József Madaras

Young honest public official is sworn in after his predecessor had to leave due to a corruption scandal. Soon, the young idealist discovers just how far-reaching the corruption is in his town and how easy it is to become corrupt yourself.

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Miklós Mészöly's short novel Film aims to show the last few hours of an elderly couple's life. The last moments of two people who, in the midst of historical storms, inhumanity and loss of values, remained together in the strange grip of love and dependence. The most moving is the formulation of the fundamental question: can we and can we say goodbye with dignity, how much we are lost and vulnerable when we set off into the unknown.

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The 40 Labor [the manufacturer firm] as a faithful conservative reaches back – his generation only – to the tradition looking like the lost one. To the twentyfold years’ avantgarde, the ones of sixty filmlanguage-his narration revolution, to the seventy ones’ experimentation. And to the postmodern one which recalling was kept always, for which all this fits shakily under the world’s big umbrella, ( everything else – and the contrary of everything – too). Buharov brothers strong and effective pictures are dreamed onto the linen, their work lasts caught if we understand nothing from him. We do not recognise their world’s rules, we feel it though these rules his strength.

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The story of three sisters at the beginning of the 20th century who choose different paths to happiness after the death of their parents. While Ilona tries to keep the family business together and help her sisters, Jolánka and Anna see in men and marriage a way out. Three different female destinies, three archetypes and three excellent young actresses appear in Imre Mihályfi's film.

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When Hungary's newest prime minister is shot and killed at a reception, the resulting investigation is necessarily swift and comprehensive. This compelling political thriller uncovers two prime suspects: the woman who guns the leader down, and a man who was friends with both the prime minister and his murderer. Using video surveillance footage, as well as other more artful and symbolic imagery, the noted "visualist" director Miklos Jancso, who is known for his craft in getting his points across non-verbally, combines fantasy and reality in a highly ironic manner.

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Hungary, end of World War II. Five Hungarian soldiers desert their troop which has been directed to Germany. They are escaping with the help of a stamp and unfilled travelling warrants, trying to survive until the war ends.

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From the film-shooting in the Buda Castle Marci and his friend go to a well-paying job. The scene is a big castle in the middle of a huge park. They enjoy the company of the Kid and the beautiful naked French girl, Nathalie. Their job is to watch the monitors on which they can see the Moscow coup détat. By the time Gorbachev is executed the Communist and the Nationalists have taken turns in occupying the castle and the park.

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When a group of people from different walks of life converge in a Hungarian castle situated in Budapest which has been sealed for 500 years, they bring with them a werewolf which slowly begins to cut their numbers down.

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Zoltai is a Hungarian professor who returns home after a visit to the United States. Following a television interview, he commits suicide and leaves a note for his longtime friend Dr. Bardocz. The doctor and Zoltai's colleague Komindi join the police in investigating what drove the man to suicide.

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The unskilled, jack-of-all-trades András and his wife, Éva are put in jail for serial work-place thefts, -committed in order to try to ensure a normal living standard for his family - and for aggravated assault committed for self-defence, respectively. Their two small children are put in state care, then given to foster parents. András, still in prison, commits everything to help the released Éva get hold of an apartment and get their children back so that when he will have served his term the family could be together again.

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A historical drama set in the 1400s, a young man sent to Italy but is forced back after his father's mysterious death.

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In the streets of Vichy, France, during World War II, the Germans apprehend nine men and a boy. Among them are a painter, a businessman, an electrician, a waiter, an army doctor, an actor, a prince, a gypsy, and a Jew. Confined without explanation, they can only speculate about their fate.

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More than a storyline with a beginning, middle, and end, this tale of a foundry worker who engages a woman -- and fellow worker -- to do housekeeping for him is a tale that holds up the Hungarian social system against the morality of an exploitative male-female relationship. After his wife dies, the rough-cut and intentionally nameless "man" (Jozsef Madaras) eventually coerces the "woman" (Julianna Nyako) into doing his housework for a small remuneration. Everything goes along passably well for awhile, until the man adds in more household responsibility in the form of chickens to raise. Due to extra work at the factory, the woman cannot tend to the chickens as she should and the result is that some of them die. The man is furious, verbally abuses her, and then rapes her. Later, the woman discovers she is pregnant, with dire consequences.

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Set on the Orient Express train, which traveled from Ostend, Belgium, to Istanbul, Turkey, it features several characters whose destinies intertwine, each bearing their own burden of torment: race, sexual frustration, political failure, poverty. Among them are Carlston Myatt, a Jewish businessman, and Dr. Czinner, a Slavic politician who escaped a death sentence five years earlier and is intent on returning to Belgrade.

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Zsadányi flees from the authorities with his goddaughter, Bankós Mari, and they escape into the forest. The film then skips ahead thirty-fold years: Zsadány and Mari are now lovers, with the sound of war in the background halting their romance. The old friends of Zsadányi have joined with the Nazis, and the landowner living with his peasants in a socialist community grows distant from them. Zsadányi is held responsible for political problems in the country, and will pay with his life.

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The movie portrays a peasant revolt in Hungary in the early twentieth century.

