Jordi Padrosa

Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.

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Barcelona, 2002. A coffin is carried to the cemetery of Montjuïc in a chariot drawn by horses. The lifeless is Pep Grau, an old fisherman found drowned and subject to his boat by a complicated knot sailor. The Pep voiceover Grau, portrayed with affection and humor the curious characters he met in life, recounts the difficult moments of his childhood during the Civil War, and finally, we are introduced to Lola, the woman of his life , which has a fish stall in the Boqueria Market beautiful and, after the death of Pep, begins receiving anonymous gifts. Silvia, a teenage ambitious and attractive, is the attorney for the insurance company. Mario, her boss and lover, asked to investigate the strange circumstances surrounding the death of the fisherman. Silvia's inquiries aa allow us to know other characters, like the maverick Dr. Cipriano Mera, Pep old comrade, and his son Gabino Mera.

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Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

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