Takako Tokiwa

When volunteer Kanade Hiiragi arrives in a disaster-stricken town in Noto, she teams up with local residents to launch a community radio station.

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After years in Paris, former wagashi heiress Miyako Sawafuji returns as illness threatens her Kyoto family. Between centuries-old tradition and modern ambitions, a new generation faces whether and how to inherit the shop and its culture.

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Fujisaki Aki is an employee at "Tsukiyono Drink", a medium-sized beverage manufacturer. She has been transferred to the Intellectual Property Department, that is in charge of managing intellectual property rights. Together with her superior, Kitawaki Masayoshi, who is a licensed patent attorney, the two work together to overcome various challenges faced by the company.

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The film delicately portrays a young girl who struggles with the sudden discovery of juvenile breast cancer and her complicated relationship with her mother.

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Two inseparable friends move to Kyoto to chase their dreams of becoming maiko, but decide to pursue different passions while living under the same roof.

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Moriyama Kosaku is released from a Hokkaido prison on parole. After he salutes the prison officers, he approaches a car that is stopped nearby. A mysterious woman Kana is waiting in the driver’s seat. Meanwhile, Kazami Tamiko’s aunt Suzue visits her ranch in Nakashibetsu and laments about the changes in Tamiko’s only son Takeshi. Five years ago, Kosaku was arrested right in front of the boy. That episode caused Takeshi to turn into a completely introverted and eccentric youth who obsessively plays the piano. Furthermore, Abuta comes over and expresses concern about junior high school music teacher Nishikawa’s frequent visits to the Kazamis. He proceeds to inform Tamiko that Kosaku has been released from prison. Even though Tamiko had attempted to forget Kosaku who never replied to any of the letters that she sent to the prison, the news makes her heart stir all of a sudden.

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Seven men and women, consisting of three couples who are reluctant companions and one single man, play in the game with the secret that their relationship and friendship will collapse. Japanese remake of the Italian movie "Perfetti sconosciuti".

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When lightning strikes a theater about to close its doors, three moviegoers are thrust back in time to the world inside the screen.

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Tatsuya Nakadai, the world’s greatest living actor, returns to the screen in a brilliant adaptation of a story by novelist Shuhei Fujisawa. A traveling gambler known as “Funeral Uno” he is now 86 years old and returning to his hometown for the first time in 30 years. Partly told in flashbacks, he is forced to face his lifelong nemesis, Boss Kyuzo, a vile yakuza portrayed by another superstar of samurai cinema, Atsuo Nakamura! Before the two old gamblers can settle a 30-year-old score they must put their lives on the line in a game of dice that can only lead to a bloody sword duel the likes of which has never before been seen! Superb performances all around in a film loaded with surprises and exciting swordplay!

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The film is about poor children and 'The Kids' Diner', a place where they can go to get free or cheap food.

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Kyoko Hasumi (Takako Tokiwa) is a former lawyer who quit her job to become a housewife and a mother. Her husband is an elite prosecutor. He works as the leader of a special investigation department at the Tokyo District Prosecutor's Office, but he is charged with corruption and gets arrested. A scandal with another woman is also revealed. Kyoko Hasumi's life as a "good wife" begins to change. To protect her children, she decides to work again as a lawyer. She is hired temporarily at a law office and begins to work as a lawyer for the first time in 16 years.

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After Tamiko Kazami's husband passes away, she works their dairy farm. People around her oppose her, but she places her cattle out to pasture which her late husband insisted. Tamiko's situation is not very good. Her father-in-law's chronic disease gets worse and she must do all the labor by herself. One night, a man comes to stay the night because of a broken bike. Tamiko asks him "Please work here."

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Nanami Ishikawa works as an editor at a publishing company. She travels Hiroshima to go after her father Asahi who left home. During her visit to Hiroshima, she learns about the tragic story of Asahi's older sister Minami Hirano. When Minami Hirano was 13 years old, she was exposed to radiation by an atomic bomb.

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Spring, 1941: 16-year-old Toshihiko attends school in the coastal town of Karatsu, where his aunt cares for his ailing cousin. Immersed in the seaside's nature and culture, Toshihiko soon befriends the town's other extraordinary adolescents as they all contend with the war's gravitational pull.

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The drama is set in an retirement home named "Yasuragi no Sato La Strada" where only those who had worked in the TV entertainment industry such as actors, writers, musicians and artists are allowed to live at. Kikumura Sakae, who used to be a popular scriptwriter, lives among the former stars and the problems they face are presented in a humorous manner.

