Ning Ying

Documentary about China's film industry and the monumental changes in the past 40 years from beginning with propaganda films to the "5th generation" filmmakers and beyond, who embraced art and commercial films to make China the second largest box office market in the world after Hollywood.

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The director's grandfather is a blind fortune teller and his father a real-estate owner. They have grievances against each other for dismantling the old house. Grandfather thinks it's time for him to leave and asks Father to quit his job. At the same time, an accident happens at Father's construction site. They are entangled in dealing with the hatred from the past and the kinship that has always existed.

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The film is inspired by the story of Hao Wanzhong, a policeman in Ordos, Inner Mongolia. Following his career, through the inner workings of a modern Chinese police department in Inner Mongolia. While rising through the ranks Hao Wanzhong successfully solves difficult cases. His story carries us through vicious murders, corruption, and social unrest, against a backdrop of majestic winter landscapes, opulent cities and the raw industrial districts of this remote region of China. Hao's obsession with detective work leads to his meteoric rise from beat cop to district police chief, however his maniacal dedication comes at a cost, a cost to his family and ultimately leads to his death. - Written by Sean O'Dea

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Anti-trafficking training video for Unicef-China to provide young village girls with practical and applicable knowledge about high-risk behaviors and to advise on how to protect themselves being tricked while looking for a job.

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A voyage through modern day Beijing in the taxi of the womanising Dezi. His aimless drifting between destinations and women is much like Beijing's own search for identity between perishing ancient values and an uncertain future.

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An exploration of the soul of a city, made for the Turin City Government in the occasion of the “European Union Inter-Government Meeting”.

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Take crime out of police work, and what's left is procedures. In the western sector of Beijing, we follow the tedium of police officers. A rabid dog is loose in Guoli's beat: a gang of police officers hunts it down. Then, word comes from on high to pick up all the dogs in the sector: fear of rabies combines with the dogs' being status symbols of the nouveau riche. Occasionally a criminal is picked up: someone selling porn, someone running a three-card-monte game. Cops smoke, go to meetings, and hold trainings. They patrol on bicycles and enforce edicts. Guoli works nights. He's lazy at home, his wife wants him to do more. Is there any more to do?

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Required to retire from his job as a utility man at a Peking Opera theater, Old Han is at loose ends, wandering the backstreets of Beijing looking for something to correct.

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