Héctor Alterio

An Italian composer in crisis takes a break in Valencia, where he takes a shine to a famous singer.

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A patient expresses himself using the lyrics and titles of tango songs as a result of a post traumatic stress disorder discovered by a psychiatrist.

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Slastan, a Karadjistan man, is willing to blow himself up aboard a Moscow plane bound for Madrid, but his plan is complicated when, due to a snowstorm, the flight is delayed. Staying in a hotel, the terrorist will have to live with the 332 people who he will kill until the storm ceases, which prevents him from continuing his mission. Slastan knows, speaks and relates to his future victims and begins to wonder if suicide and ending the lives of all these innocent people is really right.

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Though no one can see him, Hollow Face lurks in the corners, desperately desiring love but only knowing how to spread fear and hate. He creeps into the life of John Farrow after Farrow’s beloved 12-year-old daughter Mia is assaulted in their home. The line between the real and the imaginary blurs as fissures start to open within the family unit. It seems that no security measure can keep Hollow Face out.

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A global cataclysm, caused by a fatal accident in Geneva (Switzerland) during the implementation of the particle accelerator will lead to the crew and students of the school-ship Polar Star to live the greatest adventure of their lives. Isolated and aware that we only have each other, the ship will become their only home.

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Salamanca director Chema de la Peña recalls in this feature documentary professionals early filmmakers like Fernando Colomo, Fernando Trueba, Imanol Uribe, Carmen Maura and Antonio Resines, protagonists of the so called 'New Spanish Cinema' in the 80s. His first films were produced between friends, her back to the industry. Rolled with minimal budget and with the sole intention of having fun ... And big surprise were critical and box office successes. And also true generational manifestos.

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Pascual is a seventy-year-old man who lives in a small town in Spain. He owns an old house and a little store. He earns just enough to live. He can't get used to being old and lonely. To him this is rather difficult because he has not seen his daughter for years and he misses his wife, who died short after her daughter left home. A Jazz band plays in a brasserie in the city of Marseille. The owner, Aline, is a Spanish thirty year old woman, who is divorced and has a son...

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In a small town in the Basque country, Lucas and Maria are an elderly brother and sister. They share a house with their memories and the ghosts of the people they have loved throughout their lifes. They know that sooner or later they will buy their ticket for their final journey. Marcos and Roma are young and alone. She's a nurse and paints windows that embellish the views from her room. Marcos is a street performer with no home of his own, clinging to his accordion and a pile of questions. They don't know that sooner or later they will all set out on a journey together.

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It tells two parallel stories: that of José Olaya (Ernesto Alterio), a young Asturian miner who is forced to emigrate to Argentina in 1934, using his brother Andrés’s identity and documents; and that of his son, Ernesto Olaya (Eduardo Blanco), a middle-aged Argentine architect who emigrates to Spain in 2001, also against his will, seeking a way out of the economic problems affecting his family.

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This is the story of an optimistic and amnesiac people who, at the slightest glimmer of light, are prone to forget the pain caused by repeating their mistakes at the polls or by knocking on the doors of the barracks, and rush into hopeful celebration: a dubious World Cup, a war with England, the coming of democracy, etc. And so, between pain and celebration, they await that promised future of abundance.

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A biologist in an insemination clinic unexpectedly falls in love with a free-spirited trapeze artist and the idea of fathering her child. A hilarious romantic comedy about love at first sight, with complications to follow...and more laughs than you could possibly conceive!

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In the middle of nowhere, along a secondary road, a small old gas station interrupts the arid countryside. Its owner is José, a man of about fifty years marked by the tragic death of his wife.

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A man volunteers to take part in an experiment that attempts to analyse human behaviour under extreme conditions of terror. His mission is to remain seated inside a dark room for a length of time of 15 minutes. If he manages to hold on, he will receive in return a generous sum of money. Is it possible to terrify an individual who knows beforehand that everything is a farce?

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Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.

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A retired teacher and a soap star leave their routines and the men in their lives behind and embark on a weekend trip.

