José Luis García Sánchez

Logroño, 1959. The death of a local authority creates a double expectation in his family, the coming of the TV set the deceased bought and the mayor to attend the funeral. His grandson (Airas Brispo) will witness the grotesque situations.

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A walk through the work of Luis García Berlanga (1921-2010) that is neither a documentary nor a narrative movie, but a tribute to one of the greatest directors of Spanish cinema. Anything can happen: the performers are not themselves, but their characters; there are no interviews, but greetings; a series of entrances and exits. A joyful reunion, a celebration of life.

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Mr.Manolito and Mr.Estrafalario– characters of Valle-Inclán’s plays– spend the last days of Primo de Rivera’s dictatorship chasing the plays written by their admired Valle-Inclán whose works are banned by a Government Law. One day, they find a piece of The Daughter of the Captain, a portrait of the crazy soldiers who returned home after losing the Spanish Colonies. In other occasion, they attend one of the limited performances of Valle-Inclán’s:The deceiving Mr. Friolera. They are just longing for the best premiere ever: the Second Spanish Republic, a drama on for a very short time. It was a beautiful dream thought, like the Esperpentos (strange-looking characters) of Valle-Inclán.

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A multi-part feature on the governing body of Spain, the Popular Party under Jose María Aznar. Themes include the bombing of Iraq, immigration, U.S. fire in Baghdad, and the manipulation of the media.

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Lola goes to cover the press conference of the Cervantes Prize Award to María Zambrano. Captivated by the personality of the thinker decides to launch a film about her.

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Juan is now in his fifties, has a protruding belly, dyes his hair gray and lives alone with a cat who has urinary problems, but despite this, women still find him attractive.

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"There's Always a Way to the Right" is the name of a sensational television program with a large audience. The host portrays the lives of unfortunate people, trying to convince them that their fortunes can change whenever they set their minds to it.

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The film is based on the autobiography of writer Manuel Vincent. His father doesn't want him to become a writer and sends him to Valencia law school. One day Manuel sees his dream girl and follows her on a trolley car to Malvarossa beach. He then studies in college, meets call girl La China who teaches him love secrets, but still remembers that girl.

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Cosme, a 15-year-old boy, sets his sights and his libido on his new neighbor, Merche. After giving her a lift on his moped, and getting a glimpse of her underwear, he begins to look for excuses to wander next door. He manufactures illnesses to stay home from school and uses his free time to ogle her while she sunbathes outside. His efforts to sustain a relationship that leads to the bedroom are hampered by his amusing family, sabotaged by the maid, and jealously noted by his high school girlfriend.

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After the death of the abbot of a small convent the two monks who are left discover among the papers of the passed away abbot letters from the mother of one of them indicating that he is the natural son of a landowner in Extremadura. In order to claim the legacy of his friend the monk who has lived outside the convent for some time plans their voyage to the property of his father picking up on their way his daughter and lover. Once in Extremadura things look a little different to what the plans say.

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The whatever woman.

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In Santa Fe de Tierra Firme, an imaginary Latin American country, the indigenous dictator Santos Banderas rules with an iron fist. A group of rebels trying to seize power by force while some liberals try a change of government legally.

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Fifteen years after the plot a lawyer and a military ex-attorney meet and recall the intense days of 1975 when both participated in the decission of war or peace. The film is told in flashbacks of the two protagonists.

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A man in love with an unfaithful woman.

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A film team arrives at a more authentic and old square in Madrid to shoot a film. The area is full of children, working families and simple people who see the cinema as something unattainable. From his balcony, Paloma, does not lose detail of the shooting, nor of the movements of the gallant, for which he feels a strong attraction.

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A family, expelled from their shack, occupies the museum in Cordoba where once lived the prince who, in his youth, was the grandmother's lover. The curators and administrators of the museum, aided by a couple of inexperienced policemen, harass the squatters to force them to leave.

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A work of Valle-Inclán, the story takes place in Galicia in the early twentieth century. To escape poverty, the wife of a sacristan uses a hydrocephalic child as a sideshow attraction. This causes a confrontation with her sister-in-law.

