Vesna Trivalić

Anica (60) resists her ongoing chemotherapy while perceiving her daughter’s care as an assault on her dignity. Vlatko (60) is an alcoholic and a loner, completely written off by his work colleagues. Filled with mutual contempt, Anica and Vlatko separated long ago and seemingly no longer communicate. On their drawn-out paths toward oblivion, they search for an ally who will hear their desperate cry for the will to live.

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Miljenko, a successful Croatian businessman, receives the news that his company has just filed for bankruptcy. Things seem to be looking up, however, when his daughter announces not only her engagement, but also her pregnancy and upcoming nuptials. The only caveat? The love of her life is none other than the son of the Serbian prime minister.

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In 1960s Yugoslavia two members of the national security services arrive at an impoverished, remote female monastery to find a suspected monk.

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Following the comical adventures of the tenants in a seemingly ordinary building in Belgrade, situation culminates thanks to bad pipes and the mysterious underground waters to a temptation that, in the end, catches them all unprepared.

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The story of a woman who firmly believes that her newborn baby was stolen from her more than 20 years ago, while she was told that her baby died.

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At the very entrance of Boka Kotorska there is fortress named Fortica, which served as border control or quarantine in the past when ships used to dock in the bay. The most common goods taxed was salt. Its geographical position was significant during 1920s as well, while some speculate that the main hero of this story, Perisa, accumulated his fortune exactly in this way...

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Two of the most popular Serbian actors discover a script that they immediately want to work on, forgetting that creating in Serbia isn't as easy as it seems.

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Vladica lost the only thing that mattered to him - an amateur karate championship. Now he's back in his home town looking for a job, love and redemption.

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Marko, Adi, Aco and Dejan hag out in front of block of flats in Fuzine. Marko is pissed because he quit playing basketball and because the sexy TV presenter doesn't notice him and because his father Radovan is going to beat him up for quitting basketball. Adi is irritated by the fact that his brother Sanel is a drug addict and because his father Mirsad prefers to shang waitresses somewhere in Austira rather than to deal whit this. Makarovicka chefur girl gives a hard time to Aco and he would like to tak a revenge on Damjanovic - bus driver. Dejan is anxious because his mother Sonja wants to move to Slovenske Konjice. Policemen stop the boys one night and their world starts to disintegrate.

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A sitcom that follows intertwined lives of three couples set mostly in the building in which they live and the café owned by one of these people.

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A contemporary historical film reflecting the drama of the profound social changes that the Serbian society underwent at the turn of this century. The story is delivered through an account of the development of the local ambulance service. Adhering to the spirit of modern neo-realism, this evolution is illustrated by three stories set in three different periods linked by mutually connected and conditioned characters; and there is also a dream of what it could be!

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Svaba, Marina, Ekser and Dule live and work peacefully in Baranda. However, a few days before the New Year, Spricer, Ekser and Dule's friend from early youth, arrives, who is in trouble and asks for their help. This TV film was made as a continuation of a popular Serbian TV series "The Storks Will Return".

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It follows the two lead characters, Svaba and Ekser, as they try to make a living on the streets of Belgrade through the life of petty crime. Making matters worse is the fact that Shvaba owes a lot of money to a local big-shot criminal. And just when things seem lost for the two men, Shvaba's mother inherits a house in Baranda - a village near Belgrade no one's ever heard of. As Shvaba and Ekser happily rush to Baranda, hoping to sell the house and solve all their problems, the villagers are equally happy to see them, thinking that two businessmen from Belgrade are finally taking an interest in their village...

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We Are Not Angels III is a Serbian film. In 1973 during a Youth Work Action, budding musician Borko Pavić (Nikola Pejaković) is disappointed to find out that the majority of his fellow young workers prefer to dance kolo to folkish harmonica sounds rather than listening to him play his acoustic guitar. Heartbroken and depressed he confides in his best friend that he read that in America the young people make the devil appear by playing the music backwards who then makes them rich and famous. He becomes the mega popular rock'n'roll superstar Dorijan. Cut to 30+ years later Dorijan is still a debauched, coke-snorting, and alcoholic superstar, except that he's now playing turbo folk instead of rock'n'roll. He lives with a silicone trophy girlfriend Smokvica and his best friend from childhood is his business manager. Despite still having his women, fame, and fortune, Dorijan is unhappy about having to resort to playing a musical style he hates in order to have all that.

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In this sequel of "We Are Not Angels", a highly successful Yugoslavian comedy, a former playboy must cope with his daughter's adolescence, as well as numerous boys that keep knocking at her doors. A worried father thinks she may get in type of troubles he used to cause when he was just the age of her wooers.

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Set during the Bosnian war in the early 1990s, Luka is a mild-mannered railway clerk whose life is turned upside down, not just by the outbreak of the war, but when his wife runs off with a local musician. Then Luka's son is conscripted and eventually captured in the fighting. To recover his son, Luka is commanded to guard a pretty young Muslim nurse who will be used in a hostage swapping operation.

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Urban comedy, happening during a night in Belgrade. Mare, Pop and Gojko are three friends who grew up together. Mare and Pop have always been musicians, while Gojko (who was harassed by them in school and nicknamed 'Sissy') became a 'guy in suit', boss of his own club and recording studio.

