Bernard Sasia

It is the story of a love affair between a musical score and a screenplay! Chief editor Bernard Sasia observes and interviews the key figures of this journey. Centered on the collaboration between composer Michel Petrossian and director Robert Guédiguian, Sasia uses his editing tools to capture the sudden emergence of a musical creation for the cinema.

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A disassembly / reassembly of 58 films by Jean-Pierre Mocky, the editor becoming the director and the hero of his own film.

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It is the story of a love affair between a musical score and a screenplay! Chief editor Bernard Sasia observes and interviews the key figures of this journey. Centered on the collaboration between composer Michel Petrossian and director Robert Guédiguian, Sasia uses his editing tools to capture the sudden emergence of a musical creation for the cinema.

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On April 2, 1995, the television channel Canal+ censored the documentary "Pas vu à la télé" (Not Seen on TV), directed by Pierre Carles, which had been commissioned a few weeks earlier by the program director, Alain de Greef. "Pas vu à la télé" was slated to be featured in Canal+'s "TV Day" segment, under the heading "Television, Power, Morality." Carles recounted this censorship in the feature film "Pas vu pas pris" (Not Seen, Not Caught), released in theaters on November 18, 1998. It drew over 160,000 viewers. Eighteen years later, "Pas vu à la télé" remains unaired on French television. As for "Pas vu, pas pris," it has still not been broadcast on French television. However, it has been shown on television in Belgium, Quebec, and Switzerland. Since then, nine billionaires now control more than 80% of the media in France, while eleven of them account for 57% of the television audience.

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