Sandra Gugliotta

In 2019, a historic trial is held in Paris against three top managers of France Telecom for moral harassment that changes the way of seeing labor relations in the world. The chain of suicides generated by the company’s human resources policies generated a debate that the film has the privilege of registering as a sole witness from within the Courts during the Process.

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The year 2023 marks the 35th anniversary of the association La Mujer y el Cine, and 43 female directors have come together to deliver a fragment of their gaze, a frame, an aesthetic and ethical decision, a tribute to women who anticipated the struggle. A leap into the void made by women filmmakers of different ages and backgrounds. United, in a sort of electronic loom, as an offering and a legacy in which a moment in the history of Argentine cinema is told, where we were all one, with our eyes on the past, our gaze on the present and the horizon full of the future.

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On July 2nd, 2008, at five thirty in the afternoon, a 53-year-old man called Jean-Michel was run over by a train in Saint-Lyé, a town with a population of 3,000 located in the east of France. No one knew whether it was a suicide or an accident. The director investigates around the town, asks different inhabitants what they think of that tragedy. For many people, Jean-Michel had killed himself, after amassing too many worries and problems; the more the voiceover asks, the more mysterious it all gets. But there is a detail from Jean-Michel’s life that connects him to Argentina—he had been an employee at a phone company until a privatization left him without a job. (In)Voluntary Retirements is a documentary that shows how the kinship between Argentina’s politics in the ‘90s and France’s twenty years later damaged the lives of so many people.

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Luis Vega, writer and literature professor is accused of murder following the publication of his novel "Arrebato" which recounts in detail a crime happened in real life.

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During the Falklands War, a young second lieutenant is forced to confront the dilemmas of obedience, honor, and endurance. Amid violence, fear, and uncertainty, the inner surge for dignity and survival prevails.

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Sandra Gugliotta gets into the classrooms of the high school Nicolás Avellaneda neighborhood of Palermo. The flickers of that story coming through the media tend to be in black and white, with heroes and villains, and the film Gugliotta what it shows is how, with successes and failures, all work around a same idea, which is to better education in better conditions. Naturally it is not here an idyllic story is told, while there are conditions ("state special situation in which it is someone or something") in which it becomes very difficult to study and conditions ( "ability or willingness") against which it is also very difficult to hold any dialogue. But before the general state of tension, witness these dialogues is, at least, encouraging. (Extracted from BAFICI.gob.ar)

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The beautiful wife of a geologist frantically searches for her missing husband and is haunted by a man who bears a striking resemblance to him.

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Buenos Aires in the year 2002; the economical depression has caught the country. Elsa keeps her head above water through several badly paid jobs and occasional criminal offenses with her friends Walter, Laura and Toni. She's saving money for a ticket to Rome to get out of her life and visit an Italian with whom she had a one night stand several months ago.

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Helga is a tarot reader and works on an erotic telephone line. The story of his story gives rise to the appearance of different characters who belong to a world without many moral values. Everyone tries to "save themselves" in their own way between having a lot of hope or a little. A TV news program tells about a suitcase full of dollars from the "laundering" of money that belongs to an influential businessman linked to Power. The businessman instructs Helga to take the suitcase out of the country. The suitcase will never reach its destination and will give Helga the opportunity to start a new life.

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The film brings together the winners of the first edition of the Argentine National Film Board's (INCAA) annual public script competition, the grand prize of which is the budget to produce a short film. Eventually screened in national theaters, the omnibus film gave rise and recognition to a new generation of Argentine filmmakers known collectively as the New Argentine Cinema—a wave of contemporary filmmaking that began in the mid-1990s in reaction to decades of political and economic crises in the country.

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Carla wants to be a mother but cannot, Amanda can be a mother but chooses not to. Two women unprotected by the law, whose opposite decisions and desires about motherhood put them at risk, forcing them to extend their conception of morality. Forced by the imposition of others, cornered by society, time and justice, in the course of one night, Carla and Amanda will embark themselves on a winding road in which they will end up once again as victims of a tragedy that could have been avoided.

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Clueless on a gruesome case, a skeptical and lonely policewoman in a small village, is guided by a newly arrived clairvoyance gifted boy, who claims that the murderer is the Virgin Mary.

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In 2019, a historic trial is held in Paris against three top managers of France Telecom for moral harassment that changes the way of seeing labor relations in the world. The chain of suicides generated by the company’s human resources policies generated a debate that the film has the privilege of registering as a sole witness from within the Courts during the Process.

Open details →

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On July 2nd, 2008, at five thirty in the afternoon, a 53-year-old man called Jean-Michel was run over by a train in Saint-Lyé, a town with a population of 3,000 located in the east of France. No one knew whether it was a suicide or an accident. The director investigates around the town, asks different inhabitants what they think of that tragedy. For many people, Jean-Michel had killed himself, after amassing too many worries and problems; the more the voiceover asks, the more mysterious it all gets. But there is a detail from Jean-Michel’s life that connects him to Argentina—he had been an employee at a phone company until a privatization left him without a job. (In)Voluntary Retirements is a documentary that shows how the kinship between Argentina’s politics in the ‘90s and France’s twenty years later damaged the lives of so many people.

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"The wound and the knife" is several things, or at least three: a documentary, a fiction and an essay. A documentary about the creative process of the last 5 years of the artist Emilio García Wehbi, a series of fictional scenes that dialogue with his work and a kind of essay on the body. In this sense, the staging is situated in the fragment, not only in the fragments of Wehbi's works, but also in the fragments of the bodies that make up those works. Thus, a little adrift and with a puzzle structure, in "The wound and the knife" I manifest a constant will to jump into the void, in this way the film denies itself as a closed work, but rather, what what it tries to be is a draft, the single notes that survived my own process.

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