Kaaka Radhakrishnan

Sakthi tries to sabotage his marriage arranged by his father but gets a huge shock when the girl turns out to be the one he loves.

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A young couple needs to get the rivalry between their families sorted out so that they can get married with full consent of their parents.

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Muthu, an orphan, works at an old age home and loves Roja, the daughter of the owner. But she is in a dilemma as she has to marry the son of her father's friend to save the home.

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Unnai Thedi (Tamil: உன்னை தேடி) is a 1999 Tamil film directed by Sundar C. The film features Ajith Kumar and Malavika in the lead roles, while an ensemble supporting cast includes Karan, Vivek, Sivakumar, and Srividya.

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Hari, a compulsive liar, falls in love with Nandini, an honest school principal. Though she accepts him for who he is, his habit of lying creates problems in their relationship.

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Jeevanandhan meets Mini in a book shop and their eyes meet leading to sparks of love in their hearts. Mini has a loving mother and three brothers, James, Thomas and Stephen and she is the apple of their eye. Mini is hesitant to reciprocate her love for Jeeva who steadily makes an inroad into her heart, the love affair incensing her family members who give him a thrashing each time he meets her. Jeeva's parents are under the impression that their son is pursuing his MBA studies until his father receives an SOS from Jeeva, injured in one such beatings. His father Chandrasekhar is stunned by the developments and Jeeva's mother is also shocked. Jeeva refuses to part company with Mini when his father arrives with his henchmen to take him back.

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A fictionalized account of the lives of 1980s Tamil Nadu political icons M. G. Ramachandran and M. Karunanidhi, continuing the tryst between Tamil cinema and Dravidian politics.

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Aruna, an industrialist, is unable to confront Thiruttani, a local criminal, and hires Murugan, who is in need of a job, on the condition that he solves her dispute with the criminal.

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After Nurse Pavithra's child dies at birth, she grows fond of Ashok, an 18-year-old patient suffering from bone cancer. Complications arise when her husband misinterprets their relationship.

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Sandhya is fed up of her life that is controlled by her father. She runs away from home but soon loses her money to Eeshwar. Waiting around for him to pay her back, she falls in love with him.

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London-educated Saktivelu returns to India and wants to open a chain of restaurants in Chennai. His father, however, wishes that he would stay back and help the villagers.

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Gunaa, a mentally-disturbed man, imagines a fictitious character of a woman to be his future wife. One day, he sees a girl in a temple and assumes that she is his imaginary love and kidnaps her.

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The story revolves around the portrayal of the ten different avatars of Lord Vishnu namely Matsya, Kurma, Varaha, Narasimha, Vamana, Parashurama, Rama, Krishna, Balarama and Kalki.

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1963 Tamil Film

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In a distant village in Tamil Nadu, a young man and woman fall in love and decide to live together. However, unbeknownst to them, a series of troubles await them and their family.

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Thanabakkiam and her daughter Sundhari are forced to leave the village after Sundharam grabs their land and house. Later, Sundhari becomes friends with Kanagu when her mother saves his life.

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Though Kumar and Shankar both love Thangam, she chooses Shankar. An enraged Kumar does everything to destroy Shankar's life but the repercussions instead affect Kumar.

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It is predicted that Kaladhar can only live up to 25 years of age. When he marries Gowri, they rue their short-lived happiness. However, Gauri has immense faith that God will help her.

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The film is based on two couples – where the first couple Dr. Chandra Shekar (Gemini Ganesan) & Parvathi (Anjali Devi) and the second couple is Ravi (A. Nageswara Rao) & Lakshmi (Savitri). Ravi & Lakshmi are happy lovers. Ravi is summoned and asked to marry another girl forcibly. Since his father's life & honor are at stake, Ravi agrees to the marriage. Simultaneously another marriage takes place in the same village Dr. Chandra Shekar visits his best friend's sister marriage but the marriage cancels in the last moment due to dowry problems to keep up his friend's prestige Shekar marriage's his sister called Parvathi. Due to sudden marriage, the couple doesn't see each other. Thereby because marriage is happening without his wish Ravi also not seen the bride's face. Both the bridal parties traveling on the same train which run into a disastrous accident. In the accident Ravi's parents and wife are dead.

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Rambayin kadhal (1956) is a Tamil Language Fantasy Fiction movie starring Thangavelu, Banumathi

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Manohara produced by M. Somasundaram. The Sivaji Ganesan-L. V. Prasad production was distinct, becoming a cult classic. Karunanidhi virtually rewrote Mudaliar’s play, introducing interesting changes like the climactic sequence for which he drew inspiration from “Samson and Delilah”, especially the part where the blind Samson pushes the pillars down. Mu. Karunanidhi’s writing was superb with a contemporary touch. His dialogue had punch, satire, wit and humour. Sivaji Ganesan was excellent in his dialogue delivery and P. Kannamba who played the queen mother was equally brilliant. Her line, ‘Poruthathu podhum, pongi ezhu, maganey’, became quite famous.

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This film retells the slaying of the Hindu demon, Narakasura, by Krishna, aided by one of his wives, Satyabhama. Another episode involving the sanctity of the tulsi (holy basil) leaf also takes part, with Krishna, Rukmini, and Satyabhama.

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Nallathambi (NSK) a simple rural man inherits an estate from his deceased Zamindar relative. The Zamindar's daughter Pushpa (Bhanumathi) falls in love with Nallathambi. However he loves another girl (T. A. Madhuram). Bhoopathy (Sahasranamam) the estate manager has his eye on the wealth and tries to cheat Nallathambi out of it. He goads Pushpa into filing a suit that Nallathambi is mentally insane. In the end Nallathambi defeats Bhoopathy's machinations.

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A fake Godman lusts after a pious courtesan. How her devotion to God transforms both of them forms the rest of the story

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