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Adrian (Leonardo Sbaraglia) is a young man who has spent years running away from himself, constantly changing city and work, looking for people to relate to the least possible and all for one reason: he has the ability to see things that have not yet occurred, is a precog. He learned it when he anticipated the death of his parents and could not do anything about it. Adrian tries, unsuccessfully, to flee from his gift

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Barcelona, 2002. A coffin is carried to the cemetery of Montjuïc in a chariot drawn by horses. The lifeless is Pep Grau, an old fisherman found drowned and subject to his boat by a complicated knot sailor. The Pep voiceover Grau, portrayed with affection and humor the curious characters he met in life, recounts the difficult moments of his childhood during the Civil War, and finally, we are introduced to Lola, the woman of his life , which has a fish stall in the Boqueria Market beautiful and, after the death of Pep, begins receiving anonymous gifts. Silvia, a teenage ambitious and attractive, is the attorney for the insurance company. Mario, her boss and lover, asked to investigate the strange circumstances surrounding the death of the fisherman. Silvia's inquiries aa allow us to know other characters, like the maverick Dr. Cipriano Mera, Pep old comrade, and his son Gabino Mera.

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In 1976, Argentina fell into the hands of a de facto government. Thousands of citizens are persecuted and kidnapped. This is the case of the parents of two children, who, knowing they are wanted, decide to hide.

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Uma, tired of waiting for the man of her dreams to raise a family, decides that Nico, the boyfriend of her best friend Lucy, has all necessary features. So she asks her a favor: to lend her boyfriend once. In the middle of surprising situations, Uma convinces Lucia and Nico. That way it starts what first seems "a simple procedure"...

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Three old men and a little boy try to preserve what they consider to be National Patrimony in the form of a locomotive nicknamed the "33"

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A priest and his father investigate the disappearance of a cardinal who has damning information about the Vatican.

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Miguel Bardem's Christmas comedy Noche de Reyes (Twelfth Night) intercuts a variety of story lines. Ernesto Cuspineda (Joaquin Climent) is a businessman whose life comes unglued during a party. His wife learns of his affair, and his daughter is expecting a baby. There are wise men who have nefarious motives, and scam artist Santa Clauses.

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This is the story of writer Alberto's long journey to Stockholm, where the Nobel Prize awaits him, in a blazing Maserati. He is accompanied by Alessandro, a young journalist whose job is to interview him along the way. Personal and generational dynamics arise between the two men, leading to misunderstandings, jealousies, quarrels, separations, love quarrels and so on, but also to growth for both of them. A story full of twists and turns and always played on the edge of irony.

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Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

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At age 42, Rafael Belvedere is having a crisis. He lives in the shadow of his father, he feels guilty about rarely visiting his aging mother, his ex-wife says he doesn't spend enough time with their daughter and he has yet to make a commitment to his girlfriend. At his lowest point, a minor heart attack reunites him with Juan Carlos, a childhood friend, who helps Rafael to reconstruct his past.

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A woman finds herself going from having no man in her life to having more suitors than she can handle in this offbeat romantic drama. Rosa is an artist in her early forties who is recently divorced and looking for a new relationship. Unfortunately, few immediate prospects are on the horizon, and Rosa spends much of her free time commiserating with her close friend Jaime, a gay actor her own age. After consulting Andronica, a fortune teller, Rosa is told that relationships with three different men are on the horizon for her, and soon she finds herself falling for Gustavo, an architect from Argentina. While in Spain, Gustavo is staying at a hotel run by Greta, who is the unwitting center of a web of romantic entanglements; her daughter, is involved with Juan, a delivery boy for a pizza parlor who also has his eye on Rosa, while Greta's ex-husband (Bob Wilson) is also hoping to win Rosa's heart, in his case through poetry.

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In the aftermath of the May Revolution, which sparked the end of Spanish colonial rule and the establishment of the first independent government in Buenos Aires, revolutionary leader Juan José Castelli is given the order to oversee the execution of former viceroy Santiago de Liniers. This pushes Castelli into a deep moral conflict, forcing him to confront the tension between revolutionary justice and personal conscience, as well as the human cost of political change.

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Carmen Uranga is a 42 year-old woman who after 20 years jurisdiction of her native country (Argentina), she returns to solve a family problem related with the inheritance that her sick father wants to leave him. Their return trip results in the unavoidable memories of the torture that that was object during the dictatorship and a dramatic revelation.

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