Mike Dibb

This British documentary shows the complex layers of legendary jazz trumpeter Miles Davis, who was a major innovator in post-bop, cool jazz, hard-bop and fusion. Davis's raw-edged trumpet tones were some of the most evocative sounds ever heard. This profile captues the magnificent and mercurial artist -- one of the most identifiable and misunderstood pop icons of the 20th century -- through rare footage and interviews.

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Oliver Walston investigates his mother Catherine's 20-year relationship with the writer Graham Greene, which gave rise to Greene's famous novel The End of the Affair, twice adapted as a feature film. The documentary follows the second film during its production, where screenwriter/director Neil Jordan and stars Ralph Fiennes and Julianne Moore offer their personal perspectives on the novel's continuing resonance.

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Stephen Frears and a quartet of film industry notables - representing different cinematic periods - drink tea and discuss ups and downs of British cinema.

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The first novel ever written, Cervantes’ Don Quixote, lives on in a thousand adaptations, in film, opera, art and even computer games. This film examines how the chivalrous knight and his sidekick have become enduring cultural icons around the world.

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The rarely-seen 1994 BBC TV documentary on the legacy and influence of John Berger, featuring interviews with Alain Tanner, Geoff Dyer, Jean Mohr, Ernst Neizvestny and many more.

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From 1978 to 1985 Alan Lomax traveled the American South and Southwest with a television crew to document regional folklore with deep historical roots. From the resulting 400 hours of footage came the five-program series American Patchwork, which aired on PBS in 1991.

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In a brief life filled with prodigious artistic achievements, Federico García Lorca’s greatest legacy may well be his complex and compelling personality. Filmed on location in Spain, this BBC Arena documentary profiles the immortalized poet/dramatist, capturing the potent essence of Spanish culture in the process. Extracts from his poems, plays, and letters demonstrate his duende—burning passion—for the arts, while the details of his life and violent death, as told by his biographer Ian Gibson, contemporaries Rafael Alberti and Luis Rosales, and others, present a thoughtful perspective on Spain’s revered literary icon.

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This documentary features acclaimed Chicagoan broadcaster and Pulitzer Prize winner Studs Terkel talking about the value of oral history and the voice of ordinary working Americans.

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Film Essay based on “And Our Faces, My Heart, Brief As Photos” by John Berger.

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Cyril Lionel Robert James (1901-1989) was a historian, journalist and contributor to Marxist thought. Stuart Hall was able to interview him for Channel 4 in the UK . The interview discusses his thoughts on revolution, socialism, and politics. His involvement in activism lasted decades. Born in Trinidad, much of his life was spent in the UK. C.R.L James became a teacher and notably taught Eric Williams. Williams went on to lead Trinidad and Tabago to independence. C.L.R. James also wrote fiction and about cricket. During his youth he did play the sport and wrote Beyond a Boundary (1963) describing cricket’s cultural significance. One of his favorite novels was Vanity Fair. This novel followed the lives of Becky Sharp and Amelia Sedley during the Napoleonic Wars. James was a figure in the Pan-African movement and the anti-colonial freedom struggle. What tends to be ignored is his concern about class exploitation.

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“Parting Shots from Animals” was inspired by essays by John Berger and developed in collaboration with Chris Rawlence. Shot entirely in the UK, it consists of a diverse series of arresting ‘films within a film’, each presented as if made about us from the perspective of the animals whose lives we may appear to celebrate, but continue to exploit and to destroy. While John Berger doesn’t appear in the film and wasn’t directly involved in it’s making, he narrates to great effect the text he co-wrote to accompany the film’s provocative opening sequence.

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“Pig Earth” marked John Berger’s first return to television after “Ways of Seeing”. The film, boldly using mostly still photographs, is based on John’s book of the same name, which was both a work of fiction as well as a history of French Peasant experience, as told by John ‘the story teller’, as if in the peasant’s own voices. All of which was given brilliant visual expression in the film through a series of beautifully edited sequences, each constructed from vivid and moving photographs of peasants and their lives, in black and white and colour, by John’s friend and long-time collaborator, the Swiss photographer Jean Mohr.

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A translation to film of Raymond Williams’ 1973 book of the same title which traces images of ‘nature’ and ‘town’ through 200 years of English literature.

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A film based on Beyond a Boundary, the classic book by C. L. R. James,

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Bette Davis talks with Joan Bakewell and members of the audience at the National Film Theatre, London.

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John Berger's Ways of Seeing changed the way people think about painting and art criticism. This watershed work shows, through word and image, how what we see is always influenced by a whole host of assumptions concerning the nature of beauty, truth, civilization, form, taste, class and gender. Exploring the layers of meaning within oil paintings, photographs and graphic art, Berger argues that when we see, we are not just looking - we are reading the language of images.

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Short film, going behind-the-scenes of shooting for One Plus One (1968) in London, featuring an interview with Godard sitting beside a tree. Many crew members from this shoot were then borrowed by him, playing the press in the film's Eve Democracy sequence. Originally broadcast on the BBC programme 'Release' (30th Nov. '68).

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An interview with film director Roman Polanski, recorded for BBC TV in 1967.

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Actor Rex Harrison talks entertainingly about his long stage and screen career with David Lewin and members of the audience of the National Film Theatre.

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A short film Mike Dibb directed for the BBC in July 1968 in Cowdray Park, where Godard was shooting a sequence with the Rolling Stones for ONE PLUS ONE. It was broadcast on BBC2 within the framework of the arts magazine RELEASE on the 30 November 1968 to coincide with the screening (which has become famous…) of ONE PLUS ONE at the London Film Festival.

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This documentary features acclaimed Chicagoan broadcaster and Pulitzer Prize winner Studs Terkel talking about the value of oral history and the voice of ordinary working Americans.

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“Pig Earth” marked John Berger’s first return to television after “Ways of Seeing”. The film, boldly using mostly still photographs, is based on John’s book of the same name, which was both a work of fiction as well as a history of French Peasant experience, as told by John ‘the story teller’, as if in the peasant’s own voices. All of which was given brilliant visual expression in the film through a series of beautifully edited sequences, each constructed from vivid and moving photographs of peasants and their lives, in black and white and colour, by John’s friend and long-time collaborator, the Swiss photographer Jean Mohr.

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A translation to film of Raymond Williams’ 1973 book of the same title which traces images of ‘nature’ and ‘town’ through 200 years of English literature.

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A film based on Beyond a Boundary, the classic book by C. L. R. James,

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Recording of the actor in conversation with Joan Bakewell at the National Film Theatre, London.

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Talking with Michael Parkinson and members of the audience at the National Film Theatre, London. An informal discussion illustrated with extracts from some of his most famous films: Champion (1949), Ace in the Hole (1951), Paths of Glory (1958), Lonely are the Brave (1962), In Harm's Way (1965), The Arrangement (1970).

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John Berger's Ways of Seeing changed the way people think about painting and art criticism. This watershed work shows, through word and image, how what we see is always influenced by a whole host of assumptions concerning the nature of beauty, truth, civilization, form, taste, class and gender. Exploring the layers of meaning within oil paintings, photographs and graphic art, Berger argues that when we see, we are not just looking - we are reading the language of images.

Open details →