Andrea Renzi

Gian, a 65-year-old ethnomusicology professor, fights the darkness caused by the sudden onset of amnesia. Flashes of the past, that blend with hazy archive footage, haunt his mind like a phantasmagoria of images. Despairing, Gian tries to end things, but he fails. In the aftermath, Miriam, the daughter he does not recognize, moves into his apartment with her son Elyas. She helps him find a diary written into his twenties that revolves around Leila, a girl with whom he discovers love in the space of one night. This emotion exacerbates Gian’s pain but pushes him to recover his memory.

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A friend of Jodice, Martone recounts the story of the great Neapolitan photographer: a film made for the exhibition at the Gallerie d'Italia in Turin, Mimmo Jodice. Timeless.

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During the Covid-19 lockdown, a film crew is shooting an adaptation of Camus' La Peste. Reality and fiction start to blur between each other.

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In Rome it hasn’t rained for three years and the lack of water is overturning rules and habits. Through the city dying of thirst and prohibitions moves a chorus of people, young and old, marginalised and successful, victims and profiteers. Their lives are linked in a single design, while each seeks his or her deliverance.

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Lodo is twenty years old and lives the difficulties of his age, between a difficult relationship with his father and the attempt to conquer Giulia, his roommate with whom he is madly in love. He performs with the MOB, an indie band, in a legendary Roman club: the Morrison. One day, by chance, Lodo's path crosses that of Libero Ferri, a former rock star with a stalemate career, who tries to find success but ends up withdrawing more and more in himself, neglecting his beautiful wife Luna and living isolated in his luxurious villa full of memories. Between dreams, failures, friendship, tormented loves and curious characters, their meeting will become a mutual stimulus to move forward, but at times also a difficult comparison between generations and very different ways of being.

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Based on the tragicomedy written by Edoardo de Filippo in 1931, Christmas at the Cupiello's captures a life episode of a middle-class Italian family around Christmas. Shot in Neapolitan language, the movie has a whimsical charm.

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The story of a young student in the South of Italy, his trip during the night, by feet, from the native village to the City, a long coming-to-age itinerary that will lead him to discover his familiy's secret story and free him from fears.

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Nora Telese is a psychiatrist who recently moved to San Benedetto del Tronto with her teenage daughter Camilla. Their life seems to flow serenely and Camilla meets Sonia, whith whom a unique and special friendship developes. One Saturday evening in May, the two girls go to a party and don’t return home. Their phones are unreachable and both girls seem to have disappeared into thin air. The prosecutor opens a file; Vice Quaestor Giovanni Nemi is in charge of the investigation; the case becomes increasingly complicated.

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A mysterious video falls into the hands of a troupe of reporters following an accident involving three thirty-something year olds – two men and a woman. The video chronicles the lives of the trio one week prior, during their road-trip through the French Riviera to shoot a commercial. Shot in the style of found footage – sometimes with an iPhone – this innovative film touts itself as the first “selfie” movie. But, this isn’t a cheeky jab at today’s culture of obsessive self-documentation. Director Lorenzo Corvino’s debut film was born out of a desire to capture the spirit and frustrations of Generation X, the post baby boomers who inherited the economic crisis of the prior generation and who now struggle to compete with the increasingly tech-savvy younger generations.

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Three stories to narrate the relationship between mount Vesuvius and the humanity living at its feet. Maria and her flower garden, Matteo, an artist who paints using the volcano's ashes, and Yole, a neo-melodic singer whose devotion to the Virgin Mary is almost idolatric.

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The tragic coming-of-age story of a boy who takes his experiences to the point of seeking death, only to be reborn. His favourite poet chose death, but he finds the strength to survive and tell about his “obscene life”.

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Elections are approaching and things don't look too good for the opposition. Their leader can't stand the pressure and disappears. To avoid a scandal, the upper echelons of the party concoct a risky plan: to replace him with his identical twin, a philosopher with BPD, whose eclectic ideas and direct approach unexpectedly make the party surge in the polls.

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Ciccio D.O.P., undisputed lord of the mozzarella kingdom, sees his dairy empire imperiled when enigmatic Chinese producers unleash a half-priced, top-quality mozzarella on Italian shelves, igniting a brutal market war. As he scrambles to defend his realm, his daughter Sofia, the crooner Angelo Tatangelo, former flame Autilia “Jazz-Mood,” and ex-water-polo champ Dudo are swept into a high-stakes struggle that tests loyalties, reignites old passions, and reveals the true cost of domination.

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1828. After witnessing the brutal repression of revolutions in monarchist South, three young friends join Giuseppe Mazzini's patriotic cause, seeking to finally unify Italy under a republican government. Their idealism will clash with the inevitable disillusionment as they grow apart over the following decades.

