David Prachař

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In the early days of the independent Czechoslovak state, we shared a common history with the Carpathian region. What do we know about the fate of this historically turbulent region and its inhabitants? This documentary aims to refresh half-forgotten facts through the historian and specialist in modern Czech history, Charles University professor Jan Rychlík, author of the book Podkarpatská Rus v dějinách Československa (Carpathian Ruthenia in the History of Czechoslovakia). At the same time, it aims to shed light on the emergence of the Czech nation, which, unlike the Rusyns, rose up from a mass of semi-literate peasants in the 19th century. Not every human community is able to overcome itself, maintain and cultivate its level. This challenge is still relevant today!

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Zdena, a young nurse, starts her first night shift at an old people’s home and immediately faces a difficult task: she has to deal with the body of a deceased client. A gentle portrait of faltering youth and a realistic tale of an encounter with death in a blend of physically intense moments and absurd humour.

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A theatrical production by the independent theater company JEDL from Divadlo X10. The proven trio of creators Nebeský-Trmíková-Prachař used an ancient theme for original variations and reflections on the relationship between women and men and on the boundaries that cannot be crossed, even when love turns into mad hatred. The creators also invited painter I. Korpaczewski, conceptual artist M. Titlová Ylovsky, and musician J. Šikl to participate in the production, directly involving them in the dramatic form, thus creating the work in action, right in front of the audience.

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Iveta wants to be a famous singer. The journey leads from the children's choir through singing competitions, recording the first hit and record to nationwide fame. Iveta has to convince parents, jurors, producers, spectators. The only one who believes in her from the beginning is Petr Sepéši. Her first love. What is the price of a dream come true? The beginning of Iveta Bartošová's life story.

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Blind Mimi and Lisa are best friends. They learn from each other to approach the world and its diversity with generosity, tolerance, and openness. In a new story, titled The Garden, a yellow container is installed in the yard of their house which their neighbours soon start filling with old and broken things. Lisa is curious what Mimi would be getting rid of and is surprised to see she doesn´t throw away anything. For Mimi, all old things at home are her anchors and little certainties in the dark. Lisa decides to throw away her old red ball. But it falls behind the container and thanks to it the girls discover a secret door leading to the beautiful Garden of the miraculous Magic Maker, who takes them on a quick trip through all the seasons.

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More than a year has passed since the last time we saw Julio Lavický (Jakub Stáfek) (yes, it was when he "sold" the match, but forgot about it and scored a beautiful goal). Lavi is, as his agent would say Jarda (Jakub Prachar), still the same demented person, but he finally started to do well. Both in football and in his personal life. With Vysehrad, he advanced to the second league, where he leads the scorers' table, once again wealthier clubs are eyeing him, he even asked for the hand of his girlfriend Lucia (Sárka Vaculíková), Jarda's sister... At the wedding, which cost a fortune, but he discovers that he already has an eight-year-old son, which will definitely not please the newlywed. not to lose his wife on his wedding day, to take care of his child, which is a long way from him, to get from Vysehrad to somewhere higher, or to fight with the practices of a certain football Dad... It's just rushing like an avalanche again - from one problem to another second.

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Human kindness and purity in a corrupt world will never go out of style. This is proven by Fyodor Dostoyevsky's more than 150-year-old story "The Idiot," which continues to inspire new adaptations and resonates with contemporary audiences thanks to its timelessness.

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Theater in film: Maryša by Jan Mikulášek, directed by Viktor Tauš, is a thoroughly contemporary cinematic confession of a woman who has decided not to succumb to the pressure of those around her and, if she cannot fulfill her love, would rather cause death and self-destruction. A ballad about a case where preserving inner dignity is more important than life itself.

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"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.

