Nana Palsikar

Jeeva, the son of a elderly washer woman, is tired of the abuses at the hands of his village's leader Thakur Jaswant Singh, and vows to bring about his downfall.

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The entire plot is woven around Indian family values, enterprise and meteoric rise in business.

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Retired Judge Shyamlal Kumar lives in a palatial home with his wife and only son, Arvind, who is now studying law and is on his way to become a lawyer, and after that a judge just like his dad. Arvind meets with beautiful Asha Shastri, both fall in love and would like to get married. Asha introduces Arvind to her astrologer dad, Chintamani, who instantly approves of Arvind; while both Shyamlal and his wife give their blessings and approval to Asha. But when Chintamani, whose predictions always prove to be accurate, sees a dark future for the young couple, withdraws his blessings and asks them not to marry each other. Spooked by this, Shyamlal and his wife also ask Arvind to marry someone else. But both Arvind and Asha believe that nothing bad will befall them, and they start living together without getting married. This raises ire in their conservative community and both are blacklisted.

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Long lost siblings grow up on opposite sides of the law; the girl becomes a thief and the boy becomes a police officer.

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Karan hires Lata as his secretary and asks her to move to one of his cottages with her family. However, things take a turn when she is accused of stealing a valuable necklace.

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Tells a heart-rending saga of an orphan girl, whose body and soul are divided between her aged husband and a young forest officer she had fallen in love with. Being the wife of the old Choudhari has she any right to expect love from another man forms the crux of the story.

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When Vishnu, a reputed judge, is mistakenly assumed as Anil, who is the murderer of Dhanraj, he decides to travel to Anil's home town and unravel the mystery behind it.

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A series of unfortunate events cause a recent migrant into Bombay to turn to a life of crime.

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Surjit Singh is forced to take care of Ram Din's family after he accidentally kills him while driving under the influence of alcohol. However, he is treated with hostility by Ram Din's family members.

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Anoop marries Minoo, a childish girl who doesn't understand her relationship with Anoop. While returning back to Calcutta, he is compelled to leave her with her mother.

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Heer Raanjha is a 1970 Indian Hindi-language romantic musical film directed by Chetan Anand. It stars Raaj Kumar and Priya Rajvansh and tells the tragic love story of Heer, a wealthy girl, and Ranjha, who has been banished by his family. The film is often referred to as a Punjabi version of "Romeo and Juliet.

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Britain's top pop artiste, Tom Pickle, travels to Bombay, India, circa 1960s to learn to play the sitar from renowned maestro Ustad Zafar Khan.

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Amar and Prem, college friends, and Asha and Shobana form friendships. Marriages are arranged, but dowry demands a US ticket. Prem returns, becomes office predator, and Asha endures harassment to pay off debts.

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An advocate faces heavy odds defending the brother of his sweetheart.

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A once-disgraced school-master gets arrested for killing a lawyer's pregnant daughter.

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A woman responsible for her mother and 7 siblings faces challenges after marrying a widower with 6 children.

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In a small industrial town near Bombay lives Bholanath, who works at the local mill, and is the proud husband of Gauri, a daughter, Champa, and above all his son, Ramaiya, who is a graduate in the arts faculty, - the only one in this town who has attained this degree. But times are hard, and jobs are difficult to come by. When Bholanath loses his job, Ramaiya decides to find employment, and does so as a menial worker in the same mill his dad used to work. Ramaiya is very popular with his co-workers and they soon elect him as their new union leader. This puts Ramaiya in conflict with the Management of the Mill, headed by the owner, Kapoor, who has ordered that Ramaiya be eliminated post haste. But Ramaiya is determined to address the workers' grievances, and he gets himself framed for theft; has the police on the lookout for him, and so Ramaiya goes into hiding.

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A big-game hunter's son and a Hindu boy brave the jungle in order to deliver a baby white elephant to an Indian temple.

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A grieving widower has a complex relationship with his daughter, blaming her for his wife's death. As she grows up, a kind poet helps her heal and find happiness despite her father's conflicted behavior.

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Seema lives a wealthy lifestyle with her widowed mom in Bombay, India. Her mother is a compassionate soul who rents out several rooms in a self-owned building, which is occupied by very poor and nearly destitute people. Seema's mom often ends up looking after her tenants financially and also gives them ample time to find money to pay the rent. Seema, who wants a luxurious lifestyle, has sold the building to Bihari, and is all set to evict the tenants forcibly. Watch what happens when Seema's mother and Rajan decide to confront her to try and stop this sale.

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An estranged husband refuses to take up his son's responsibility after parting ways with his wife. But when he receives the news of his wife's death, he sets out in search of his son.

