Robert Sidaway

Shout! Factory TV presents Cult-tastic: Tales From The Trenches with Roger and Julie Corman. Heralded as “the Pope of Pop Cinema,” Roger and Julie Corman pull back the curtain on the Cormans' lifetime of innovative genre filmmaking in this never-before-seen docu-series. The Cormans open up about their iconic pool of collaborators such as James Cameron, Joe Dante, Penelope Spheeris, Pam Grier and more, as well as their notoriously bare-bones production philosophy that created some of film’s most memorable special FX sequences in science-fiction, fantasy and other cult favorites.

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Hammer Films remain on record as the most consistently successful and influential British film company in history. And while Hammer may be best-known for their notorious series of gory Dracula movies, bloody Frankenstein adventures and chilling, satanic epics, few films had a greater impact on the '60's than the unforgettable genre known as "Hammer Glamours." The "Hammer Glamour" epics delivered their own singular vision of history -- and especially pre-history -- with liberal doses of both flesh and fantasy. With special effects as eye-popping as the actresses, these films created puberty's essential bridge between the thrill of cool monsters and the sensation of gorgeous women. If you're a student of anthropology, this is a world you may not recognize. But if you're looking for a twisted vision of the past that only Hammer can provide, you've come to the right place. The Hammer Glamour legacy lives, and indeed the world has never been the same.

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Through the 1950s and 1960s, and running alongside production of the gothic horror films, Hammer made a series of what were known as "mini-Hitchcocks" mostly scripted by Jimmy Sangster, and directed by Freddie Francis and Seth Holt. These low-budget suspense thrillers, often in black-and-white, typically had a twist at the end of the tale. [Wikipedia]

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A look at Hammer's war films.

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The wicked women of Hammer included such cult stars and screen legends as Bette Davis, Ingrid Pitt, Joan Fontaine, Martine Beswick, Tallulah Bankhead, Lizabeth Scott and more. This is nothing more than assembled clips from various Hammer productions narrated by Oliver Reed. It aired on Channel 4 in the UK in 1994 before select episodes were released on VHS.

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Through the years, Hammer's depiction of female vampires was consistently groundbreaking and always controversial, exploring the fine line between forbidden desire and the curse of the undead. This TV production contains only recycled clips with the only new addition being narration from Oliver Reed.

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The World of Hammer is a thirteen-part British documentary series created and written by Robert and Ashley Sidaway for Channel 4. Initially broadcast from 12 August to 4 November 1994, the series is narrated by English actor and frequent Hammer collaborator Oliver Reed.

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A teenage orphan fights against the Red Army at the end of WWII and in the aftermath is 'adopted' by a Commissar. Years later he is sent to London during the Cold war to work for the KGB, where he questions his life.

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Follows the linked fates of nine bank robbers, led by George. It begins with the nine men meeting in prison during their appeal and traces each individual after the group escape from custody.

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The Doctor, Jamie and Zoe return to Earth and become embroiled in the schemes of Tobias Vaughn. They meet up with an old friend, Colonel (now Brigadier) Lethbridge-Stewart, and some old enemies, the Cybermen.

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The Future. Robot labour and free energy make the creation of goods easy and automatic. Now people are continually supplied with more things than they can possibly consume.

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The adventures of The Doctor, a time-traveling humanoid alien known as a Time Lord. He explores the universe in his TARDIS, a sentient time-traveling spaceship. Its exterior appears as a blue British police box, which was a common sight in Britain in 1963 when the series first aired. Along with a succession of companions, The Doctor faces a variety of foes while working to save civilizations, help ordinary people, and right many wrongs.

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Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.

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When teenagers Rachel and Grace travel inside a super-powered rainbow to China, they disturb nature's balance. Using Rachel's connection to the energy of the rainbow and with help from their new friend Xiao Cheng, they must race against time to save the Earth.

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A teenage orphan fights against the Red Army at the end of WWII and in the aftermath is 'adopted' by a Commissar. Years later he is sent to London during the Cold war to work for the KGB, where he questions his life.

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At the height of the Spanish Inquisition, high-ranking noblemen begin dropping like flies, with alarming frequency and unexplained violence. But can local 16th-century sheriff Ruy de Mendoza discern who's responsible when no one wants to cooperate? After all, before Mendoza can even identify the bodies, the crime scenes are mysteriously cleared - and the villagers pretend the murders never happened.

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SHORT ORDER tells a story so vibrantly sumptuous each still could be served as its own meal. Amidst the quaint Parisian street night, Fifi Koko runs a petty short order diner. Although her name is famous in chef circles she has placed her uncanny culinary skills on the back burner as she falls prey to an existential quagmire that fears her talent shall not overcome the expectations her reputation has sown. The late hours play out as Fifi must face her talent and unrequited love for a friend, while a collective stream of colorful creatures of the night make through Fifi's consciousness to feed her with temptation, insight, and humor on the path of her life-defining decision.

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