Gabriel Axel

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Three out of work actors breaks into a bank through the toilet of a railroad station.

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The second film in the series about the enterprising Gyldenkål family. Now the family has climbed to the top of the social ladder, but unexpected demands from the tax authorities mean that a forced auction is imminent. So they embark on their biggest scam yet: defrauding Fidusbanken.

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A group of young actors, ambitious and naive, dream of their big breakthrough, criticize the theater school, want to revolutionize theater, and never compromise, but are very uncertain about the future and their own identity.

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A spicy comedy in episode form. We follow a young couple's problems with eroticism at different times and in different environments. The episodes: On Vesterbrogade. In Tivoli. At a castle in 1740. Around a balloon in 1820. On the train in 1890. At the bathhouse in 1900. At a hotel in 1910. In an apartment in 1925. At a tavern in 1932.

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A poor dandy embezzled large sums of money and buys the title Marquis De Sade to impress the upper class. The film premiered as "I am a Marquis."

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Hidden among the dunes on the west coast of Jutland lies HU, where fishermen struggle to earn a living. The hard and dangerous work combines HU's small population with a peculiar madness that gives free rein to emotions and intensity in all aspects of life. One day, three Copenhageners arrive in the windswept village and are both astonished and fascinated by the local free spirit.

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Among the residents of the boarding house on Fredhvilevej are Børge Blom, a civil servant, the feisty Nelly Smith, and taxi driver Ib Nielsen. Because their house is to be demolished to make way for a parking lot, they are given 14 days' notice to vacate. Good advice is now hard to come by, and after a fruitless visit to the Ministry of Housing, they agree to resort to unconventional methods—they occupy Louisenborg Castle! Upon arriving at the castle with their belongings, confusion reigns supreme—there is moving chaos, a visit from an Arab prince, plenty of drinks, and love in the corners.

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Three girls in Paris is the story of three Danish girls (Ghita Nørby, Susse Wold and Hanne Borchsenius) traveling to Paris, but after having placed suitcase and money on the hotel and takes off in the city, they forget what it's called and where it is located. They are helped by a Parisian taxi driver, and meets a series of typical French.

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Director Paul Borg (Ebbe Langberg) neglects his young, beautiful wife Marianne (Ghita Nørby). He even forget their wedding day, in favor of a new fast sports car, a beautiful silver-gray Jaguar. During his drive, he runs out of gas. A young lady Laura Lublinski (Hanne Borchsenius), helps him and he takes an innocent flirtation with her. When Marianne learns this, she moves home and dump into an artist community with Jenny (Bodil Steen), Ovengaden of water 52 in Christianshavn. Here she takes the unrepentant Don Juan, Mario (Dario Campeotto) and the guitar-playing Eigil (Dirch compatible).

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Peter Bergmann has celebrated his bachelor party with his good friend William Thorsen. Peter is to marry William's former girlfriend Kirsten on the same day. When they return to Peter's home in the morning, they find a letter from the French hospital "The Little Blue Nuns," asking Peter to come in with his baptismal certificate and have a blood test done. Peter tells William that he had a love affair in Paris while on a business trip for his father's company, but Tony rejected him when he proposed marriage.

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First mate Knud Karlsen has just received sad news from his girlfriend. On board the ship is also chef Valdemar, sailor Ole, owner's confident son Robert and a whole bunch of eager sailors. On board develops the drama out every minute, culminating in the film's climax, when a fire breaks out on board

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When a young woman falls in love with a gown in a shop window it leads to adventure and romance exceeding even her own vivid imagination.

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At Helene Dragstrup's 20th birthday, her grandmother Margrethe decides that it is time that Helene learns something about life outside the protective walls of the estate.

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This film is based on a true story, depicted in the novel of the same name, "Der kom en dag" (The Day Came), written by Flemming B. Muus. Quote: On April 9, 1940, we surrendered, under protest, to an army that broke all treaties, attacked our borders, occupied our country, and seized all executive power. But soon, the will to resist was born. Groups of people came together in a common desire to help win the war and liberate our country.

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Who decides where the cupboard should go in a marriage? The film begins with three cheerful movers, Karl, Fredrik, and Lasse, struggling with a pompous cupboard because an accountant and his wife cannot agree on where it should go. Of course, they eventually agree. Mrs. Accountant is the one who decides. As the three stable brothers drive the moving van away, they run over a young girl. Her name is Lone, and she is the daughter of the accountant they were moving for. She is taken to the hospital with a broken leg. However, love has also entered the picture.

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Among the many guests at the Rebild festival is Andreas Andersen, a man in his early 30s. But he has not come to Denmark to attend the big festival. Seventeen years ago, he was a poor farmhand at "Hovgården," but he fled the country because the farmer's wife, the authoritative Martha Larsen, accused him of a theft that was actually committed by her son, Henrik. Andreas came to America and led a turbulent life here before becoming a farmer and earning a lot of money.

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Fourteen-year-old Jan and his companion Erling appear as extras in a film being filmed at Nordisk Film's studios in Valby. A mysterious burglary at the studio's fine mechanics workshop gives the two healthy boys the opportunity to act as detectives.

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A different kind of Danish film about Denmark, the Danes, and everyday life in Denmark. An episodic film consisting of different storylines, which are linked together by several smaller scenes.

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In the year 1646, Denmark is at peace. Only recently have the last occupying troops left Jutland, leaving behind the sad traces of iron heels. The administration has partially collapsed, the kingdom is short of money, and what money there is is unevenly distributed. This is the unusual and sad background to this unpretentious account.

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The beautiful and spoiled manufacturer's daughter Helga defiantly bets with her friends whether she can survive a whole year as a working housekeeper without financial help.

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Venus aux belles fesses, or Venus with the beautiful buttocks, is the name given to a statuette by the famous Swedish sculptor Sergel, and this small work of art, a draft in fired clay, plays a significant role in this fantastic story. In a strange way, Venus intervenes in the turbulent fate of art historian Hannibal Svanø and creates conflicts for many others. After spending the whole summer leading a nomadic but rather pleasant life, interrupted only by occasional periods of work with old friends around the country, Svanø now sets off for the capital. On the way, he manages to persuade an old schoolmate, Judge Truelsen, to give him a loan that enables him to enjoy a hearty meal in a small, cozy restaurant called "Asietten."

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A Danish prince seeks revenge upon the villain who killed the king and his son to usurp the throne.

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A French housekeeper with a mysterious past brings quiet revolution in the form of one exquisite meal to a circle of starkly pious villagers in late 19th century Denmark.

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A spicy comedy in episode form. We follow a young couple's problems with eroticism at different times and in different environments. The episodes: On Vesterbrogade. In Tivoli. At a castle in 1740. Around a balloon in 1820. On the train in 1890. At the bathhouse in 1900. At a hotel in 1910. In an apartment in 1925. At a tavern in 1932.

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This three-part movie begins with a young woman married to an older, cold-hearted man in the year 1200. Two rivals have a swordfight over the affections of the woman. Part two takes place in 1910 and finds an amorously unfaithful wife taking on her many lovers while her unsuspecting husband lurks nearby. The final part finds a count and countess engaging in extramarital affairs in France during the 1840s.

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A look at what happened when Denmark abolished censorship in the late 1960s.

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Seeking revenge against the rival clan responsible for the killing of his father, Hagbard calms down long enough to establish a truce. During a peaceful interlude, he falls in love with Signe, the daughter of the king of the rival clan. However, Hildegisl, who desires Signe's hand in marriage, disovers the young lover's plans to wed and sets out to bring about the end of Hagbard.

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