Christèle Tual

Car genius Lino returns to conclude his vendetta against Areski and the corrupt commander who ruined their lives in this turbo-charged trilogy finale.

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The chauvinist Damien wakes up in a world where women and men have their roles reversed in society, and everything is dominated by women.

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Although he's now eighty years old, Claude Lherminier is still as imposing as he ever was. But his bouts of forgetfulness and confusion are becoming increasingly frequent. Even so, he stubbornly refuses to admit that anything is wrong. Carole, his oldest daughter, wages a daily and taxing battle to ensure that he's not left on his own. Claude suddenly decides on a whim to go to Florida. What lies behind this sudden trip?

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During a winter storm, Ursus offers shelter to two orphans, Gwynplaine and Déa; some years later, they are still living together. Gwynplaine has become a famous star, but his success threatens his relationships with Déa and Ursus.

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Romantic drama in which a young woman must learn to live with her past in order to finally move forward.

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Pilar is a Spanish widow who has raised her three daughters in France. In love with Fernand, the manager of the building in which she lives, she organizes a lunch in her home with the intention of introducing him to the rest of the family. The reunion goes wildly wrong and the family's craziness overtakes.

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Anne-Marie has a peaceful break-up with her boyfriend Alex, whom she doesn't love anymore. However, upon learning that another woman has come into his life, she becomes insanely jealous...

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French adaptations of the stories by Agatha Christie.

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Brigitte and Eric, who work for the same company, have been married for eight years. One morning like any other, the couple arrives at the office. When lunchtime comes, sirens sound. Brigitte learns that a man has just committed suicide by jumping out of a window. It's Eric, her husband...

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The daily life of two neighboring families, the Bouley and the Lepic, with literally opposite educational methods. Despite their social and cultural differences, they are friends and do not hesitate to face worries...

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March 2002, during an election campaign, Simon Barrachet, offensive journalist, took over the newspaper and a television station seeks to impose its vision of information. His team is going through a period of profound change, while the themes of the 2002 campaign invade every screen: the absence of electoral issue in the first round, and the supposed explosion of insecurity in France ...

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Blonde admired Brune's intransigence, who loved Blonde's spontaneity. Blonde had known how to say "yes" and enjoy the secondary benefits of her moral weakness (having a husband, children, in short, something like life)... Brunette had known how to say "no" and patiently suffer the inconveniences of her greatness. But now, after ten years of separation, Blonde arrives at her friend's house and the opportunity arises for both of them to try on each other's lives like trying on a dress.

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A young journalist (Lespert) helps the French President compile his memoirs.

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Rivalries divide the sons of the owner of a wine estate in Cognac.

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A group of young unemployed people from Le Mans (France) decide to create a new political party.

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Ten young people (boys and girls) at the age at which all is possible. They meet, they love, they choose. The film comes and goes between all those people, revealing their anguish, their dreams, depicting the portrait of a generation of the '90s which has both the fury and the fear of life.

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