Ovanes Torosian

Iva works in a clothing factory in rural Bulgaria battling a persistent, yet mysterious illness. When it is revealed that she is the first case of COVID in her small town, the news spirals into an endless j’accuse— first from the factory owners eager to shift responsibility, then from her fellow co-workers, her son, and eventually her entire community, even though Iva hasn’t left her small town in years. With Iva’s public demonization escalating as the first victims of the virus emerge, she is quickly turned into a social outcast.

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In search of a quick buck, two brothers decide to steal a car from a snowy roadside parking lot. In their euphoria, they don't notice that along with the car, they also abduct a sleeping child.

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February 1954: ten mass graves with over 500 bodies are found in the region of Sofia, Bulgaria. Experts say they were killed and the deaths occurred in 1925. In one of the graves a glass eye is found - the glass eye of the poet Geo Milev.

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In a family left by their father, who forms an extravagant collection of moths as a \proof’ of the countless female hearts he has conquered, the erratic Mother tries to prevent her family from falling apart. Theo (13) is following in his father’s footsteps by becoming an erotic novelist. His sister Andy (18) refuses to talk to anyone, communicating online only with her brother. On one of her solitary walks, she meets and falls in love with Dinko, a young bum, who sees in her an opportunity for a profitable deal. He trades her to a Gypsy baron only to realise he is in love with her. Meanwhile, the mother takes a desperate step to save her daughter.

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1971, Bulgaria under Communist regime. A time when people are systematically oppressed a father decides to walk almost 100km to the nearest town so he can buy a new radio for his rock 'n roll obsessed son.

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1968. A burned book. A failed life. Humiliations that are not forgiven. Traumas that are not forgotten. Small "rebellions" and small "betrayals". A puzzle of many human destinies, in which small "no"s form one big "yes"...

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The Adam demo is a real-time-rendered short film created with the Unity engine by our demo team. It runs at 1440p on a GeForce GTX980 and was shown on the booths at our Unite Europe conference.

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The Hague, the International Criminal Tribunal for the former Yugoslavia: Two ambitious lawyers face each other in the trial of Milorad Krstić, who’s accused of committing war crimes as a commander in the Bosnian war. The defender, Mikhail Finn, has managed to refute all the accusations against his client. Convinced of Krstic´s guilt, Catherine Lagrange, the prosecutor, summons a young man with incriminating evidence against Krstić. He claims to have been abandoned by his parents as a child and to have been one of Krstić’s soldiers. Defender Finn starts to investigate in order to verify the witness’ testimony – and soon encounters the young man’s family. Inspired by a true story.

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"Snow" is a film for the choice, betrayal and forgiveness between brothers and sons, narrated on the background of the harsh reality in an abandoned place.

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Teenage Koko lives in a nondescript town in Southern Bulgaria. His parents moved to Greece where the wages are higher, leaving Koko alone to care for his grandmother, an elderly and unwieldy woman with Alzheimer's. Koko is in love with Elena, an aspiring singer who seems only to care about a famous rock band scheduled to pass through town. On the night of the big event, the social fabric of the teens' provincial lives is thrown into disarray, paving the way for new constellations.

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Bari, a city caught in the relentless economic crisis. Ivo is an agronomist, but the lack of opportunities pushes him to accept a job in the fertile region of Banat in Romania. Clara has just ended a relationship and is about to lose her job at the Bari harbor. Ivo and Clara meet by chance and seem to immediately understand each other. They spend only one night together before Ivo's departure, but that is enough to create a bond and wanting to meet again. When Clara visits him in Romania, they fall in love. But is exile their only way to happiness?

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Bulgaria-based director Kevork Aslanyan’s European Short Film Festival-winning sci-fi short sees a man trying to overcome an obstacle of gravitas for love. In a dystopian post-communist world, Constantine and his father Atanas share a small flat in a run-down apartment block. A tragic accident has disturbed gravity on Earth beyond repair, so everyone weighing less than 120 kilos flies up into space. With only 60kg body weight, Constantine cannot go outside, nor does he want to. Stuck in the flat, at the mercy of the electrical mood swings of a household gravitational normalizer, Constantine leads an almost normal life. He is content spending the days looking at the world through his window. Until the beautifully plump stewardess moving in next door changes everything.

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This is the story of Mityo and his son Vasko, who live in a poor area, near to the Bulgarian-Turkish-Greek Border. Mityo had lost everything that has mattered to him – his wife, his work, the confidence of his son, Vasko. In order to get him back, Mityo has to find forgiveness and pay for his sin, done 25 years ago.

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A boy starts an affair with his famous dad's young new wife - an instinctive way of victory of a confused soul over his parent's inadequacy. Ever haunting dreams about his real mother start overwhelming the boy more and more often. Unsuspecting a thing, the father keeps trying to carry out his own views on beauty upon their joint living. In vain - faith intends differently.

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Set entirely in the rural frontier area between Greece and Bulgaria, it is an austere story of a Greek man who wants to buy a baby across the border.

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Through two unique female personas the film suggests a metaphysical idea of the present as ever recurring, since the temptations, which the human soul faces, are always the same. But any choice can be made only after the experience of the past is passed on and shared with a kindred spirit in the present. Such is the nature of the relationship between Adriana, the femme fatale of 1938, and the innocent Yura of 2008.

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Three lonely women meet in Krapetz, a village on the Black Sea coast, trying to escape the arrogance and the triteness of "modern" post-communist society. The idyll continues for several days, but is soon destroyed. Crime, violence and corruption reach the three women even in this far, deserted place.

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While hitchhiking from Sofia to Ruse, Kamen meets Avé, a 17-year-old runaway girl. With each ride they hitch, Avé invents new identities for them, and her compulsive lies get Kamen deeper and deeper into trouble. Reluctantly drawn into this adventure, Kamen begins to fall in love with the fleeting Avé.

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TILT is a love story set against the backdrop of the changing political and social environment in Europe in the late 80's and early 90's. Can this love survive the challenges of emigration, a violent homeland and immoral social atmosphere thanks to a gang of adventurous friends?

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Two estranged brothers are brought together when they have opposite roles in a racist beating: while Georgi who's recently joined a neo-nazi group participates in the violence, Hristo witnesses and rescues a Turkish family. Only by reuniting will the two brothers be able to assess what they really want from life.

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Ana thinks she knows exactly what she wants with men. And with life in general. Tonight, though, her views will face a tough challenge. A meeting awaits her, and it will turn her world upside down.

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