Pierre-Félix Gravière

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Italian jeweller Matteo Belmonte and his wife Christine are robbed for the third time in the space of a few months. With Christine in danger, Matteo fires two shots. The robber Rufin dies at the feet of Romy, the couple's daughter. Self-defense or not, Matteo has to learn how to survive after killing a man in front of his traumatised family.

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As a veteran of the Latin-American guerilla wars, Pierre Goldman became a mythical figure of the French protest movement of the '60s.

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A virtuous monk descends to the depths of sin and depravity after Satan sends an unholy temptress to lead him astray.

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Separated at the birth of his mother who has only time to entrust to a member of his family, Guillaume de Villon, when he should have been killed, François will as well go to the ill-known taverns of the Latin Quarter that the Court of the Duke of Orleans, passing by the benches of the university. This marvelous poet at the same time as a scoundrel of morality will have a life where fights, robberies, imprisonments and final banishment will be linked. Leaving Paris, Villon will disappear.

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X Femmes is a French television series of short films shown on Canal+ in 2008–2009. They were shot by female directors with the goal of producing erotica from a female point of view.

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Claire has just been fired. She decides to become an escort girl. Well, to try, anyway. Because her biggest obsession is the client's demands, especially anal sex.

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1968 and 1969 in Paris: during and after the student and trade union revolt. François is 20, a poet, dodging military service. He takes to the barricades, but won't throw a Molotov cocktail at the police. He smokes opium and talks about revolution with his friend, Antoine, who has an inheritance and a flat where François can stay. François meets Lilie, a sculptor who works at a foundry to support herself. They fall in love. A year passes; François continues to write, talk, smoke, and be with Lilie. Opportunities come to Lilie: what will she and François do?

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At the start, Christine Blanc is a temp, her boyfriend has gone. Near the story's end, she's been offered a steady job, she has a fiancé, other men seem interested in her, she's passed her driving test, and, after she wins 1000 Euros in a scratch-off, her colleagues sing that she's a jolly good fellow ("one of us"). But something's askew: her gaze is too direct, her eyes open too widely; conversational gambits hit odd notes; she parrots others' words; she cooks too much food when she invites a supervisor to dinner. When the supervisor takes Christine on a spontaneous outing that disorients her, her oddities become something else. Can things ever be normal?

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