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A married woman obsesses over a hairstylist she becomes involved with.

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In 2013, Takako (Takako Tokiwa) looks back upon her youth. In 1983, she was a high school student who spent a lot of time in the theater with her friends. Recalling her past of 1983, she goes back to her hometown.

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Mare is an elementary school student. She lives with her family in the city, but, right before her father goes bankrupt, they run away and settle down at a fishing village in Noto. The family rents a couple's home who run a salt pond. Mare's father starts a new business, but it also fails. Her mother supports the family by working at the salt pond. 8 years later, Mare, about to graduate from high school, decides to work for the Wajima local government. She wants to have a steady job, unlike her father. Her job is to support people who move to Noto.

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The series depicts "Kyoto as Kyoto people love it" in dramas and documentaries.

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After the end of the second world war, Fred Wada Isamu (Osawa), an American of Japanese descent who runs a fruit and vegetable shop in Los Angeles. One day, Wada sees a newspaper article on the search for someone of Japanese descent who can look after Japanese athletes coming to the United States to compete in the national swimming championship, and offers his family. Several months later, Kiyokawa (Mitsuishi), the Japanese swimming team’s coach, and the swimmers Hashizume (Katsuji), Furubashi (Nakao) and others arrive in the United States. The Japanese swimming team breaks one world record after another and sets nine world records. It is joyous news for Japan. Several years later, Wada and his wife receive a phone call from Tabata Masaji (Nishida Toshiyuki), the chairman of the Japanese Swimming Federation and general secretary of the Japanese Olympic Committee. Tabata says he would like some form of help from Wada in their bid for the Tokyo Olympics...

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TBS’s ”World Heritage,” is a 30-minute weekly documentary series that is registered by UNESCO under Natural Heritage, Cultural Heritage and Cultural Sciences. The program started in spring, 1996, and over a span of 10 years has covered about 560 topics around the world. To better convey the grandeur of these treasures of the world, TBS has shot the series in High-Definition. High quality images, impeccable narrative, and beautiful music...the elements are simple and straightforward. The producers feel that this style of presentation works best to visually document and preserve the wonders of the world, and continue to do so to this day.

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Relatives gather from afar in wintery Ashibetsu upon the death of patriarch Mitsuo. A mysterious woman named Nobuko suddenly shows up. Her appearance gradually exposes wartime secrets and Mitsuo's unknown past.

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Shizuru Tamai lives in a small mountain town in rural Japan with her mother and grandmother. Her grandmother is partially unable to move, and Shizuru has to care for her with her mother, who tries to keep Shizuru shackled at every opportunity. Shizuru’s days are filled with endless monotony. She works as a receptionist at her former classmate’s hospital, and one day goes to buy picture books for the waiting room. It’s then that she recalls a book from her childhood ‘The Pierrot Prays to the Moon’. Wanting to read the book again, Shizuru finds it on an online auction site. Once it finally arrives and she begins to read it, a small slip of paper gently falls from its pages. On the paper are what appear to be instructions for a recipe. The recipe prompts Shizuru to contact Tobuse, the man who sent her the book.

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Yukichi Matsumoto's 2013 stage adaptation of Shuji Terayama's "Lemmings". Two cooks share a room, one of which talks with his mother's head: it lives beneath their tatami mats. On the other side of their room's wall, lives a wife who desperately cares for her feverish husband. As more and more walls are tore down movie studios, hospitals and prisons are revealed, destroying the physical boundaries between their boarding house and the city.

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Yasu's mother passed away when he was very young and his father abandoned him. Yasu's wife, Misako, also lost both her parents when she was young. The two spend their days in happiness, watching their young son, Akira, grow up. Unfortunately, a freakish accident occurs that results in Misako sacrificing her life to protect her son. Yasu loses himself in grief and remorse, but recovers as he vows to raise his 3 year-old son as best as possible.

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In 1945, Japan surrendered to the United States and the Second World War was over. Right? Wrong. For eighty percent of the Japanese community in Brazil, Japan had won the war and defeat was nothing more than American propaganda. The few immigrants that accepted the truth were persecuted. Some were hunted down and assassinated - by their own countrymen - causing the start of a new, private war. Dirty Hearts is a thriller and love story told by the wife of one of the fanatics dedicated to preach Japanese victory. Little by little, she watches her husband, a hard-working immigrant, become an assassin and their love story fade away.

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Chuushingura from the perspective of Horibe Yasubee.

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