Conchita Airoldi

1828. After witnessing the brutal repression of revolutions in monarchist South, three young friends join Giuseppe Mazzini's patriotic cause, seeking to finally unify Italy under a republican government. Their idealism will clash with the inevitable disillusionment as they grow apart over the following decades.

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Panic attacks and memory loss signal the plight of a writer whose body is inexplicably being taken over by another woman.

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Two friends, Manoj (Gihan De Chickera), a bartender, and Stanley (Dharmapriya Dias), a fruit vendor, wish to immigrate to the West to seek their fortune, but have difficulties getting their visa applications approved. They come across an application to a handball tournament in Bavaria, and not even knowing what the game is, they submit themselves and a group of friends as the "Sri Lanka National Handball Team". For appearance's sake, they begin minimal training and then seek travel visas from the German Embassy. Their plans to simply escape into the West upon arrival in Germany are thwarted by the quick appearance of the tournament organizers and an arena of fans eager to see the prowess of the Sri Lanka National Handball Team.

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Leftist radical-turned-terrorist Giorgio—hiding out in Latin America since the 1970s—turns himself in as soon as the Berlin Wall falls. Wishing to lead a comfortable, bourgeois life in his native Italy, he cuts a deal with a dirty cop, getting his sentence reduced in return for ratting former comrades out. Once released, Giorgio obsessively pursues his dream of becoming an upright citizen, but his old police aquaintance keeps dragging him down...

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Stefania works in a bookshop. Shortly before closing for summer holidays, Andrea, who was left behind by his fiancée, enters the store.

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An FBI Agent from America and his bride and young child travel to the Sicilian island of Ginostra to solve the murder of a key witness.

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Having recently earned his college degree, Lorenzo Primavera (Eddie Malavarca) leaves his home in Boston to travel to his family's ancestral homeland in Italy -- as was requested by his late grandfather. Upon arriving, Lorenzo is offered a short-term position as coach for an American-style football team by the team's manager, Giulio Fellini (Maurizio Nichetti). As the young American immerses himself in his new duties, he makes the acquaintance of Paola Angelini (Violante Placido) and the two begin a friendship that quickly blossoms into something more. In between spending time with Paola and working with the team, Lorenzo also begins investigating his own family's history and learns the reason for his grandfather's departure from Italy, as well as why his grandfather never returned to visit. As Lorenzo begins to forge an identity for himself in Italy -- not to mention strong romantic attachments to Paola -- he must eventually decide whether or not to return to the States.

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Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.

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Titus Andronicus returns from the wars and sees his sons and daughters taken from him, one by one. Shakespeare's goriest and earliest tragedy.

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Set during the Alaskan gold rush of the late 1800s. In his efforts to gain control of a small mining town, Sean McLennon is buying up every claim that becomes available, usually after the deaths of the previous owners at the hands of McLennon's 'assistants'. One of the miners targeted by McLennon, a half-Indian hunter named Hudson Saanteek, manages to escape his hired thugs and comes back into town looking to re-establish his claim and get revenge. McLennon and his men have the advantage of numbers and weapons, but Saanteek has his survival skills and knowledge of the Alaskan wilderness.

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An Italian troupe is busy in Paris filming an adaptation of La Traviata. The dressmaker Rosa, in love with the lead actor, identifies herself with Violetta: thanks to a bad joke and a fake séance, Rosa begins to believe she is her reincarnation. From that moment on, she tries to discover everything she can about her previous life, which slowly becomes closer and closer to her real one.

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Francesco Dellamorte is the groundskeeper at a cemetery where the dead just won’t stay dead—and it’s up to him to deal with those who come back to life with a hunger for human flesh. But Dellamorte’s job soon becomes much more complicated when he falls for an enigmatic young woman whose husband has recently died.

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Carla Aldrovandi, a gynecologist, and her husband Marco Canova, a magistrate live on the front line of criminal and political powers in Italy. She is surrounded by terror and threats.

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An unknown Polish writer can't publish his novels, so his ex-wife decides to help him and get some of the profit for herself. She finally finds a publisher, but there's a strange single condition that could cost the writer his life.

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Gloria Ruckhauser has a dream: rediscovering the figure and features of herself when she was 20. Convinced that science is getting nowhere in the search for a cure to the aging process, Gloria sets up a foundation whose mission is to find a miracle potion. Various scientists take up the challenge and develop a substance that reverses the biological clock. Now, they face a new challenge. How to stop getting younger before it's too late.

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1849 - Ciceruacchio declares the Independent Republic of Rome, but the French and the Austrians try to bring back the Pope to Rome.

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Tommaso Scalia is a man who commits three murders: he kills his superior who sacked him, the man who replaced him and his wife. He wants a quick trial and an early execution, but an earnest, principled assistant judge looks for a way to save the murderer from being shot, because he does not belive in capital punishment.

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Wolfgang Cazotte, a famous, refined and charming court painter of the early 19th century, plans to seduce Ehrengard, an attractive and proud virgin, without touching her, just by instilling in her a throbbing passion. At one point, though, the painter's artifice seems to start turning its back on him.

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