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Luigi Ghirri's final project, unfortunately unrealized, was a "house of the seasons": to purchase a farmhouse, which appears in the photographer's last works, near his home in Roncocesi, and to stage exhibitions there, each linked to the current season, thus creating a close connection between natural time and artistic time. This interrupted project inspired "Pink Desert," in which the camera 'visits' a series of landscapes photographed by Ghirri according to the changing seasons: Spring, Summer, Autumn, Winter, and Nocturnal Spring. Aleksandr Sokurov narrates each season depicted in the film, focusing in narrative form on Luigi Ghirri's sense of the cyclical nature of time.

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Sasha is a 25-year-old orphan who asks Nicole, a married Frenchwoman in her forties, for advice to seduce Benedetta, his long-unrequited love. The two eventually bond over their shared past traumas and pains of love, until...

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A man jumps into the Tiber two days before Christmas. Alessandro and Irene chat over coffee, while Giorgio and Mariella discuss love and sex. Pietro confesses his pain to Cinzia, Nanni kisses Paola, who is engaged to another, and Andrea loves Veronica secretly. Vittorio falls for a Chinese masseuse, Nicola is infatuated with Cameron Diaz, and Iole waits for a relationship. From September to December, their lives unfold, ending happily or dramatically. Gianluca Maria Tavarelli, uncomfortable with portraying a younger generation in Liberi, returns to filming about his own age after a busy TV break.

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Maria, a young Neapolitan painter, lives the artistic experimentation of the 1960s. She is a woman who does not hesitate to live her life adhering to the ideals of research and love, which are for her the very content of art.

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Anthology crime series penned by some of the foremost contemporary Italian noir writers (Camilleri, Faletti, De Cataldo, Carofiglio, Lucarelli, Fois...)

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In the summer of 1987, the 13-year-old Camilla Randone falls in love with Adelmo Franci, the boy who cleans the pool of his villa at the Argentario sea.

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A court takes 9-year-old Mario away from his abusive family and entrusts him to a childless couple. For the three of them, living together is difficult and often painful, since they come from two different worlds. To cope with loneliness and displacement, Mario creates his own world, where he meets Schad Sky, an imaginary friend.

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Love and injury in time of war. Attilio de Giovanni teaches poetry in Italy. He has a romantic soul, and women love him. But he is in love with Vittoria, and the love is unrequited. Every night he dreams of marrying her, in his boxer shorts and t-shirt, as Tom Waits sings. Vittoria travels to Iraq with her friend, Fuad, a poet; they are there with the second Gulf War breaks out. Vittoria is injured. Attilio must get to her side, and then, as war rages around him, he must find her the medical care she needs. In war, does love conquer all?

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A private detective investigates her sister's suicide 16 years earlier.

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Valeria is a passive onlooker to her own life in Turin, and she grows so obsessed with the activities of her neighbor Massimo that when he moves to Rome she decides to follow him. There she meets and unexpectedly befriends Massimo's companion Flavia, and becomes enmeshed in both of their lives.

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Loose adaptation of Italy's national epic, Alessandro Manzoni's “The Betrothed”. In war-torn 17th century Italy, shady feudal lord Don Rodrigo eyes young and beautiful Lucia, who loves—and is reciprocated by—commoner Renzo. The two lovers plan to marry in secret, but Rodrigo discovers it and they are forced to flee their village, becoming separated and each facing many dangers, including the Plague.

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Loose adaptation of Italy's national epic, Alessandro Manzoni's “The Betrothed”. In war-torn 17th century Italy, shady feudal lord Don Rodrigo eyes young and beautiful Lucia, who loves—and is reciprocated by—commoner Renzo. The two lovers plan to marry in secret, but Rodrigo discovers it and they are forced to flee their village, becoming separated and each facing many dangers, including the Plague.

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Ilaria Alpi, a young, Italian war-corespondent, was on a dangerous mission in Somalia. While she covered the civil war, she also discovered a big and secret international enviromentscandale. Together with her cameraman she was killed in the streets of Mogadishus March, 1994. The film is based on a true story.

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Two men, both named Antonio Pisapia, see their lives go downhill in 1980s Naples. One is a crooner embroiled in a sex scandal; the other is a football player whose career is cut short by an injury.

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When Antonia's husband Massimo is killed in a car accident, she accidentally discovers that he has been having a same-sex affair with a produce wholesaler named Michele.

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The events of Police District unfold in the rooms of the 10th Tuscolano, a police station on the outskirts of Rome where current events intertwine with the private lives of the inspectors, officers and commissioners who, over the course of 11 intense seasons, have created one of the greatest successes on Italian TV.

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In a Roman suburb, 14-year-old Martina, a child prostitute, navigates life with her father’s unacknowledged paternity, her mother’s profession, and a younger sister. She forms bonds with a slightly older boy, Sciu, and a fellow petty criminal. However, their lives take a turn when a young police officer becomes interested in protecting them from her superiors. When Martina refuses to become a police informant, tensions escalate, threatening to disrupt their fragile alliance.

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