Toni Servillo

Three different epochs through the gaze of three children: Zelinda, who loses her mother to the Spanish Flu during World War I and sees the specter of Nazism loom; Assunta, who lives during the Nazi occupation between bombings, raids, and executions; Icaro, who abandons the countryside during the Years of Lead (“Anni di Piombo”) and accepts a new life. A story across the difficulties and the troubles of the 20th century between memories, affection, nostalgia, and gratitude.

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Football offers bitter disappointments, but equally powerful and infinite emotions. Napoli rises again on May 4, 2023, winning the championship with five days to spare, an epochal result destined to remain forever in history. A joy awaited for 33 years and told through the eyes of the players, such as captain Giovanni Di Lorenzo, of personalities from the world of sport, entertainment and journalism, of Napoli's sporting directors and staff, including coach Luciano Spalletti.

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A well-known Neapolitan writer returns to his hometown after a long absence and encounters an old friend known as Caracas. Caracas, once a neo-fascist skinhead, is now converting to Islam.

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Tangled up with blackmail and crooked cops, the son of a former gangster seeks out his father's old friends, who risk everything to save him.

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The Divine Comedy, in particular Hell, becomes a nativity scene and therefore life in the visions of the trans-avant-garde artist.

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The panorama of human affairs encounters the “man with a movie camera”. His playground has no boundaries, his curiosity no limits. Characters, situations and places pitch camp in the life of a humanity that is at once the viewer and the thing viewed. But what are the last days of this humanity? Have they already passed? Are they now or still to come?

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Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.

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In the exact moment they hit rock bottom, four strangers are visited by a mysterious man who gifts them a week to see how the world would be without them.

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Italy, March 16, 1978. Aldo Moro, president of Christian Democracy, the ruling party, is kidnapped by the extreme left-wing terrorist gang Red Brigades. While the criminals put him on trial and condemn him, the Italian government and Pope Paul VI pull their twisted strings to save his life.

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During a trip to Sicily in 1920, Luigi Pirandello meets two gravediggers-turned-playwrights rehearsing a play with their amateur dramatics. Pirandello takes an interest in the odd couple, having been suffering from writer's block while working on his eventual masterpiece, Six Characters in Search of an Author.

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The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists

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The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists.

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An Italian documentary about Italian cinema.

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In 1980s Naples, an awkward teen struggling to find his place experiences heartbreak and liberation after he's inadvertently saved from a freak accident by football legend Diego Maradona.

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A prison drama where an old mobster and a prison guard must find a way to coexist so that imprisonment can become less so, and perhaps reveal the paradox that is behind the very concept of captivity.

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In early 20th-century Naples, a theatrical parody lands beloved thespian and playwright Eduardo Scarpetta in court, facing a malicious lawsuit that could compromise his freedom of expression and the economic security of his extended family—including his son's, young Eduardo De Filippo.

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A short movie about coming back to the cinema after lockdowns.

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From Sala A in Via Asiago, Rome, an evening in honour of Toni Servillo, in which the actor and director from Afragola engages with the poetry and prose of Charles Baudelaire in a monologue written for the theatre by Giuseppe Montesano.

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When a kidnapping victim turns up alive after fifteen years, a profiler and a private investigator try to piece together the mystery.

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Through the rehearsals and the tour of the show based on Uncle Vanya by Anton Chekhov, Vinicio Marchioni takes us to the Italian province destroyed by the earthquake and the places of the Russian writer. The Vanja earthquake starts from the Chekhovian masterpiece to investigate Italian post-earthquake immobility through the tragicomic gaze of Chekhov, making the public aware of the extraordinary human strength of the writer. A journey into the Italian theatrical creation; a journey in the earthquake that destroyed central Italy; a journey into the words and soul of Anton Chekhov.

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Tonio, the son the bears King, is kidnapped by hunters in the Sicilian mountains. Due to the harshness of a winter that threatens famine, the Bear King decides to invade the land of men (in the hope of finding his son). Thanks to his powerful army and the help of a wizard, while he will succeed at both quests, he will soon find out that bears are not meant to live among men.

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Peppino, a retired hitman for the Camorra, has now fully passed on his job and know-how to his single son, Nino. But when Nino is brutally assassinated, the old man is back in business to take revenge. Aside his everlasting love Rita and his longtime henchman Totò, Peppino will go to any lengths, even if it means bringing the Camorra down.

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The documentary is about a well-known Venetian artist, Emilio Vedova, born exactly one hundred years ago. Our guide to the artist's life is his own diaries, read to us by a superb actor: Toni Servillo. The portrait of the artist is rounded out by interviews with influential figures in the art world who knew Vedova and saw him in action. Above all, however, it is Vedova himself who erupts on the screen, thanks to stock footage and his own painting style.

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The human and artistic adventure of the creation of "Elvira", the show by Toni Servillo produced together with the Piccolo Teatro of Milan, based on the lessons of Louis Jouvet at the Conservatory of Dramatic Art in Paris in 1940. The authors' gaze follows Servillo and his young companions from their departure at the Venice Biennale to their arrival at the Théâtre de l'Athénée in Paris, via Naples and Milan.

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Internationally released Director's Cut of "Loro 1" and "Loro 2", which were released separately as two movies in Italy. The film talks about the group of businessmen and politicians – the Loro (Them) from the title – who live and act near to media tycoon and politician Silvio Berlusconi in the years between 2006 and 2009.

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"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.

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"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.

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In 1937 the Nazi regime held two exhibitions in Munich: one to stigmatize “Degenerate Art” (which they systematically looted and destroyed) and one, personally curated by Hitler, to glorify “Classic Art”. This immersive new documentary reveals the Nazi’s complicated relationship with classical and modern art, displaying an incredible number of masterpieces by Botticelli, Klee, Matisse, Monet, Chagall, Renoir and Gauguin amongst others, intertwined with human stories from the most infamous period of the twentieth century. A state-of-the-art detective story exploring the Nazis’ obsession with creative expression, Hitler versus Picasso combines history, art and human drama for an unforgettable cinema experience.

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