Ken Gajadhar

It s Christmas Eve in London, 1974 - and seven lonely people are on the town, looking to grab that elusive slice of enjoyment. So who better to contact than an escort agency- providing high-class ladies and gentlemen for anyone willing to pay the right price. But even in the saucy seventies, things weren t that easy- and our intrepid pleasure seekers have to face everything from inadequacy, rejection and catharsis to racism, violence and grand theft. Just goes to show how lonely a place the throbbing metropolis can be, especially during the holiday season...

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Frankie Dymon's Death May be Your Santa Claus (1969), arguably Britain's first and only example of a 'black power' movie, in which themes of sexual and political identity encircle one another in the context of a hip and hippy London of the late 1960s, suspended between the cinematic radicalisms of films such as Roeg's Performance, Godard's Sympathy for the Devil in which Dymon played a leading role, or Boorman's Leo the Last. Thought lost until quite recently, this inscrutably-titled film is described as a 'pop fantasy' and offers an intriguing look at 60s sex and politics from a black British perspective.

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