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After completing his medical studies, Gopal (Rajendra Kumar) takes a break and goes on holiday in Kashmir. There he meets with Usha (Sadhana) and both fall in love with each other. Back home, Gopal has a close friend, Ramesh (Feroze Khan), whose dad (Brahm Bhardwaj) wants him to marry Usha as an arranged marriage. Ramesh likes Usha and is willing to marry her. In the meantime, Gopal finds out that Ramesh is going to be married to Usha and decides not to pursue his romance with Usha. When Ramesh and Gopal's sister, Sarla (Nazima) convince Gopal that Usha only loves him, he reveals a dark secret to them, which may convince them that he is not right for Usha.

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An impoverished sculptor marries his inspiration but is then betrayed by her.

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The story revolves around a Nawab, who having lost his money, still continues to live in the old traditional style, maintaining a grandeur facade. His son opposes the unrealistic life-style.

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After her return from abroad, Lali adjusts to life in India along with her devout Hindu mother, Laxmi; an easy-going father, Dinanath; two sisters, Kalpana and Geeta, and spends most of her time dancing along with her sisters and friends. On her way to the Mandir, she assumes a singer, Puranchan, is teasing her and she slaps him, but ends up apologizing when she is told that he is blind. Guilt-ridden, she makes arrangements for him to be taken to Bombay, has his vision restored, and both fall in love with each other. Dinanath takes a liking to Puranchan and not only gets him a job but also wants him to wed Lali. About to inform his parents, Purchan does not know that Dinanath has actually instructed Lali not to see him anymore as he is a Harijan (Lower-Caste).

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An air force pilot, upon returning home from war after being assumed dead, weds the woman he had long loved, unaware that she had been planning to marry his best friend.

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Balraj (Dharmendra), affectionately called Raj, by his elder brother (Nana Palsikar) and sister Vija (Madhumati), is a student in college in the arts semester. As the family is not very rich, Raj decides to move from the hostel to the residence of a family. He finds one such family in Gandhinagar, which consists of Choudhury Hukumat Rai (Ashok Kumar), a lawyer by profession, his wife (Nimmi), and only daughter Shanti (Mala Sinha). Hukumat takes an instant liking to Raj, and tells him that his wife will only allow him to take up residence if he tells her that he is already married. Raj reluctantly does so, and thus acquires residence with the Rai family. Eventually Mrs. Rai takes a liking to Raj, so does Shanti. Shanti finds out Raj and her dad had lied to the family about Raj's marital status, she confronts Raj, and he readily admits that he lied.

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Mr. Gupta passes away after an accident while on duty, leaving behind his ailing wife and school-going son, Ramnath. Both await for some compensation, and when they are informed that the company does not accept liability for Gupta's death, his wife falls down the stairs. and passes out. When Ramnath goes to fetch a doctor, he is knocked down and run over by a speeding car, losing the use of his left leg. When he returns from hospital, he finds that his mom has passed away, and his landlord has evicted him. Penniless and hungry, he roams the streets of Bombay and befriends a blind young man, Mohan, and both use their talents - playing and harmonica and singing respectively to earn some money. Mohan is on the look-out for his sister, Meena, who works as a Nurse in one of the hospitals and hopes to be reunited with her. Both friends befriend a ailing young girl, Manjula, and hope to get some money from her so that Ramnath can attend school.

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Geeta (Waheeda Rehman) and Madan (Kamaljit) are in love with each other and want to marry. They meet each other's parents and subject to the matching of their astrological charts, their engagement is finalized. However, the pandit reports to Madan's mom that the marriage will be ill-fated, and bad things will result for Madan and his family. Madan's mom is opposed to the marriage, however, Madan and Geeta are not superstitious and are determine to marry each other. They do get married, and then one disaster after another befalls Madan's family, his dad, his sister, and his younger brother; which leaves both Geeta and Madan wondering if more disasters are to follow them, and if the Pandit's prophecy is indeed true.

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Ramdas is a trusting individual, and trusts everybody around him. When times turn bad for him, he entrusts the life of his son, Bansi, to his trusted employee, Ronaklal, and departs. He regularly sends money to Ronaklal to provide for the upkeep of his son, but Ronaklal uses this money to educate his son, Deepak, keeps Bansi uneducated, and makes him do a lot of manual work. Years pass by, Ronaklal is now crippled, and is dependent on Bansi, as Deepak has left him, got married to a wealthy girl, and lives with his in-laws. Ronaklal is unable to show his face to Ramdas, and avoids him, and Bansi has grown up without knowing who his real father is. Will Ronaklal be able to tell Ramdas the truth when he returns, or will be just let Deepak be the sole heir to all the estate and the property?

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