Imre Csuja

A firefighter develops a fear of heights and has strange visions after his wedding proposal goes up in smoke. Will a teacher he meets later cure his vertigo and mend his broken heart?

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Viki’s new romance falls apart when Feri cheats and she refuses to forgive him. With the video store closing, she launches a blog about her past work and lands a copywriting job at a hip advertising agency, where she meets a new colleague, Szabi. Drawn to him, Viki breaks off her fling with Somlyó and decides to lose weight, only to question whether that’s really what Szabi wants.

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Brothers Tamás, Ákos and András find themselves in deeper trouble than ever after swindler Alex drains them into a chase for a priceless stolen stamp. With both the police and rival mafia crews, Baláék and Toniék, on their tail, they’re joined by Eszter and Timi as everyone races against the clock. Their fortunes, and perhaps their lives, depend on whether they can outwit both friends and enemies, and escape unscathed.

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Between 1993 and 1999, one man robbed 29 financial institutions in Budapest. Banks, post offices and even travel agencies fell victim to his crime spree. The police had no leads and no hope of finding him during his six-year stint. The only clue left behind at the crime scenes was the distinct aroma of whiskey. The media christened him the “Whiskey Bandit”. Never physically harming anyone, many began to eagerly follow his escapades through the media. A Transylvanian immigrant, who also happened to be a goalie for one of the city's largest hockey teams, named Attila Ambrus, was finally identified as the “Whiskey Bandit”. The police had finally captured him... or so they thought.

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Bihari made under "Directions Stories" blog by Victoria Comedy / Romko, which Viku try to find life (big) one love

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The amusing everyday life of a small, stereotypical Hungarian village focusing on a corrupt mayor, a bodybuilder priest, a hot bartender girl, a dumb police officer, and a womanizing football coach.

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Tibi and his small‐time crook crew haven’t grown wiser in ten years and are hired by a shadowy Japanese syndicate to steal a priceless data drive. Clueless about IT, they drag along a computer‐science teacher, only to trigger revenge from a Roma mafia boss, face off against Japanese hitmen and even anger the Slovak army. As their dream of escaping to a Malibu beach with the loot fades, Tibi’s street smarts might be their only hope.

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Three women from three generations are forced together, mentored by an old diva and a transvestite, to form a band. They are successful on stage, but off of it they are not getting along at all.

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Andor Czettl, in his early sixties, visits the secret service archives one day to read into the reports about himself and discovers a shocking fact. His very best friend János Pásztor was an informer, spying on him and writing reports about him for decades. Sára Cserhalmi's first feature focuses not so much on the actual problem of informing and betrayal as on the contradictory relationship of the two protagonists. It avoids any final judgments. First and foremost, it seeks answers to questions like how an informer can live in our present times and how the one being reported on can cope with this state. Can a close friendship that began decades ago last if such betrayal comes to light? How can someone live and cope with this fact?

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George Smiley, the aging master spy of the Cold War and once heir apparent to Control, is brought back out of retirement to flush out a top level mole within the Circus. Smiley must travel back through his life and murky workings of the Circus to unravel the net spun by his nemesis Karla 'The Sandman' of the KGB and reveal the identity of the mole before he disappears.

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A single gunshot and a pointed toothpick drive Lali to abandon his life and disappear, only to find himself stranding Feri, a high-profile Budapest lawyer, at the Üvegtigris snack bar while Lali hops into Feri’s Bentley convertible. As the pair roar through the city, Lali’s sudden swagger attracts a dazzling woman - and then another - launching him on an outrageous day of living large. What began as an impulsive escape becomes Lali’s wildest adventure yet, filled with fast cars, femme fatales and the thrill of starting over.

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The three brothers, Akos, Tamas and Andras - known from the first part - try to get back their 60 million forints stolen by impostor Alex who ran away with the money and the girlfriend of the oldest brother.

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Our hero, Lajos, a drunken ex-cop in his fifties, back from the jaws of death. His old friend Feri, who is always anxious and wrestling with bad premonitions; and his wife, Etus, who believes in both the omnipotence of love and the afterlife. And, of course, there's their close friend Tibi, in his twenties, who's obsessed with paranormal phenomena and conspiracy theories - especially since his parents were struck by a ball lightning bolt. The four-strong group of friends is bound together by a fascination with esotericism and spiritualism - they are joined by Etus's sister, the recently widowed Évike, who, thanks to Etus's domestic magic, is hopelessly in love with Lajos. Meanwhile, Lajos, who works as a security guard, is in deep trouble: he is granted a two-day reprieve by the underworld-connected art dealer Mr Faragó to settle his debt of millions.

