Petr Čepek

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The theatre director encounters the disinterest and irresponsibility of the acting troupe, whose members are scheming and looking for side income. The tired and sick artist wants to finish his work at any cost.

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At the beginning was the Slovak television series Lekár umierajúceho czasu (Doctor of Dying Time), dedicated to the Rudolphine-era scientist Jan Jesenius. He ended up on the scaffold along with other gentlemen after losing the anti-Habsburg uprising. When director Miloslav Luther conceived the idea of making an abridged version of the footage for cinema, he had to not only rebuild the storyline but also dub it into Czech. However, the result was only an illustrative puzzle, describing the various stages of the hero's turbulent life.

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Young prisoner Jan, nicknamed Roughboy (Petr Cepek), tries to commit suicide. He was imprisoned for a fight in which he injured a functionary of the National Committee and for stealing material but actually by the blame for this crime was pinned on him by the road-builders in whose group he worked. The prison doctor knows that Jan is an emotionally deprived person who never knew his parents and spent all his childhood - except one year with foster-parents - in orphanages, homes for youth and reform schools. He arranges a five-day holiday for Jan, who wants to find his mother's grave.

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Luděk Krejza, a tile-layer, returns from prison after serving time for manslaughter. In a retrospective, the viewer is introduced to his story. It is a not very well-known film, which with the passage of time has completely disappeared from the awareness of even the more deeply informed interested in domestic cinema. The song "Dudes, you're on" is sung by the Yo Yo Band.

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The hero of the story is a forty-something intellectual, a sensitive composer of classical music. His exclusive profession, his work, which is actually incomprehensible to those around him, and his deep inner passion set him apart from the conformist milieu. Therefore, he tries to search for the "lark's silence" - a new strength, purity, truth, essence and roots of Czechism. However, on his return from the oppressive, alienated big city to his native village, to his former home, to nature, a deep disillusionment awaits him: he discovers that the once idyllic village has lost not only its face, but also any manifestation of spiritual life in its foolish attempt to resemble the city.

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The film tells the story of an enthusiastic young man who joins a textile factory in the late 1950s and assumes that a promising career awaits him - the protagonist is therefore constantly comparing himself to his favourite literary model, the equally ambitious Julian Sorel from Stendhal's fresco The Red and the Black. The result, however, lacks the necessary conviction, the ability to draw the viewer into his world, and remains too contrived, as the chosen period has become a mere non-committal backdrop for amorous games.

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In 1866, as Austria faces war with Prussia, 19-year-old Ludvík Machl joins a secret Czech resistance group. When he is caught with stolen funds and a weapon, the police commissioner spares him from prison on the condition that he work as an informant. Trapped by fear and betrayal, Ludvík is forced down a path that leads inexorably toward his own destruction.

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Based on a Jack London story, this is another attempt at a Western spectacle - after the short story triptych The Canyon of Gold - about a teenage boy who, after his father's death, lives in a gold-mining town. He even witnesses a cruel fight between two cowboys over a supposed treasure.

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Sonya is the heiress to the riches of a Czech noble family—the Hajns. Petr, a social climber marries her, ignoring some shady goings-on—in particular, an insane uncle who prowls the mansion believing himself invisible, a peccadillo the family indulges. The uncle’s stalking every corner of the house, popping out of cupboards and out from behind curtains slowly takes its toll on the young bride.

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The film is a concert of well-known actors from an alcohol rehab where a middle-aged man has taken refuge to get rid of his addiction. In the rehab, cruelty is personified by the attendant who, with sadistic satisfaction, hands out demerit points for the slightest sign of displeasure or rebellion.

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As the Khmer Rouge carves a path of death throughout the land, a Czech doctor falls in love with a Cambodian woman. Their relationship, though sorely strained by the war's horrors, produces a child. The doctor is separated from his family once Pol Pot assumes control.

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Painter Horace visits his friend, a former criminalist, and is intrigued by two strange women who live in the house opposite. The old sisters have lived together their entire lives, quarreling, doing things to each other on purpose, but they cannot be without each other. And then one day both sisters are found dead in their locked apartment. They poisoned themselves with gas. Officially, the case is closed as a suicide. But Horace doesn't think so... Even though his criminalist friend discourages him, he continues his investigation. Were the women murdered? And is Janza involved, or their friend Pesný, who was supposed to live in their apartment?

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A narration of episodes from the life of the famous Czech poet, Karel Hynek Mácha. Throughout the film, we witness a deep analysis of Mácha's complex character (his relation to another Czech writer of the time Josef Kajetán Tyl, his unbearable jealousy, his solitude, his attitude to nature,etc.) on the well-depicted historical background with all its particularities.

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The TV play tells the story of a woman who committed financial fraud at work. But she did not appropriate the money for herself; she was lured into the wrong act by dedication and a great, almost monkey-like love for her children. However, it is her teenage children who cannot understand that their mother, their model of decency and honesty, who taught them to safely distinguish right from wrong, has so disappointed them. The search for understanding and forgiveness will be very difficult.

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Sixty-year-old Joska Platejz, a peculiar jack of all trades, lives in a cottage in the Giant Mountains. He cooks wonderfully for a group of woodcutters. He has brought a mountain stream to his cottage and set up a set of tanks (one of which he keeps trout in). He also has a wind turbine, a wood-burning cable car, air-conditioning in the cottage and a mannequin of a man called Albert, who scares away unknown visitors. Joska is a man who claims that it is best to be alone, yet he constantly tries not to be alone. He is friends with a gamekeeper, a teacher, he tries to get his children to visit him regularly and therefore easily succumbs to a middle-aged lady. She doesn't take long to persuade him and soon comes to his cottage. A great love seems to be born...

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In a school somewhere in the border region, a young teacher is trying to integrate Romani children into the classroom. But their families remain suspicious of education. The filmmakers have chosen a largely romantic view that does not penetrate beneath the surface. They have included numerous folklore examples, acting as the most attractive element. The real problems can thus only be imagined.

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Films for children gradually fell into the grip of expressive and content sterility, succumbing to exhortative, educational tendencies. This is also the case in the story of a 14-year-old girl who has been accepted to the conservatory, but a sudden accident, a broken arm, makes her rethink her priorities - she learns that it is possible to engage in other activities than the tedious practice of piano etudes.

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The story of a music academy student Zdenek, who meets a charming girl, and without realizing also gets a son with her. Dealing with such a situation is not easy, especially when one day the child's mother disappears. Twenty year old Zdenek faces a serious decision. Although he is aware that a child may endanger his studies and perhaps even future career, he refuses to entrust him to the care of the state institution.

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