Andrew Upton

Seven (or six - depending on the version) short stories of conquest, desperation and the will to overcome.

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Julie-Anne comes home from a hard day at the office to discover her mother has locked the cat in the house all day (again) and that she is expected to cook 'bangers' for dinner. Preparing the meal becomes a manifestation of all the repressed tensions in Julie-Anne's work and home life.

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On a quest to prove his competency, an inept sound recordist finds himself entangled in a nautical prophecy on the spectral island of Pincer Point.

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In a remote monastery in 1940s Australia, a mission for Aboriginal children is run by a renegade nun, Sister Eileen. A new charge is delivered in the dead of night – a boy who appears to have special powers. When the monastery takes possession of a precious relic, a large carving of Christ on the cross, the new boy encounters Jesus for the first time and is transfixed. However, the boy’s Indigenous spiritual life does not gel with the mission’s Christianity and his mysterious power becomes a threat. Sister Eileen is faced with a choice between the traditions of her faith and the truth embodied in the boy, in this story of spiritual struggle and the cost of survival.

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An edited version of Rosefeldt's installation work of the same name, Manifesto is an outstanding tribute to various (art) manifestos of the nineteenth and twentieth century, ranging from Communism to Dogme, in connection with thirteen different characters, including a homeless man, a factory worker and a corporate CEO, who are all played by Cate Blanchett. A striking humorous audio-visual experience.

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Within the world of theatre the rehearsal room is a sacred space -- the private domain where boundaries are pushed, risks taken, mistakes made, vulnerabilities exposed and, at its very best, magic created. It's not a place into which the public is often, if ever, invited. Until now; In The Company of Actors features an ensemble of Australia's finest actors, including Cate Blanchett and Hugo Weaving, as they prepare to perform the Sydney Theatre Company's production of Hedda Gabler, at the prestigious Brooklyn Academy of Music in New York. Opening night is just five weeks away and the pressure is on.

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Two embittered paparazzi face the consequences of their intrusive profession when confronted by an immoral scheme and an otherworldly presence.

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Anna and Ryan have found true love together. It's been proven by a controversial test. There's just one problem: Anna still isn't sure. Then she meets Amir.

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Shayda, a young Iranian woman living in Australia, finds refuge in a women’s shelter with her 6-year-old daughter, Mona. Having fled her husband, Hossein, and filed for divorce, Shayda struggles to maintain normalcy for Mona. Buoyed by the approach of Nowruz, she tries to forge a fresh start with new and unfettered freedoms. But when a judge grants Hossein visitation rights, he reenters their life, stoking Shayda’s fear that he’ll attempt to take Mona back to Iran.

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In a remote monastery in 1940s Australia, a mission for Aboriginal children is run by a renegade nun, Sister Eileen. A new charge is delivered in the dead of night – a boy who appears to have special powers. When the monastery takes possession of a precious relic, a large carving of Christ on the cross, the new boy encounters Jesus for the first time and is transfixed. However, the boy’s Indigenous spiritual life does not gel with the mission’s Christianity and his mysterious power becomes a threat. Sister Eileen is faced with a choice between the traditions of her faith and the truth embodied in the boy, in this story of spiritual struggle and the cost of survival.

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As an unpredictable, sweeping pandemic causes people to develop sudden amnesia, a man finds himself enrolled in a recovery program designed to help him build a new life. His treatment: performing daily tasks prescribed by his doctors on cassette tape, and capturing those with a Polaroid camera.

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