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Karcsi, a Roma policeman, lives with Eva, a Swede. One day he is called to the scene of the murder of a wealthy trafficker named Schulter. He begins to investigate the crime, interrogate neighbours and suspects, and untangle a complex situation - one that he, himself, complicates even further. For he is a gypsy, who despite being adopted and raised by "regular" Hungarians, has his nose rubbed in his minority status every day. The film, which is based on the novel by Ákos Kertész, is a shrewd genre work full of dusky humour and surreal situations. Tabló follows a vivid succession of strange images that eventually lead to the emergence of the central story about a charismatic police officer on a tireless quest for the truth, though he must fight against virtually everyone and is just as fallible as the next person. Tabló makes a statement on the issue of race and racism - or, indeed, relations between any minority and majority.

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A priceless archaeological find, the “Mother of Barcika”, is loaded onto a special train to tour Hungary, only for fate to derail it at the sleepy Ivaros station. There, the engine, a gendarme, the relic and its guards all end up stranded in a pigsty, igniting chaos: the relic is gambled away, the station master loses control, and the local mayor’s daughter finds unexpected love. In the ensuing mayhem, rivalries, romances and small-town intrigues all collide until order is somehow restored.

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A hotel, a petrol station, a highway. A driver, a guest, a waiter, a hotel porter, a woman. Seemingly chance encounters. Fates. The short stories of Ádám Bodor in a film.

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Hungary, 1950s. Istvánka is a sensitive little boy, longing for a role model and friendship, whose father died in the war before he was born. Before school starts, his mother takes him from the countryside to the capital. One day, he meets Lacy Márity, a 21-year-old big boy from Budakeszi, who from then on not only goes to play football with him, but also answers his most secret questions. He becomes his friend. Istvánka then becomes more tolerant of the local children's digs and the often incomprehensible behaviour of the adults. But the 1956 revolution intervenes. Laci Márity takes the lead in the rebellion.

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Young honest public official is sworn in after his predecessor had to leave due to a corruption scandal. Soon, the young idealist discovers just how far-reaching the corruption is in his town and how easy it is to become corrupt yourself.

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In the sequel to the surprise hit Üvegtigris (2001), we witness the 6 losers again as they run amok around the roadside buffet, which again fails to make their dreams come true, but which serves as the basis and end station of numerous funny adventures.

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Kata, in her 20s, loses her boyfriend and her job on the same day. She's been indulging in fantasies of a more thrilling romantic life, and the cold water of being alone and unemployed doesn't entirely dampen her imagination. She's egged on by three girlfriends who get together to talk about men and sex. Kata has possibilities: she meets David, a medical student; there's Tamás, a stranger on a train who might be good for a relationship and a job. There's also Miki, her brother who's had serious drug problems. Is fulfillment within her grasp?

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The crew of Tibi Balogh sets out on a journey across Hungary to get the ancient Gold Owl statue, as well as the Milk Man. The treasure is worth millions, who gets there first?

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Three young friends, from the Hungarian countryside, want more sex and excitement in their life. Together they undertake a journey to Lake Balaton, where they hope to find plenty of summer fun as well as a temporary job.

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A Hungarian historical movie that tells the story of the Hungarian ancestors, the seven leaders, who are looking for their new homeland in the last years of the 9th century. Before they leave their original home in Asia, they have a farewell party. They wake up with a severe hangover after consuming large quantities of kumis. The seven leaders wake up to find that their people have disappeared.

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Iván is living in exile from Hungary when he receives word that an old flame is ill. His return to Budapest rekindles old memories and reopens old wounds.

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"A bus came..." consists of five loosely connected sketch films; the only thing that connects them is that each one is connected in some way to a bus route in Budapest. The mini-films, which are very different in mood and style, were made by Ferenc Török (Shoes), Árpád Schilling (No Comment), Viktor Bodó (Quarter Hour), György Pálfi (Táltosman vs. Ikarus) and Kornél Mundruczó (St. John of 78) with the professional and friendly support of Miklós Jancsó, who also provided the basic idea for the film.

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