Matheus Nachtergaele

The film focuses on unpublished texts that deal with the signs of physical fragility, cinematographic preferences, evocations of ancestors, mentions of childhood and memories of Gilda de Mello e Souza.

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After making a pact with Jequitibá, José Inocêncio becomes a mythical figure, known as the most successful cocoa farmer in the region. While still young, he wins the heart of Maria Santa. Their intense passion results in four children: José Augusto, José Bento, José Venâncio, and the youngest, João Pedro, who never had the opportunity to know his mother, as she dies while giving birth to him. This tragedy fuels José Inocêncio’s anger, blaming João Pedro for the loss of his great love. Throughout their lives, indifference and resentment mark the relationship between the father and his youngest son. As if the past weren’t enough, years later, the arrival of the mysterious Mariana puts all these emotions to the test when both father and son fall in love with the same woman. This situation reawakens feelings that were either dormant or previously unknown to them.

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23 years in the making, “Pereio, Eu Te Odeio!” is a documentary on legendary Brazilian actor Paulo Cesar Pereio, an irreverent and controversial artist and public figure, as told by the testimonies of friends, family, and society members who hate him.

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Downtown Recife’s classic movie palaces from the 20th century are mostly gone. That city area is now an archaeological site of sorts that reveals aspects of life in society which have been lost. And that’s just part of the story.

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After taking in an abandoned child, Teresa meets Antônio and the two begin a journey on the roads. The common past, for them, is the memories of a city submerged at the bottom of a dam. Life is a dream, but the future is uncertainty.

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Over the years, the monthly meetings of the Stew Club – a fraternity that has gathered seven long-time friends for decades – has gone from rituals of power to melancholic failure assemblies. The end would be its only worthy fate. Until a mysterious cook appears, and starts serving them magnificent feasts. The bonds of friendship are back, gluttony as a celebration of life. But there is a catch: after each dinner, a member of the brotherhood is found dead the next morning.

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Paralyzed from the waist down after an accident, Cássio's relationship with Julia goes through difficulties. Feeling rejected, she starts a new romance. Based on the novel "Lady Chatterley's Lover" by D. H. Lawrence.

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Uno has a fantastic gift: he can talk and listen to cars since he was a child. After a new law prohibiting the use of aged cars puts his father's taxi company in danger, he takes a decision to recover an old family car into a “new one”, and its name is King Car – a car that speaks, listen, and even fall in love. A car that has plans for everyone.

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Bruceuilis, a policeman from the countryside, is assigned to rescue Celestina, a goat considered heritage of his small city, and travels to São Paulo. There, he meets police clerk Trindade, who decides to venture out into the field, even though it is not his specialty.

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Staying at home has become a form of survival in times of pandemic and the days seem to repeat itself. Now Murilo tries not to go crazy by touching life from the inside of the house.

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In this contemporary romantic comedy about love in all its forms, All the Women in the World tells the story of Paulo, a bohemian dreamer that lives his relationships intensively, falling deeply for all the women he meets. Never able to forget Maria Alice, his greatest love, he counts on the advice of his two best friends to face the emotions of his accomplishments and breakups.

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The quiet life of the small town Piedade's inhabitants is shaken up by the arrival of a big oil company, which barges in taking over houses and local businesses, throwing everyone out, to better reach and use the area's natural resources.

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The series is set in the 1970s. In the story, the mayor clashes with the idealist Francisgleydisson, owner of Cine Holliúdy—the only cultural attraction in Pitombas, a fictional town in Ceará.

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Tito is a shy 10-year-old boy who lives with his mother. Suddenly, an unusual epidemic starts to spread, making people sick whenever they get scared. Tito quickly discovers that the cure is somehow related to his missing father’s research on bird song. He embarks on a journey to save the world from the epidemic with his friends. Tito’s search for the antidote becomes a quest for his missing father and for his own identity.

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A film director faces a complex situation in the production of his new film: Laerte, the protagonist of the story, begins to renegade her former characters, the Pirates of the Tietê. Lost in this situation and determined to be faithful to his whims after seeing the approach of death, the director decides to tell his drama mixing his persona with the story, creating a chaotic labyrinth between fiction and real life.

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How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and beginners to explore the hardships and the happiness that are inherent to the job when detached from the glam and glitz of the gossip industry, creating a diverse and comprehensive mosaic of what it means to be an actor in Brazil, a country so full of contradictions. The film brings forward a reality that the masses usually don't get to know: the men and women moved by a deep passion for acting and touching people. With Julio Adrião, Matheus Nachtergaele, José Celso Martinez, Cássia Kis, Nanda Costa, Babu Santana, Luciano Vidigal and Letícia Sabatella, among others.

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"All Paulos in the World" is a cinematographic essay about Paulo José, one of the greatest artists in Brazil, in the year in which he turns 80 years-old.

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The story of Júlio Santana, a professional killer who was responsible for almost 500 hundred murders in Brazil.

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In a remote South American colony in the late 18th century, officer Zama of the Spanish crown waits in vain for a transfer to a more prestigious location. He suffers small humiliations and petty politicking as he increasingly succumbs to lust and paranoia.

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The Bulhosa family lands a century later—this time in the 1930s, at the start of the Vargas Era—yet retains the mannerisms and all the eccentricity characteristic of the clan.

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Two years of research and visits to collections, cinematheques and museums; almost seventy interviews that generated 30 hours of recorded material; more than two hundred scanned photos and more than one hundred films watched. In total, more than a thousand hours of work were needed to prepare Brazilian Cinema in the 20th Century. The work is a fascinating journey through all the cinematic cycles that Brazil lived, from the pioneering Belle Époque, through the great studios like Atlântica and Cinédia, Cinema Novo, the urban comedies of the 70's, until the resumption in the late 90's. The documentary is unique, it gives the floor to who really wrote and lived this story intensely.

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Two sisters live in the same house with their husbands in bedrooms separated by a single wall. One of the sisters, Lígia, is still a virgin. Dissatisfied, she wants to dissolve the marriage and thinks about suicide. To prevent her sister’s suicide, Guida offers her own husband, Paulo, for one night.

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Pierre is seventeen and in the middle of puberty. He plays in a band, has sex at parties and secretly tries on women’s clothing and lipstick in front of a mirror. Ever since his father’s death, his mother Aracy has looked after him and his younger sister Jacqueline, spoiling them both. But when he discovers that she stole him from a hospital when he was a new born baby, Pierre’s life changes dramatically. In her new film, director Anna Muylaert explores the mother-child relationship through the eyes of a rebellious son whose whole world unravels overnight.

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The boy Francisco spent his days accompanying his father at work, or rather, on the roads. The man is a driver of the imposing Big Jet, a pickup truck used to clean the city's cesspools without basic sanitation. But the boy is more interested in the ideas of his uncle, a libertarian and anarchist artist. As he discovers his first love, Chico realizes the vocation to become a poet.

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In the midst of a political crisis, Joao Carlos decides to make the most important decision in his life.

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