Kari Sylwan

1955 - the year when The rip hunter is buried in snow for eight days before his ski pole with a movie ticket is discovered. Ingrid Bergman gets bad reviews as Joan of Arc, and James Dean dies in a 185 km/h car crash. The knappupgänget, with Povel Ramel and Gunwer Bergkvist, go to Nairobi to shoot a film that will never be finished. Sweden votes no to right-hand traffic and the "Motbok" disappears in October. Charlie Norman writes film music and gets a job in the US, while Sigge Eriksson becomes a world figure skating champion in Moscow. Anita Ekberg visits after years in Hollywood and Louis Armstrong gives concerts in Stockholm. Luleå is building the world's first indoor shopping center, and Viggen Viggo is visible on the TV screen.

Open details →

A group of teddybears awaken in the attic after years of storage. Store-Nalle (Big Teddy) explains the history of the species, from the very first teddybears manufactured in Germany. Other segments include dramatizations of the directors' childhood memories, as well as interviews with several stuffed animal owners.

Open details →

Reine is supposed to go to a summer camp called Children's Island but decides to remain in Stockholm over the summer while his mother is working at a hospital. She thinks he is at the camp, and he tells her he is. We then follow him around Stockholm that summer and see what he encounters on the path of life.

Open details →

A psychiatrist temporarily separated from her family begins to experience severe psychological distress while working at a mental hospital and returning to her childhood home. As her professional responsibilities and personal relationships intersect, she undergoes a breakdown that forces her to confront long-suppressed memories and fears. (Note: This entry refers to the 1976 four-part Swedish television miniseries. A condensed theatrical feature edited from the same material was released separately in 1976.)

Open details →

A psychiatrist temporarily separated from her family begins to experience severe psychological distress while working at a mental hospital and returning to her childhood home. As her professional responsibilities and personal relationships intersect, she undergoes a breakdown that forces her to confront long-suppressed memories and fears. (Note: This entry refers to the 1976 theatrical feature film (approximately 135 minutes), created by condensing and re-editing the four-part Swedish television miniseries originally produced the same year.)

Open details →