Ron Brice

Documentary on the making and legacy of Mulberry Street featuring new interviews with cast and crew

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There’s a madman loose in New York City. Late at night, he stalks the streets looking for straight white men to punish. When he finds them, he kills them in unspeakable ways.

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A Black family in rural Vermont attempts to live a life of solitude and cope with the ghosts living on their property.

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At a small New York theatre, an ageing magician comes up with a devilish plan to save his piece of old New York by invoking some real black magic. Harsh realities and fantastic illusions come together in BLACK MAGIC FOR WHITE BOYS, Onur Tukel’s latest film, a bizarre comic adventure about gentrification, race and bodily autonomy in New York City. With over 50 minutes of new footage, Tukel has completely reworked a project initially presented in 2017 as a four-episode series at Tribeca into a gnarly and charmingly weird dark comedy. Balancing edgy misanthropy with a strain of silly sweetness, this is an intimate low-budget parable about the changing face of New York City.

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Doyle Simms grows up across the Hudson from NYC and flees his toxic family to attend a film program there. After a bumpy first year he returns more determined than ever to become a storyteller and figure out his place. Financial setbacks force Doyle to find creative "rent-controlled living" and begin a dual life living out of Penn Station while going to school. We follow Doyle over his college years as he begins to build relationships with several colorful characters such as Saul, a homeless book dealer who shows him the ropes and his own brand of street philosophy, and Allyson, a beautiful, struggling actress he carefully begins to pursue and fall for. Doyle begins to find a weird balance and begin to build a home, but the pressure of maintaining his worlds begins to crack the façade and he's forced to confront his past family demons and reconcile the person he wants to be with the person he is.

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A deadly infection breaks out in Manhattan, causing humans to devolve into blood-thirsty rat creatures. Six recently evicted tenants must survive the night and protect their downtown apartment building as the city quickly spirals out of control.

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Two desperate con men attempt to blackmail a psychotic doctor who may just be a serial killer.

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In the rail yards of Queens, contractors repair and rebuild the city's subway cars. These contracts are lucrative, so graft and corruption are rife. When Leo Handler gets out of prison, he finds his aunt married to Frank Olchin, one of the big contractors; he's battling with a minority-owned firm for contracts.

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In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.

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When small-time crook Curtis jacks a police car, he discovers the lady cop is a former lover, and soon the two form an unlikely alliance to bust a revolution-minded urban gang who kidnap, tar and feather rich executives.

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When their abusive parents are killed in a car crash, twin sisters Rosie and Violet vow to run away to Kentucky in search of a better life. While on the road, the girls meet up with Pete, a drifter working as a grounds keeper on a derelict army base, who takes them in. While Violet falls for him, Rosie becomes increasingly angry and hostile, and the sisters' childhood bond is eventually destroyed forever.

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The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.

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Swift Justice is an American detective drama television series created by Dick Wolf and Richard Albarino, broadcast for one season (13 episodes) on UPN from March 13 to July 17, 1996. James McCaffrey stars as former Navy SEAL Mac Swift, a private investigator fired from the NYPD. He receives support from his former partner Detective Randall Patterson (Gary Dourdan) and his father Al Swift (Len Cariou). Critics noted the series' emphasis on violence, specifically in the pilot's opening sequence, drawing comparisons to The Equalizer (1985–1989) and Die Hard (1988). UPN canceled the program after receiving complaints from viewers, advertisers, and critics for its stark depiction of violence. Wolf considered the cancelation a mistake due to good ratings. Further, it was praised for its visuals and McCaffrey's performance, but often criticized as being either too violent or formulaic.

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Strike is a young city drug pusher under the tutelage of drug lord Rodney Little. When a night manager at a fast-food restaurant is found with four bullets in his body, Strike’s older brother turns himself in as the killer. Detective Rocco Klein doesn’t buy the story, however, setting out to find the truth, and it seems that all the fingers point toward Strike & Rodney.

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Paul Lamont, a corrections officer and law student, leads a comfortable if culturally bankrupt, middle-class existence. Lamont's marriage is already in trouble when he bails out a mysterious Haitian, Jean Baptiste, in the belief that Baptiste has been wrongly accused. Baptiste insinuates himself in Lamont's life and leads him on a journey of discovery. Lamont then finds that acts of conscience can have unforeseen consequences.

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Danny is a smart little girl. She lives at the track where her uncle is a horse trainer. She knows her uncle needs just one great horse to make his name.

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Long separated from his family, hitman Joshua returns to Brighton Beach for a contract killing for the Russian Mafia. His abusive father, Arkady, banned him from returning after Joshua committed his first murder. He takes up residence in a hotel, and soon everyone knows he has returned. He goes home to visit his dying mother, Irina, and prepares for the assassination, getting drawn back into the criminal community he left behind.

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Death and violence anger twelve year old drug courier Fresh, who sets his rival employers against each other.

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An American police procedural chronicling the work of a fictional version of the Baltimore Police Department's Homicide Unit.

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A struggling rapper finds a way in when he is approached by a more respected, hardcore rapper.

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In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.

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