Banlop Lomnoi

Cursed Hair" tells about the production of a reality program in a mystery house that makes all participants and crew members experience unexplainable frights. The ex-owner was a lady who has a weird craving for hair. As days pass by, her craving for hair worsens, now she craves the flesh of the scalp. Her intolerable husband decides to kill her and follow by commiting suicide. However, after her death, her soul is still in the house. After realizing the truth, everyone wants to get out of this house, but how many of them can escape alive?

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DSI comes to Thee’s house to investigate about the unidentified corpse found in an abandoned building. The gun of Thee’s father, a military general, is the only link DSI has.

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Som, daughter of a sex worker, believes that love will lead her towards a better life. Ter, a young criminal, robs just to buy love that doesn't exist. Redlife explores a world that is broken, ignored, and which offers no escape.

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After losing her job, a woman discovers a mysterious package on her apartment doorstep and her life takes a turn for the worse.

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Porsche agrees to guard mafia heir Kinn for his family's sake, but fighting off danger soon turns into fighting his own feelings.

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Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.

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A collection of short films by five Thai directors imagining their country ten years into the future.

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ABLAZE premiered at the 27th Singapore Film Festival, November 24, 2016

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"Fever Room" features Jenjira (Jen) and Banlop (Itt), two of Apichatpong’s regular actors who also appear in his film, "Cemetery of Splendour". Like the film, this projection-performance presents the layers of reality and fantasy. Apichatpong fuses his memories with the actors’ and fictionalises the narrative. Here the people takes refuge in dreams while their land is on a brink of collapse, echoing Thailand’s present state of military dictatorship.

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