Céline Sciamma

Since 2022, Céline Sciamma has been shooting her own footage: documentary archives born from the desire of a useful camera. Fiction, for its part, has once again become a dream. Tutti Frutti is a journey through all these fragments brought together by editing, and an exploration of the hope of a solo filmmaking practice.

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The last day of Patrizia Cavalli’s home. Before it’s all gone.

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After the death of her beloved grandmother, eight-year-old Nelly meets a strangely familiar girl her own age in the woods. Instantly forming a connection with this mysterious new friend, Nelly embarks on a fantastical journey of discovery which helps her come to terms with this newfound loss.

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On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman.

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A football team wins La Coupe Bernard Tapine. A story told via two minute montage.

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Oppressed by her family setting, dead-end school prospects and the boys law in the neighborhood, Marieme starts a new life after meeting a group of three free-spirited girls. She changes her name, her dress code, and quits school to be accepted in the gang, hoping that this will be a way to freedom.

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Ten-year-old Laure isn't like most girls. She prefers football to dolls and sweaters to dresses. When Laure and her family move to a new neighbourhood, local girl Lisa mistakes Laure for a boy. Indulging in this exciting new identity, Laure becomes Mickaël, and so begins a summer of long sunny afternoons, playground games and first kisses. Yet with the school term fast approaching, and with suspicions arising amongst friends and family, Laure must face up to an uncertain future.

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A young woman chronicles her childhood of neglect and isolation.

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Set during a sultry summer in a French suburb, Marie is desperate to join the local pool's synchronized swimming team, but is her interest solely for the sake of sport or for a chance to get close to Floriane, the bad girl of the team? Sciamma, and the two leads, capture the uncertainty of teenage sexuality with a sympathetic eye in this delicate drama of the angst of coming-of-age.

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Since 2022, Céline Sciamma has been shooting her own footage: documentary archives born from the desire of a useful camera. Fiction, for its part, has once again become a dream. Tutti Frutti is a journey through all these fragments brought together by editing, and an exploration of the hope of a solo filmmaking practice.

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From the starting point of her admiration for the pioneering Ukrainian filmmaker Kira Muratova (1934-2018), the director poses a question: is cinema made by women really tougher, more violent? Seeking answers, she talks to great contemporary filmmakers like Catherine Breillat, Virginie Despentes, Alice Diop, Céline Sciamma, Ana Lily Amirpour, and Monika Treut, among others. It becomes obvious that the cinema screen is a space for the projection of real social problems and power relations.

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Marilyn, a woman for today: Sixty years after her death, Marilyn Monroe remains very much a woman of today. Behind the legendary Hollywood sex symbol, lies a modern woman, mistress of her destiny, building her own image, never hesitating to denounce certain producers, an act ahead of its time. A powerful, free and emancipated woman.

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“I can’t remember the last time a guy got vulgar with me. When was the last time a guy did that thing… you know, with his lips, like damn girl, you’re hot. Of course I used to hate it. But Lady, c’mon, that’s a whole other ballgame! The little prick called me Lady.”

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Is there such a thing as strictly feminine cinema? Is it more difficult for a woman than for a man to direct a film? Is gender parity necessary in the industry? Actress and producer Julie GAYET and actor and director Mathieu BUSSON ask these questions to twenty French woman filmmakers, who face a camera together for the first time. After over an hour of lively, informal, spontaneous and funny interviews, it becomes obvious that these issues are still problematic and definitely worthy of a documentary. As Mia HANSEN-LØVE remarks, “In the eyes of the people, a woman’s film is always a woman’s film, while a man’s movie is simply… a movie”.

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Since 2022, Céline Sciamma has been shooting her own footage: documentary archives born from the desire of a useful camera. Fiction, for its part, has once again become a dream. Tutti Frutti is a journey through all these fragments brought together by editing, and an exploration of the hope of a solo filmmaking practice.

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As a heat wave brings a Marseille neighborhood to a boil, three roommates gleefully meddle in the lives of their neighbors from their balcony. Until a late night drink turns into a bloody affair.

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The last day of Patrizia Cavalli’s home. Before it’s all gone.

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Émilie meets Camille who is attracted to Nora, who crosses paths with Amber. Three girls and a boy – They're friends, sometimes lovers and often both.

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After the death of her beloved grandmother, eight-year-old Nelly meets a strangely familiar girl her own age in the woods. Instantly forming a connection with this mysterious new friend, Nelly embarks on a fantastical journey of discovery which helps her come to terms with this newfound loss.

Open details →