade instruments and their playmates. The lively Jacob Sisters and their four poodles make guest appearances as international show stars in the luxury hotels. And postcard Berlin is presented by four oil sheikhs who are on a state visit.

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Martin is 25 years old and very reserved about work. Together with his buddy Henry, he lives in their Schwabing apartment in the day. But everything changes when he falls in love with the attractive Barbara and observed a slump: For when he gives up the police report, the officials themselves suspect him of the crime. In addition, he still owes a text to the hit producer Viktor Block. Suddenly Martin is up to his ears in chaos.

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A man returns every year to visit his estranged family and friends in this drama dripping with biting social commentary. His 40-year-old buddies are part of the nouveau riche who consider themselves elite and are content to sandbag it at work. Teutonic sentimentality is lampooned, and the narrow minded are held up to ridicule. Some fine performances outweigh the passages of unintentional humor in this second film from director Ulrich Schamoni.

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Max Ernst on amateur astronomer Ernst Wilhelm Leberecht Tempel.

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Two old school friends, both in their late twenties. One lives on his parent’s rural estate and does nothing; the other half-heartedly pursues work as a journalist in Düsseldorf.

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Manfred and Hilke live a live perfectly complied with each other in West Berlin. They managed to elude from the bourgeois conformity, which they loath. But when Hilke finds out about her pregnancy she estranges from her partner. Trying to keep her former life as it was, she desperately looks all over the city to get an abortion.

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The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.

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Kristl was a member of the prestigious Zagreb Studio of Animation and his early works as painter and filmmaker had brought him instant acclaim and instant censorship. He fled Croatia and lived in Germany; he died there in 2004. Poor People, a “collective scream” of Cold War fear, was produced just after he left his country.

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A satirical examination of the ways the influx of German tourists to Spain affects the local population.

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In his experimental short film "Brutalität in Stein" (Brutality in Stone), Alexander Kluge demonstrates how Nazi architecture used dimensions of inhuman and super-human scale to bolster the regime's politics of the same kind. Shots of huge neo-classical architectural structures from the Nazi period are confronted with equally anti-human national-socialist language as a voice-over.

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A film made secretly in Moscow by Peter Schamoni during the World Festival of Youth and Students in the summer of 1957. His cameraman was Jost Vacano. During their trip, they made authentic film and audio recordings of a kind that had never been seen before in Western countries.

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