Robert Prebil

May 1945, Ljubljana. Following the end of World War II and the communist seizure of power, many opponents of communism flee Yugoslavia, retreating to Austrian Carinthia toward the British Allies. On a medical train from Ljubljana, alongside wounded members of the Home Guard, travel two physicians: Dr. Janez Janež and Dr. Valentin Meršol with his family. Their principles and consciences are put to the test as they face the brutal truth that they cannot save everyone - the survival of some will mean the death of others.

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The events in the movie begin just before classes start, when one of the students sets off a stink bomb in the school restroom. Because of the incident, the school has to be evacuated and classes are dismissed early. The principal and the school counselor must then identify the real culprit among five suspects. Was it just a childish prank, or a deliberate act?

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An intimate domestic drama about a family of lawyers adjusting to life following their oldest daughter's car accident - as their youngest daughter is about to leap into the world as a ballerina.

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Lucian (13) would like to fit in. He doesn’t want to be ridiculed, so he decides to go skiing for sports day even though he can’t ski at all. One lie leads to another, and finally to a flurry of untruths that put Lucian in an unbearable situation he can’t escape from.

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Inspired by a real event, the film follows 27-year-old Lara (newcomer Diana Kolenc), a paramedic intern who helps bring 30-year-old Kristijan (Vito Weiss) into the hospital, after he was brutally beaten on a Facebook live stream that was seen by 20,000 people and no one called the police. Although Kristijan is in a coma, Lara starts to receive video clips from his Facebook profile, showing unidentified persons watching him get beaten. She reports this to detective Borut (Jure Henigman, from A Trip and Dual), who starts an investigation. All the observers, who appear in the video clips, will become Lara’s nightmare in her real life. She soon realizes that she is also an accomplice in this horrible event.

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Aboard the mega cruise ship Sacramentum, 20-year-old new recruit, Jamie, infiltrates the 3000-strong crew in a desperate race to find his missing sister. She was working aboard the same vessel on a previous tour and vanished mid-charter.

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The year is 37 BC. A young Liburnian Volsus is taken by a Roman unit to help in what at first seems a simple task of collecting taxes, but the encounters with local Illyrian tribes soon lead to unexpected turns of events, as they show more resilience to subjugation than meets the eye. We see their archaic, emotional world of quaint and brutal laws and traditions through the eyes of this youngster, regarded by the Romans as a primitive barbarian, and gradually come to understand that their world is not all that different from our own.

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Ivan Cankar experienced many things only after he has written about them. In the film, this link between his writing and his private life is depicted by live-action and animated scenes that draw exclusively on the writer’s works and letters to his loved ones. For an entire decade, he lived with the Löffler family in Vienna, where he wrote most of his impressive oeuvre. First, he grew very close to the lady of the house, then to her adolescent daughter Steffi. Back in Ljubljana, he got involved with several girls there, an attentive lover of a cheerful nature, accessible and highly intelligent. His popular public lectures reveal him as a passionate social democrat.

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How did a corpse become a corpse? Five different stories. Each one different, with conflicting facts and the truth lying somewhere in between. Bizarre situations, comic plots, surprising discoveries and the question again and again - how did the corpse become a corpse?

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A young social worker gets her first independent case. But his solution won't be as easy as we'd like...

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It focuses on Ana, the wife of tycoon Sašo. When her husband gets in trouble and disappears, she realizes she does not know anything about her husband or his business.

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Cene, the lead character of the comedy series, finds himself at the lowest point of his life. After his marriage hits the skids and he gets fired, he decides to leave the city for the country. He finds another job, decides to leave the past behind and make a new beginning for himself.

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Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.

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Meet Ela: a mother of three, a wife, a friend, and a career woman. To juggle it all, she is often economical with the truth, trying to get herself out of this or that mess. The lies are mostly little, white, and harmless. Every now and then, not so much.

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The main character of the title lives a completely new life every time. Tomaž Kajzer is a classic hero of the series, but with a mistake. It’s always someone else.

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Relations between the students and the new teacher of German are extremely tense. When one female student commits suicide, her schoolmates blame the teacher for her death. An awareness that things are not quite so black and white comes too late.

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Set in socialist Yugoslavia in 1986, a humble and diligent factory worker falls into a 10-year shock right at his working place. He wakes up from coma in hospital in 1996 capitalist Slovenia, only to find out that he's left without job as being redundant.

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During his vacation, Piksi finds his brother's cassettes in the basement and spends three days listening to rock music, which changes his life. He decides to start his own punk rock band. The band consists of Piksi (electric guitar), Pejo (bass guitar), Sani (drums), and Edi (vocals). At first, they called themselves Avtsajders, then Ilegalci. Their idol is Johny Thunders. Piksi's father spends all his time lying in front of the television.

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The life and rather obscure hardships of a Slovenian feminist author and human rights activist Angela Vode.

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Little things in the everyday life of six different people: a pregnant woman who sets off with her daughter to give birth; her husband, who needs to take her to the maternity ward as soon as possible; a woman who is in conflict with the pregnant woman\’s husband regarding a parking dispute; her lover who wants a serious relationship; and a postman who wants this man\’s signature upon a registered letter. People always meet and their lives are interconnected, regardless of who or what they are.

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Duša is a young dancer and dance instructor. Torn between a dominant mother, an absent father and a married lover, she is sinking into a typical crisis of the thirties, which gets worse when she starts suspecting that someone has been following her and invading her privacy.

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Sani, a boy in puberty, and his elder brother Amir spend their summer holidays as usual in Slovenia to visit his uncle and his wife. The summer is beautiful, long and hot. Sani enjoys meeting new people, he likes the girls and the carefree fun. However, he does not realize that this is more than a vacation, namely, that he would stay in Slovenia. When he finds out about these plans that his relatives made for his life Sani is distressed and shocked. Under the pressure of these new and unexpected circumstances, his puberty turns into a wild chase.

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In a small town where everyone knows everybody else, independent researcher Vesna is investigating the death of the director of the local radio station. Although the director evidently committed suicide, Vesna, who has uncovered evidence of a conspiracy, is convinced that he was murdered. When several of the people she has spoken to about the matter find out that the director (Milan) was Vesna's father, they become even more withdrawn about the matter. Will Vesna succeed in unraveling the mystery--despite the many warnings that she should stop trying to uncover the truth?

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Three mutually intertwined stories from the present time are reflecting, complementing or contradicting one another. Throughout the film, the naked parts of a wounded humaneness are shown with a gentle irony. Baker Blaž is driven mad by alcohol and monsters of the hot summer days.

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A security officer tracks down the Gypsy girl who can identify an American diplomat's killer.

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