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Ana is a middle aged woman who many years ago decided to start a new life in Paris. Now she must return to her hometown after the death of her parents, since they have left her an inheritance. There she meets Laura, her only sister, with whom she has to share the money received and, especially, an old house located in the center of Guadalajara. Now, the two women will have to leave the differences and problems behind that have arisen in the past to catch up and recover the fraternal relationship. Written by lament

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In the early Spanish Civil Post-war, in Madrid, during the most hard times of the Franco dictatorship, a group of second-rate players try to get out of their wretched lives taking advantage of the artistic caprices of the son of a rich man who supports the regime. They try to stage a Pre-war 'zarzuela' (a sort of Spanish operetta), 'La Corte Del Faraón', which ironically, thirty years later, is too obscene for the regime censorship. They finally manage to perform the 'zarzuela' but end up in the police station where they confirm that justice depends on which side are you on

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With the help of drawings and comic strips. brings together short films, on children's themes, in which rights that children and adults should enjoy are defended. For the first time, a whole series of important Spanish directors meet to make a children's film.

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Based on the life of Dolores Ibarruri (La Pasionaria), president of the PCE. The film is a documentary, prepared over three years with archive material from Moscow, Berlin, Paris, Havana, Yugoslavia and Basque and Spanish film libraries.

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In a restaurant they're preparing a grand banquet in honor of a sports association of anglers, but several circumstances seem to have conspired to boycott the event.

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Manoli and Fernando, a couple of communist ideas, want to live their love freely, fleeing from any bourgeois convention. At first, the couple rejects the help of her parents, but soon they will begin to give in and accept all kinds of comforts.

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Vicente and Margarita are a traditional and middle class married couple whose life is surrounded by a sea of confusion and uncertainty when their children begin to make their own decisions. They have discovered love and will not let their parents tell them what to do or who they have to love. The principles and traditions of the family will be replaced by each of the young people who will represent the different social problems of the time. Thus, the coexistence between them will change without Vicente and Marga can do anything to avoid it.

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A grotesque story starring a man obsessed with Antonio Machin, whose only desire was always to be black.

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A short documentary about the spanish town of Tomelloso and the hat the villagers use to wear

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A travelogue through the diverse neighborhoods of Madrid, its picturesque streets and its history; and an approach, with a sense of humor, to the lighted signs and advertising slogans of the shops: an unusual portrait of the city and its people.

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Natividad Zaro, born at the beginning of the 20th century, was a woman ahead of her time: a performer, playwright, screenwriter and film producer. Friend and collaborator of Lorca, Azorín, Valle Inclán or Forqué, who described her as the Spanish "Modesty Blaise", she produced Furrows (1951), Cannes for Best Film, and Dawn at Dark Door (1957), Extraordinary Jury Prize Berlin Film Festival.

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Reflections on Spanish cinema, based on seventy interviews with prominent filmmakers, analyzing their work and addressing their views on various general topics such as the industry and the evolution of Spanish cinema, as well as current issues such as the arrival of digital platforms.

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A look at the life and work of Spanish filmmaker and film critic Fernando Méndez-Leite, as he writes his memoirs and a novel with autobiographical resonances.

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Fernando Fernán Gómez (1921-2007), actor, writer, playwright and film director, was for decades one of the most important figures in Spanish culture. His close friends and relatives reveal another facet in which he stood out above all: that of being an excellent conversationalist, capable of hypnotizing and seducing those who listened to him.

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She appeared when Spain was waking up from a long post-war period and crying with melodramas starring children, a child prodigy unlike any other; a girl who, in time, would become a symbol of freedom and a total artist. Actress, singer, friend, lover. This is the story of Ana Belén.

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Logroño, 1959. The death of a local authority creates a double expectation in his family, the coming of the TV set the deceased bought and the mayor to attend the funeral. His grandson (Airas Brispo) will witness the grotesque situations.

Open details →

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A walk through the work of Luis García Berlanga (1921-2010) that is neither a documentary nor a narrative movie, but a tribute to one of the greatest directors of Spanish cinema. Anything can happen: the performers are not themselves, but their characters; there are no interviews, but greetings; a series of entrances and exits. A joyful reunion, a celebration of life.

Open details →

Mr.Manolito and Mr.Estrafalario– characters of Valle-Inclán’s plays– spend the last days of Primo de Rivera’s dictatorship chasing the plays written by their admired Valle-Inclán whose works are banned by a Government Law. One day, they find a piece of The Daughter of the Captain, a portrait of the crazy soldiers who returned home after losing the Spanish Colonies. In other occasion, they attend one of the limited performances of Valle-Inclán’s:The deceiving Mr. Friolera. They are just longing for the best premiere ever: the Second Spanish Republic, a drama on for a very short time. It was a beautiful dream thought, like the Esperpentos (strange-looking characters) of Valle-Inclán.

Open details →

Lola goes to cover the press conference of the Cervantes Prize Award to María Zambrano. Captivated by the personality of the thinker decides to launch a film about her.

Open details →