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Belgrade, 1999. Producer Sergei and his film crew are in a disastrous situation - the film they're making is under threat - there's no money, the crew are dissatisfied - and NATO bombing is just around the corner. Then a member of the State Security Service (Mileta) comes looking for American co-producer Harvey. Anxious and worried, in the midst of the bombing that's begun, Sergei hides Harvey from what he thinks is awaiting him - arrest. During the night, he thinks up a plan. He announces the start of filming on a new, patriotic film - in which the main role will be played by Harvey. The plan works - the State supports the film and Mileta, as the State's representative, joins the crew. However, the underlying conflict between Mileta and Sergei explodes during the first screening. Mileta accuses them of being artists, and not being patriots.

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Sultana and the bootmaker's wife Pela looks very much like each other, with replacement clothing and residence, Sultana becomes Pela and Pela becomes Sultana. The consequence of disguise is that the Sultana are undergoing torture from Pela's husband which changes her nature, which makes positive impact on her environment. The script abounds with musical numbers that contribute to the atmosphere, establish era and the place of action, and in this play bring vaudeville jollity.

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Comedy about teachers and students at a high school in a small provincial town. Mihailo tries to win the heart of a girl his brother is also chasing.

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This film follows two Belgrade youths on their rise to gangster legends in a decaying society.

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Overcome by an irrational rage, a 17 year-old hatchet man kidnaps his boss who had managed to cover up his true identity and become part of the establishment. The Kid takes this one time hero of his to a hideout in a huge, deserted steel mill where the two experience a kind of enlightenment after some twenty hours of infernal games and agony.

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An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.

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In a way of protesting for inhuman living conditions and the shortage of medications caused by the disintegration of Yugoslavia and its sanctions, a doctor in a hospital decides to close his clinic for mental illness. His wish is to return the patients to their homes or give them to someone who is willing to accept them temporarily.

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Otvorena vrata, is a Serbian comedy television series filmed in 1994-1995. Broadcast on state television RTS, it ran for 2 seasons featuring a regular family living in Belgrade during the 1990s. The show was created by Biljana Srbljanović and Miloš Radović, starring Vesna Trivalić, Milan Gutović, Bogdan Diklić, Nikola Đuričko, Sofija Jović, Bojana Maljević, Olivera Marković and Zoran Cvijanović, with guest stars such as: Mirjana Karanović, Nikola Simić, Seka Sablić, Branka Katić, Mira Stupica. The show had many reruns over the following years, and acquired a cult following. In spring of 2012, after the Serbian presidential election results were announced, Bojana Maljević announced on her Twitter account that she and Biljana Srbljanović were thinking about doing another season of the show. In the following days the idea of the third season was officially confirmed and members of the original cast started announcing that they would take part in the project.

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An impoverished Russian aristocrat spends his days in a fashionable German town waiting for news from Russia about the death of his rich grandmother, so that he can repay his debts to a troubled French adventurer and marry his troubled cousin. His stepdaughter Polina also expects the inheritance.

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A story about three teenagers rejected by their parents, who leave their reform school for a wild weekend. 11 episodes in total.

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Angel and the devil fight for the soul of a Belgrade playboy who made a young girl pregnant.

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At his school, 10-year-old Zoran wins the competition for the best essay about Tito. His reward is participation in the march "Revolutionary trails" to Tito's hometown of Kumrovec.

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A marriage of a young woman, whose husband is respected member of society, gradually turns into hell because of his abusive nature.

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A three-part anthology film. Story 1: A released convict traces his girlfriend and other people who were responsible for his imprisonment. Story 2: A factory worker Pantic comes to Belgrade where he befriends a waiter. Having no overnight lodge, Pantic spends the night in the bar where his new acquaintance works, and becomes a victim of group of people who start picking on him. The initially protective waiter joins their harassment, and that's when Pantic pulls out a knife. Story 3: A female reporter gets back from the province without getting job done. On her way back, she meets an abused woman who lives with her husband in a trailer, making grill. The two will run away together, facing many hazards and trials.

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Trieste in 1807. Dositej Obradovic, founder of modern Serbian literature and the minister of education, goes through a creative and spiritual decline because of love of a young woman. Despite his old age, he can't resist this strong emotional flame, and subsequently travels to Belgrade following his agreement to be the leader of the Serbian uprising against the Ottoman Empire.

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The plot lasts from 1945 until today's day. Pavle, Stojan and Dragisa, the three war friends are taking different positions within the society immediately after the war. Pavle, a former war commissar, is now a school teacher. Thanks to him, Stojan, who was a bakery assistant before the war, does the job of a district committee's secretary, while Dragisa works in the state's secret police. The reason of conflict between Pavle and Stojan in 1947 was Stojan's fiancée Lena, who loves Pavle, marries him and gets pregnant, right when Pavle is taken to the state prison. Stojan accepts his wife and kid again, but the avalanche of political events will make all them unable to stop the inevitable catastrophe.

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A high representative goes by the narrow macadam road to the grand opening of the facility in a mountain village, another new victory of his own. In the car with him was not his wife but his mistress, a young and rather attractive girl. The car stucks in the quite large and deep puddle in the middle of the country road...

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A young married couple does not share the bed. However, they try to hide all the obstacles and their problems in public, presenting their marriage to be an idyllic and exemplary one. Below their provincial mask, one can reveal the intolerance, strong emotions and passions of a spoiled Belgrade girl and an ambitious small-town lawyer.

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