Paul R. Gurian

The film chronicles a long-ago time when men relied not on their intellect to make points, but on their swords. A mythical warrior ('Ralf Moeller (I)') wanders the snow-capped landscapes of the North territories on an arduous quest for vengeance. Amid nobles and schemers, saints and brutes, and lovers and fools, this Viking swings his sword for his family's honor, his beloved's hand, and the very survival of his pitiless culture.

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Rebellious young Axel Blackmar gets caught up into the family car business when his cousin, Paul, coaxes him to come to Arizona to attend the wedding of their Uncle Leo. As Axel makes the decision to try selling Cadillacs with his family, he meets an eccentric woman named Elaine and her equally quirky stepdaughter, Grace. Their lives become inextricably intertwined through romance, dreams – and death.

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Abby is a pregnant woman with a curious new boarder in the apartment over her garage. Turns out he's heaven-sent and is speeding along the Apocalypse by bloodying rivers, egging on plagues and following scripture word for word.

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At her 25th high school reunion, Peggy Sue faints and awakens in 1960—back in her senior year, before her marriage and all her regrets. Given a second chance to relive her youth, she must decide whether to change the choices that shaped her life or embrace the past that made her who she is.

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Alex Cutter is a boozy, belligerent and deeply cynical Vietnam veteran whose encounter with a landmine during the war has left him minus an eye, a leg and an arm. When his drifter playboy friend Richard Bone is falsely accused of murder, Cutter sets out for revenge in his own inimitable style.

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Bernice, a shy young woman, leaves her safe home to go visit her flapper cousin. When her cousin tries to teach Bernice how to be much more modern, Bernice gives her much more than she bargained for.

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"This film features the people of Puerto Rico and the revival of the ancient culture of that island. The story is told through the eyes and work of Dr. Ricardo Alegria — head of Puerto Rico's Office of Cultural Affairs and the first executive director of the Institute of Puerto Rican Culture. The film was produced by Paul R. Gurian, executive produced by David Boyer, and directed by Jack Sholder" (US National Archives).

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