Betty Sedlmayr

Lehar's The Land of Smiles touches the heart as it provides unforgetable melodies from start to finish. There are no weak links in the cast. Too often, we think of operetta as musical fluff, tired cliches, and obligatory dance scenes when things start slowing down. Not so in this classic operetta. We feel the pain of loss suffered by the two main characters, who make their roles natural and believable. There is more to this work than "Yours Is My Heart Alone." There is dramatic consistency and people you find yourself caring about as much as the music, the costumes, and the colorful sets.

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Violanta lives with her parents in a poor cottage in the mountains in Austria. Her family is frowned upon by the local population since her father is a drunk and suspected by the villagers to have caused the death of one of the farmers. One day handsome Marianus Renner comes along. He sees Violanta and immediately starts courting her, They become involved in a relationship, until one day he suddenly does not come to her usual appointment.

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Because the soulful county doctor in a small spa town in the mountains has interfered with the business of selling "healing waters", he incurs the enmity of the local shopkeepers. And for that reason, his candidacy for the post of District Medical Officer is thwarted.

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Prague in the 1860s: Balduin is a popular, handsome student, the best fencer in town, in amicable rivalry with his friend Dahl for the affections of Lydia, the innkeeper's niece. While the students are celebrating Lydia's birthday, the opera singer Julia Stella arrives at the inn - and Balduin's life begins to unravel. He is immediately infatuated with the glamorous singer - but she is already kept by an admirer, the wealthy and foppish Baron Waldis. How can a poor student hope to compete? The mysterious Dr. Carpis, who also has ties to Julia and is jealous of the Baron, intervenes. But the price will be higher than Balduin can ever imagine. He risks his sanity and his life - perhaps his very soul - haunted by his own reflection.

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Rather coarse, pre-War comedy about a Markgraf -- Heinrich XXVI -- who bathes in the springs of the Ammendorf to strengthen his potency. The town and its springs are especially well known for the many couples with lots of children, who, for tax reasons, live there unmarried. The town smithy and bully provides his vitality to ensure the countess has an heir for the throne.

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A farm boy betrothed to a socialite falls in love with his maid - an impoverished girl from the marsh.

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Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.

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Vienna, 1753. Baron Neuhaus is flirting with two ladies-in-waiting, hoping to get a job at the imperial court. He succeeds, and the empress orders him to investigate the immoral conduct in the palace of which Neuhaus himself is the cause.

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A struggling composer gets one of his pieces into a film program and his wife captures the lead part in the production as well.

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A young woman tries to hinder her sister from committing adultery - by wooing the man she thinks is the suitor herself.

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Director Burckhardt is found shot just after making the moves on Gisela Ostercamp, the wife of a business colleague. When the criminal investigator Haupt inspects items in the apartment of the dead man, he comes to the conclusiong that Gisela herself is the murderess and accusations start flying between the married couple. The murdered man's brother, the lawyer Burckhardt, steps up to act as defense counsel for the woman, with whom he has learned to love in the meantime.

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