Jean-Claude Brisseau

From 2016 to 2021, Laurent Achard directed four portraits of filmmakers: Vecchiali, Brisseau, Stévenin, and Mazuy. The fifth (Carax), begun in 2023 at the Villa Medici, remained unfinished. He nicknamed it “The Chairs.” “When we consider how familiar death is, and how complete our ignorance is, and that there has never beenany escape, we must admit that the secret is well kept!” (Jankelevitch)

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Jean-Claude Brisseau receives a film crew and some friends at his home to talk about cinema, childhood, time passing by…

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A woman discovers curious erotic messages on a lost cell phone in the train. When she meets the owner of the phone, a liberated young woman, the two of them embark on an erotic journey.

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Michel, a retired math teacher, has lived alone since his wife’s death and occupies his time writing an essay about the beliefs that shape daily life. One day he comes across Dora, a young homeless woman, who shows up injured on his doorstep, and puts her up until she recovers. Her presence brings something new to Michel’s life, but gradually the apartment becomes the site of mysterious happenings.

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Director Jean-Claude Brisseau discusses the making of his film Les anges exterminateurs (2006) in an interview.

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On n'est pas couché was a French talk show broadcast on France 2 on Saturdays at 11 p.m., hosted by Laurent Ruquier assisted by various columnists.

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Stephane, the wife of a prominent magistrate, shoots and kills a man in her home and claims he tried to rape her. While investigating her case, her lawyer becomes hopelessly enmeshed in a web of lies and subterfuges concerning her past.

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Two young girls meet, Reinette from the countryside and Mirabelle from Paris, and decide to take a flat together in Paris where they attend University. Four successive stories about their daily lives illustrate the very different views, characters and relation to the world of these two friends.

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A strict father imposes impossible guidelines on his disabled daughter which reflect his secret and tortured life.

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The life of an ordinary working class family in Bagnolet's block of council flats, Paris' suburb. "I've spent 17 years here. I sacrificed myself for you. Now it's over. " says the mother, who dreams of being a singer. Between a pre-teen rocker brother and a disillusioned father, daughter Nathalie brings balance into this breaking-down family.

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A young woman unsatisfied with her life and her marriage discovers gifts of medium.

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The peregrinations of a group of boys and girls from Paris. Two girls swap the capital for the countryside near Montpellier. One of the girls hesitates between dream world and reality.La croisée des chemins marks the start of a significant oeuvre and is a film in which reality and dream are mixed. Jean-Claude Brisseau shot this film on Super8 in 1975. Screened in Studio 43 in Paris, the film was noticed and admired by Eric Rohmer, who attached the name of his production company Les Films du Losange to several films by Brisseau: Un jeu brutal, De bruit et de fureur en Noce blanche.

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Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.

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A man stabbed to death is haunted by his memories and fantasies while dying alone.

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Paris, Latin Quarter, May 1968. Images of barricades and police movements in the street. In his bedroom, on his bed, a young man indulges in daydreams that invade the whole space.

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A voice, warm and heartbreaking, that of Brisseau himself, coils over black and white images. The tone was set very quickly: "To wake up is to be born again in the world of despair." 'On Sunday afternoon' is a film all at once clinical and theoretical on melancholy in the strong sense of the famous "black bile" of the Greeks whose author seems to want to make a complete turn, from his tragic dimension to his psychological dimension, even ending his film with a long quote from Freud's 'Mourning and Melancholia'.

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A woman discovers curious erotic messages on a lost cell phone in the train. When she meets the owner of the phone, a liberated young woman, the two of them embark on an erotic journey.

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Michel, a retired math teacher, has lived alone since his wife’s death and occupies his time writing an essay about the beliefs that shape daily life. One day he comes across Dora, a young homeless woman, who shows up injured on his doorstep, and puts her up until she recovers. Her presence brings something new to Michel’s life, but gradually the apartment becomes the site of mysterious happenings.

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Fed up with her present lifestyle, and more particularly sexually unsatisfied by her boyfriend Fred, Sandrine decides to find a new way in life. Intrigued by her friend Sophie, who tells her about her sexual experimentations, she will find, through various encounters, new pleasures and new experiences, whether physical or spiritual.

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A filmmaker holds a series of boundary-pushing auditions for his latest project: a thriller on the subject of female pleasure.

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Two young women find themselves struggling to survive in Paris, street-wise Nathalie, a stripper, and naïve Sandrine, a barmaid. Together, they discover that sex can be used to their advantage, and pleasure.

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After his wife leaves him, Fred goes on a cross-country crime spree in this dark but dreamy French comedy.

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Stephane, the wife of a prominent magistrate, shoots and kills a man in her home and claims he tried to rape her. While investigating her case, her lawyer becomes hopelessly enmeshed in a web of lies and subterfuges concerning her past.

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After the death of her father, 22-year-old Céline inherits most of his estate, but gives it to her stepmother, causing her greedy fiancé to leave her. Following several failed suicide attempts, Céline is hospitalized and comes to the attention of a nurse, Genevieve, who has struggled with depression. Under her personal care, Céline gradually recovers, and the two women grow close.

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A philosophy professor has an illicit affair with one of his students, a bright yet troubled girl who lives alone.

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This drama depicts the misery of neglected children in big cities. 13 years old Bruno is of a good family, but since the death of his grandmother he spends most of his time alone, in a phantasy world, while his mother is away at work. But then he befriends the violent Jean-Roger, who's from a severely disturbed family, where nobody cares what he's doing. In school Jean-Roger drives their teacher into despair just for fun. To separate the two boys, she starts to stimulate Bruno's interests by giving him extra lessons. When Jean-Roger fears loosing his one and only friend, he becomes even more aggressive.

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A strict father imposes impossible guidelines on his disabled daughter which reflect his secret and tortured life.

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A young boy moves with his mother into rent-controlled housing in a new banlieue. He begins sixth grade and meets a mysterious classmate. Produced for the "Contes pour enfants" television series that aired on former network Antenna-2.

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The life of an ordinary working class family in Bagnolet's block of council flats, Paris' suburb. "I've spent 17 years here. I sacrificed myself for you. Now it's over. " says the mother, who dreams of being a singer. Between a pre-teen rocker brother and a disillusioned father, daughter Nathalie brings balance into this breaking-down family.

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Agnes leaves school and moves with a friend to a housing project in Bagnolet. Engaged as a clerk, she becomes associate staff after the dismissal of a colleague.

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The peregrinations of a group of boys and girls from Paris. Two girls swap the capital for the countryside near Montpellier. One of the girls hesitates between dream world and reality.La croisée des chemins marks the start of a significant oeuvre and is a film in which reality and dream are mixed. Jean-Claude Brisseau shot this film on Super8 in 1975. Screened in Studio 43 in Paris, the film was noticed and admired by Eric Rohmer, who attached the name of his production company Les Films du Losange to several films by Brisseau: Un jeu brutal, De bruit et de fureur en Noce blanche.

Open details →

A man stabbed to death is haunted by his memories and fantasies while dying alone.

Open details →

Paris, Latin Quarter, May 1968. Images of barricades and police movements in the street. In his bedroom, on his bed, a young man indulges in daydreams that invade the whole space.

Open details →

A voice, warm and heartbreaking, that of Brisseau himself, coils over black and white images. The tone was set very quickly: "To wake up is to be born again in the world of despair." 'On Sunday afternoon' is a film all at once clinical and theoretical on melancholy in the strong sense of the famous "black bile" of the Greeks whose author seems to want to make a complete turn, from his tragic dimension to his psychological dimension, even ending his film with a long quote from Freud's 'Mourning and Melancholia'.

Open details →