Gordon Heath

After being freed from a Vietnamese war prison, French Lt. Col. Pierre Raspeguy is sent to help quell resistance forces in Algeria. With the help of the Capt. Esclavier, who has grown weary of war, and Capt. Boisfeuras, who lives for it, Raspeguy attempts to convert a rugged band of soldiers into a formidable fighting unit, with the promise of marrying a beautiful countess if he's made a general.

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In 1911, Arnolphe Combalette left his corner of Provence to seek his fortune in the Americas. Fifty years later, a letter from him arrived in the village: "No, I'm not dead yet, but it won't be long now. A Combalette should be sent here to settle a question of big money". The family took counsel and delegated their youngest son, Dieudonné, a cook by trade. Dieudonné arrived safely in New York, but soon found himself short of money. Somehow, he managed to reach that prodigious corner of Texas where, he thought, his uncle's many factories would be built. Neither the factories nor his uncle, who died in poverty a week ago, welcome him there. Dîeudonné can't imagine returning to his native village to announce this new family disgrace; for one thing, he hasn't got a penny in his pocket. The owner of a modest saloon hires him as a cook.

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Black and white unite and are confronted with hatred in two color-line-busting classics from the classic years of exploitation.

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Two Scotland Yard detectives investigate the murder of a young woman of mixed race who had been passing for white. As they interview a spate of suspects -- including the girl's white boyfriend and his disapproving parents -- the detectives wade through a stubbornly entrenched sludge of racism and bigotry.

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A British schoolteacher moves to Jamaica to teach after a tumultuous divorce and meets an exciting new woman.

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A young novitiate witnesses a murder. Later, she recognizes the culprit, who admits to the killing; the sister works to convince him to turn himself in to the police.

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The earliest British televised production in existence of the play Othello, with black American actor, Gordon Heath, in the title role. This was the first televised version of the play to feature a black actor in the title role. Gordon Heath, an American, came to Britain in 1947 and was cast by Kenneth Tynan to play Othello in his 1950 Arts Council production. The play takes place in Venice and Cyprus and the original production was part-live, with recorded Venice sequences

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A good cast smooths over the rough spots of Les Heros sont Fatigues. The scene is the African republic of Liberia, which in this film proves to be a stopping-off point for a number of shady characters. Yves Montand plays a French ex-pilot who becomes involved in a scheme to smuggle stolen diamonds. His cohorts include a Nazi collaborator, a German refugee, and the white mistress of a prominent Liberian. A romance develops between the ex-pilot and the aforementioned mistress. Meanwhile, one of the conspirators (Curt Jurgens) has a last-minute attack of conscience, effectively queering the deal. The steamier romantic passages in Les Heros sont Fatigues had to be trimmed for American consumption.

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Claiming that he doesn't know his own past, a rich man enlists an ex-con with an odd bit of detective work. Gregory Arkadin says he can't remember anything before the late 1920s, and convict Guy Van Stratten is happy to take the job of exploring his new acquaintance's life story. Guy's research turns up stunning details about his employer's past, and as his work seems linked to untimely deaths, the mystery surrounding Mr. Arkadin deepens.

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Animals on a farm lead a revolution against the farmers to put their destiny in their own hands. However this revolution eats their own children and they cannot avoid corruption.

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Filmed in Uganda, Man of Africa was assembled by legendary documentary producer John Grierson. The film depicts the mass migration of the Bakija and Batwa tribes to a new territory after the natural resources of their native soil has been depleted. The pro-ecological message is always present, but never so much as to degenerate into fatuous speechmaking. As a means to introduce the semblance of a plot, writer/director Cyril Frankel concentrates on the trials and tribulations of clerk-cum-farmer Jonathan (Frederick Bijurenda) and his native sweetheart Violet (Violet Mukabuerza). Print quality in Man of Africa varies from adequate to murky.

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