Jowan Le Besco

The story of Napoleon Bonaparte's grandniece, the famous Princess Marie, her friendship and her work with Sigmund Freud.

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Marion is a 14-year-old girl who is on holiday with her family by the sea in Normandy. But she soon comes into conflict with her mother and siblings. There she also meets a man named Marc, to whom she feels attracted, who sees her and desires her. Back in Paris, she visits him again. For the first time in her life, she will make love to him.

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Yanis, a young Kabyl man, is leaving for Paris the following day. He goes to the nearby village to tie up loose ends. There he learns of the death of a childhood friend and meets another at the funeral. A mishap in a café turns his last day in the backwaters of an earthy and soggy Algeria into a road movie, first desperate, then thoughtful and melancholic.

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Annette is a young French actress. During her stay in New York to promote her latest film, she meets up with Alex, an Armenian photographer and long time friend. As the week progresses, they become inseparable and spend all of their time with together. They meet different people in New York and draw comparisons and differences with their own views and ideas of love, marriage, friendship and life. They have a special connection, but there is something unspoken between them. They begin to reveal themselves only when Alex photographs Annette throughout New York City. From friends to lovers there is only one step. Their relationship is about to unravel, but is it?

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Six stories, six films that follow on from each other; this is a glance at the childhood of renowned directors whose style has marked the history of film. A group of young directors focus their cameras on the story of these filmmakers, these childhood stories that sometimes shape an entire life and thus shed light on their cinematic works. The stories overlap to merge into one film about childhood, filled with emotional wounds, frustrations and encounters.

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Nicolas, an aimless adolescent who hasn't yet found his way in life leaves his grandparent's home, hitchhikes to a small town, and befriends, Charly an outspoken and slightly older prostitute, a red-headed beauty who appears to ply her trade in the same no-nonsense way she clears the breakfast dishes. She seems to find something endearing about Nicolas' mussed hair and dopey face, so she puts him up in the teeny trailer home that she maintains with such hilarious fussiness. As their unusual domestic arrangement evolves, each stumbles vulnerably into new emotional territory.

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