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A World War II-style "war game" setting the wealthy customers against skilled mercenaries goes awry when the simulated war gets too real.

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The film tells the story of a regiment of Hungarian hussars stationed in Poland. The hussars, mostly ordinary men, have heard news of the uprising and wish to return to the homeland to defend the newly independent country. The Empire, on the other hand, is firmly resolved that all Hungarian troops in the imperial army should be kept as far away from the trouble spot as possible, knowing that most soldiers would be loyal to Budapest rather than Vienna.

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In 1950, when a young communist director arrives to take charge of a stud farm near the Hungarian borders, his efforts to draw on the experience of the old hands there meet with little success. Janit Busó is not accepted by the farm workers, who were exiled here and branded as class enemies. Busó tries to gain authority, which is not easy among these proud, resentful people who are skilled in their profession. In his difficult situation, the dubious support he receives from the party does more harm than good.

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An oil driller falls for the lonely farm wife of a man working in Budapest.

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The powerful, all-powerful lord, Bishop Ambrus, keeps the unfortunate serfs of his county kingdom in fear. But one day, a young man - the youngest son of the poorest serf - stands up to him. The people of the area call him Star-Eyed.

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"Budapest Tales" is about a group of people (consisting of Szabo regular Andras Balint along with Ildiko Bansagi and Karoly Kovacs) who find a broken down tram while trying to go to the city. The people band together and try to get the tram back on the train tracks and head towards the city. Along this journey the passengers encounter many people who join them on the tram. What started out as only a handful of people has now turned into a small village. As the people travel on to the city each person takes on certain roles and through the course of time these roles will change. Some people fall in love, others out of love, and a few even die. But life goes on. The people keep the tram going hoping to reach Budapest.

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Director Sandor Simo based this film on his recollections of a period in his father's life just after World War II. In the film, Janos Torok is a chemist and an entrepreneur With enormous enthusiasm, he gets loans to purchase a small chemical plant and begins experiments to create innovative products, such as hormones. Meanwhile, the communist party has come to dominate Hungarian life in such a way that his activities are viewed as little more than criminal. He is hauled away to a prison camp, but even then his letters home are full of boundless optimism and his ideas for further experiments.

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An adult educator arrives in the small-town factory with loads of books, energy and a freshly received diploma. The honest young man with dreamy eyes humanises the life of the plant, in a way distributing himself among people.

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During the Rákóczi War of Independence, noblewoman Julianna Géczy becomes caught between warring factions as the city of Lőcse falls under siege.

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This satire on film depicts the micro-climate of a technical vocational school newly established at a housing estate. The construction vocational school holds a name-giving ceremony, thus calling the attention of its supervisory organ to itself. The school-master distributes as well as receives presents from the sponsoring factory, and the pupils sit for a written examination of unheard-of material. The results are devastating, which the despotic school-master attempts to conceal by a staged disciplinary procedure.

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An orphan girl suffers abuse from her adoptive parents.

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Captain Michael Strogoff is chosen in Moscow to be the courier of the Tsar, 5,523 km far to Irkutsk, to warn the governor about the traitor Ivan Ogareff, a former colonel, who was once demoted and exiled and now seeks revenge.

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The film evokes the era of the 1831 cholera epidemic and the peasant uprising which followed it. The way of Doctor Balás, cholera commissioner, and district administrator Hunyor leads through the mountains of Zemplén and is lined by unburied corpses, peasants dying of the illness and of overdoses of bismuth, by the miserably starving population, the healthy digging mass-graves and by uncultivated lands.

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While awaiting his release from the Soviet detention camp he is being held in, a half-starved refugee (Andras Ambrus) finds that an error has been made and his name is not on the to-be-released list. It is then that he is forced to assume the identity of a dead man whose name is on the list. Ambrus at first refuses, but because he was an orphan and cannot produce evidence of his true identity, he has no other choice. However, when he returns to the outer world and the community he was raised in, he is greeted with suspicion. When he tries to claim his part-ownership of a farm from his adopted uncle, he is refused and beaten by farmhands the uncle sets on him.

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The film takes place at the end of 1946. Rumours are spread that the food supply will not arrive for it has been robbed. Workers of the metal factory go on strike.

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Géza Böszörményi's 1975 German-Hungarian co-production film stars János Balogh as a dance and etiquette teacher. He learned the craft from his father and now travels the country with his son Simon. They are on their way to Hortobágy to "celebrate" the closing ball of their dance school. But before that, they are teaching the locals the tricks of the art of gentlemanly behaviour in Pest. But the Hortobágy dance exam is not as successful as in the good old days. The young people have only one thing on their minds: to live in the capital as soon as possible, and in the Hortobágy they will soon be nothing but horsemen and cowboys entertaining the western tourists of the National Park. János Balogh and his son also go back to the bleak and soulless prefab housing estate, where Simon tells his father that he no longer wants to be a dance teacher.

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This film, set at the beginning of the 17th century, is the first East-European "Eastern". Bocskai István orders the free Heyducks to shepherd a huge herd of cattle through the country torn to three parts, to the Dalmatian coast, where he can get weapons in exchange, for fighting the Austrians.

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