Espen Klouman Høiner

On the surface 19-year-old Mirjam's life appears perfect. She is a world champion freestyle disco dancer and the pride of her modern, evangelical church. Yet her body is calling out for help and at the dance world championships, where she is defending her title, she collapses on stage. Her family's solution is for her to focus more on her faith. In search of answers, she turns to a stricter, more conservative church.

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Former pro cyclist Kim Karlsen (39) holds a press conference admitting use of performance enhancing drugs in her career. Rather than accepting the consequences of her actions, our antiheroine sticks to her guns and refuses to alter her mindset.

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When the Nazis secure a heavy water plant to realize their plan to create an atomic bomb, the Norwegian Allies struggle to sabotage the operation.

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A Finnish-Norwegian love story with an unexpected shape and development. Shot in Oslo, Helsinki, Istanbul and Berlin. The film focuses on showing the actual moments that lead to getting to know one another, building a relationship and to breaking up. The film takes part in Kaisa’s attempt of getting involved with two different men that look almost exactly the same, questioning where the thin line is between someone potentially being the love of your life or not. Shooting the film with the approach of a workshop and closely involving the actors allows the film to take shape as a unique, unpredictable cinematic expression touching the basis and complexity of human behavior.

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The film depicts a typical night out in Oslo, and shows the sometimes painful and often ridiculous results of being on the 'meat market'. The casual, breezy dialog contrasts the darker themes of friendship, betrayal and use/abuse of sexual power. Christine and Alex want excitement and confirmation of their desirability, Silje is looking for true love. Joakim? Well, he has perhaps read 'The Game' one too many times...

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As young children, half-siblings Axel and Yanne are adopted to Norway. They are separated on arrival, him to material wealth on Oslo's west side, her to an average family on the east side. In contrast to her younger brother, Yanne remembers their journey to Norway, but she has no idea where he might be now.

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17 year old Mikkel lives a good life in Oslo where he has heaps of friends. When his mother gets a new job, Mikkel has to move to a small town and start all over. Here, snowboard is the big thing and to be accepted by the new kids, Mikkel has to go into training.

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Fueled by literary aspirations and youthful exuberance, two competitive friends endure the pangs of love, depression, and burgeoning careers.

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In a bed at a treatment centre, a severely disabled boy lies. Nobody understands him. Everybody has given him up, except for one person. A warm film about the fact that solutions are not always the solution.

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16 year-old Bea is in her first year at upper secondary school in Oslo. Active on the school magazine, she falls in love with Daniel, the smartest and most gifted student in the top year, who returns her feelings. There is just one drawback, namely her friend' idea of virginity and first love...

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Hos Martin is a Norwegian situation comedy that premiered on TV2 on January 6, 2004.

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Uti vår hage was a Norwegian sketch comedy television program which had two different runs on TV in 2003 and 2008 on the Norwegian state channel NRK. The show starred the three well-known comedians: Atle Antonsen, Harald Eia and Bård Tufte Johansen. The format of the show was one main storyline that would gradually branch off into several separate minor storylines. Two series of the show have been produced, and the second series carries the title Uti vår hage 2. The show has introduced popular characters like "Lena" from Døden på Oslo S and "Oslolosen". The first season consisted of six episodes and was first broadcast in September and October 2003, while the second season was aired in January – March 2008, with seven ordinary episodes and one special. The first season was the first occasion where the three comedians worked together.

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