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Every day, head nurse Marta's life is an exhausting merry-go-round of the most tedious duties. She recently became a widow and is alone with her teenage son. She doesn't complain about anything, convincing herself as a true communist that she lives in paradise and is safe. Everything around her is normal, after all. Everyone is looking forward to a better tomorrow. But then comes a turning point that turns her life upside down. A young, cheeky hospital maintenance worker named Oskar, with hair down to his shoulders and opinions that shatter Marty's safe, normal world into pieces, enters her lonely life. Her relationship with the nonconformist young man changes all her previous certainties about life, as was possible under the socialist regime, in times of "normality."

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Commissioner Vašátko meets painter Horác while on vacation at a mountain cabin. A diverse group of guests has gathered here, ruled over by the aggressive and arrogant director Skorkovský, who humiliates and abuses his son with nonsensical orders. Horác takes this very badly, as do the others—but they are somehow indebted to the director. The tension in the cottage gradually increases, and the director is found dead. The police cannot get to the cottage because of a storm, so the experienced Commissioner Vašátko takes charge of the investigation. The cottage is full of people who have strong motives for murder...

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Six characters are all interested in money. The relationship between two spouses, depicted with subtle irony. The main character is Zdeněk, a professor of botany who is unable to calculate his bill at a restaurant, and waiters look forward to seeing him from afar. He is the ideal target for con artists. His wife Sára, with whom he no longer lives but maintains a very friendly relationship, takes care of his taxes. Zdeněk has a rather attractive gardening show on television. In order not to lose out, Sára invented Miss Flintová, to whose account she sends generous sums for alleged PR services. The enterprising tax advisor extended Miss Flintová's activities to her other clients as well. It is a million-dollar fraud.No wonder the tax office is taking an interest in Miss Flint. They are searching for her diligently. Even the surprised and indignant honest man Zdeněk learns of the existence of the non-existent Miss Flint. Where to conjure up Miss Flint all of a sudden?

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Partička is an improvisation show of Prima TV, based on the Slovak version of the same name. The entire program is based on the improvisation of four actors in different games. As in the Slovak version, Daniel Dangl accompanies the show, and Marián Čurko is the music.

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When Jonáš, a water sprite, and Karolínka, the miller's daughter, fall in love, they don't have it easy. Jonáš's father, the grumpy water sprite Hastrbuch, stands in the way of his love, while Karolínka has no idea that her beloved Jonáš is not human. Luckily, there is a young man named Libor who will do anything to protect the whole village, and especially Karolínka, from the water sprite villain. So what if he has to scheme and lie? The main thing is that he can get Karolínka to reject Jonáš and choose him, the brave Libor, instead.

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When their father is falsely accused of witchcraft and departs to clear his name, five resourceful siblings must band together to stop their scheming neighbor’s bid to seize their family’s fortress.

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Set in Czechoslovakia, the drama follows the lives of its characters against the backdrop of real historical events that shape their personal stories. To evoke period atmosphere, the series intersperses authentic clips from vintage Czechoslovak film newsreels, using their original commentaries or newly recorded historical voice-overs by Vladimír Fišer. A narrator, initially voiced by Vojtěch Kotek and later by Matěj Hádek, provides continuity and reflection, guiding viewers through changing times. Under the guidance of screenwriter Rudolf Merkner, each episode’s script weaves family and individual dramas into key moments of Czech and Slovak history: political shifts, cultural trends, and social transformations from the 1960s onward.

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The Horváth family is a Romani family with seven children, and the story begins with the tragic death of the father. His wife, Vera, is suddenly in a fight with the authorities, determined to keep her large family together at all costs, but she is hopelessly ill-prepared for the task. They are evicted from their home and her case-Vera versus the city-finds its way to a young, ambitious lawyer. She doesn't know the world of the Romani, nor is she particularly interested in it. Initially she takes the case as a springboard for her career. Despite her prejudices, incomprehension and sometimes Vera herself, she doesn't abandon the case. Luckily she is not the only one who sides with the family. There is a social worker whose attempts to help the Horváths are also motivated by his entirely private interest in the attractive lawyer.

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