Maurizio Braucci

A French widower and WWI veteran returns home after the war to raise his newborn daughter.

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It is the end of World War I and the young Italian soldiers are making their way back to San Giovanni Rotondo, a land of poverty, with a tradition of violence and submission to the iron-clad rule of the church and its wealthy landowners. Families are desperate, the men are broken, albeit victorious. Padre Pio also arrives, at a remote Capuchin monastery, to begin his ministry, evoking an aura of charisma, saintliness and epic visions of Jesus, Mary and the Devil himself. The eve of the first free elections in Italy sets the stage for a massacre with a metaphorical dimension: an apocalyptic event that changes the course of history.

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The tale of an individualist proletarian in a time marked by the rise of mass political movements. In early 20th-century Italy, illiterate sailor Martin Eden seeks fame as a writer while torn between the love of a bourgeois girl and allegiance to his social class.

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A gang of teenage boys stalk the streets of Naples armed with hand guns and AK-47s to do their mob bosses' bidding – until they decide to be the bosses themselves.

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In the late 1980s, Amedeo Letizia, a young 20 something Italian, leaves his hometown of Casal di Principe to pursue a career in acting in Rome. While he's making his debut, his younger brother Paolo is kidnapped by armed men. Amedeo comes back, this return being an infernal descent into his past and his region's contradictions.

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Naples. Present day. Giovanna, a combative 60-year-old social worker on the frontline of the daily war against pervasive criminality, is confronted, like a modern Antigone, with a moral dilemma that threatens to destroy her work and her life. Giovanna runs an after-school centre that takes care of underprivileged children; a grassroots alternative to the mafia dominance of the city. But one day, young Maria, wife of a ruthless Camorra criminal on the run, and her two children take refuge at the centre, and ask Giovanna for protection.

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Pulcinella, a foolish servant, is sent from the depths of Mt. Vesuvius to present-day Campania to grant the last wish of poor shepherd Tommaso, who spent his whole life looking after a crumbling Bourbon estate: his mission is to save a young buffalo named Sarchiapone. Pulcinella takes the buffalo north and the two servants, man and beast, travel through a beautiful and lost Italy.

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We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.

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A former narcotics smuggler, now living peaceably in the Calabrian hills, is drawn back into his family’s drug-trade dynasty by his impetuous teenage son.

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A boy and a girl are locked in an enormous abandoned building in a rundown area. She is a prisoner and the local clan leader has forced him to be her warder. Despite their youth, both of them have grown up too fast. Veronica acts like a mature and open-minded woman whilst Salvatore is like a man who wants to hold on to his job and lead a quiet life. Thus, when faced with the violence of this incarceration, the two young people have different reactions: Veronica is restless and rebellious; Salvatore is more remissive and accommodating, either out of fear or realism. They are both victims but it is almost as though each blames the other for their reclusion. However, as the hours go by, their mutual hostility is transformed into an inevitable intimacy, consisting of reciprocal discoveries and confessions. Between the walls of that isolated and frightening place, Veronica and Salvatore fi nd a way to rekindle those adolescent dreams and ideas put aside too soon.

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A dark comedy centering on the lives of a Neapolitan based family whose father, a fish merchant, is so infatuated with the reality TV show "Grande Fratello" (the Italian version of "Big Brother") he starts living his life as if he were on it.

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Michele and Rosario, childhood friends, grow up in Marcianise, a town in Campania where the laws of the Camorra prevail over those of the state. However, the two men have different destinies: Rosario becomes a crime boss, while Michele, after being arrested for murder and released from prison, discovers the world of boxing thanks to his trainer Sabatino (Giorgio Colangeli). Seeking a definitive change of life and emancipation, Michele moves to Berlin, where he is introduced to the underground boxing circuit.

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Weaving together fact and fiction, this docudrama performs a portrait of the often seamy underside of the city of Naples.Ferrara traveled to Italy to interview the inmates at the Naples Pozzuoli State Prison, a high security lockup for women, and with the help of a translator he allows a number of women doing time to talk about their lives before and after they were convicted. Ferrara chose to expand the short profile of the prisoners into a feature by offering a look at life in the slums of Naples and the actions of a number of law enforcement officers and social workers struggling to improve conditions for the poor, as well as adding three short fictional segments shot of digital video gear.

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An inside look at Italy's modern-day crime families, the Camorra in Naples and Caserta. Based on a book by Roberto Saviano. Power, money and blood: these are the "values" that the residents of the Province of Naples and Caserta have to face every day. They hardly ever have a choice and are forced to obey the rules of the Camorra. Only a lucky few can even think of leading a normal life.

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In the center of Naples, in the Montesanto district, Maurizio, a homeless man, has built a shack on the stairs that lead to Corso Vittorio Emanuele. Maurizio gathers and collects all the objects that consumer society gets rid of. Thus, the interior of his shack resembles a real house.

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