Giada Colagrande

Mourning the death of her father, Giulia is contacted by him from the other dimension.

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Registe, talking on a blade is an Italian documentary about the Italian Cinema signed by women and about the pioneer of the Silent Cinema Elvira Notari (1875-1946) plays by Maria De Medeiros. The directors interviewed are the most important Italian women directors: Lina Wertmüller, Cecilia Mangini, Francesca Archibugi, Francesca Comencini, Wilma Labate, Cinzia Th Torrini, Roberta Torre, Antonietta De Lillo, Giada Colagrande, Donatella Maiorca, Ilaria Borrelli and others.

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We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.

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In 1955 in Italy, race car driver Jed Cavalcanti suffers a mishap during the Molte Miglia rally and finds himself in a small town with a few familial surprises.

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A young Italian woman inherits from her deceased lover an enigmatic modern house in the New York country side, and goes to see it for the first time. When she arrives she meets the caretaker of the house.

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Maria lives with her 18-year-old sister, Caterina in a small apartment, tutors her at home, lets her out only for dance classes. Yet Maria sees no reason to hide her work as a prostitute from her sister. Men come in and out of the apartment constantly, and Caterina turns up the volume on her music to drown out the sounds from the next room. The film soon reveals that the sisters are in love with each other, a situation that cannot stand, but exactly what prompts the characters' behavior is rarely clear. Soon after Caterina's belated discovery of her heterosexuality, she is invited into the bedroom with Maria and a client.

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Mourning the death of her father, Giulia is contacted by him from the other dimension.

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This hourlong semi-documentary records the musical stage collaboration between director Robert Wilson and veteran performance artist Marina Abramovic. Also included is a wealth of background material about Abramovic's life and earlier works.

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In this dark tale of an esoteric ritual, a woman enters a shadowy laboratory where three witches attend a bubbling cauldron, surrounded by hanging skeletons of dresses. She is disrobed, led to a bath, laid in the water and her finger pricked to draw blood. The witches circle, chanting in strange tongues. As the smoke clears, we see the woman has made the ultimate sacrifice, transforming herself into the object of her desire.

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A young woman falls in love with a famous novelist and travels with him to his home in Southern Italy. There, her obsession with the memory of his dead wife begins to consume her.

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A young Italian woman inherits from her deceased lover an enigmatic modern house in the New York country side, and goes to see it for the first time. When she arrives she meets the caretaker of the house.

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Maria lives with her 18-year-old sister, Caterina in a small apartment, tutors her at home, lets her out only for dance classes. Yet Maria sees no reason to hide her work as a prostitute from her sister. Men come in and out of the apartment constantly, and Caterina turns up the volume on her music to drown out the sounds from the next room. The film soon reveals that the sisters are in love with each other, a situation that cannot stand, but exactly what prompts the characters' behavior is rarely clear. Soon after Caterina's belated discovery of her heterosexuality, she is invited into the bedroom with Maria and a client.

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Plot TBA.

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