Teruo Ishii

The Centaurs are a racing team of 93 bikers from the port city of Yokohama who are named after the legendary Greek horse/men. Arthur and Ken fall out over their love for the same lady deciding to settle their competition with a race.

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In 1979 Toei president Shigeru Okada saw the future. More precisely, he saw Walter Hill's The Warriors in the US prior to its Japanese opening. Okada rushed back to make his own version. "Towards the 80! Our era! Now filming!" the trailer exclaimed. The plot is roughly the same as in The Warriors except this time the chased gang has to make it from Kobe to Tokyo and the leader's got the enemy's sister handcuffed to him. Hardly great cinema, but undeniably entertaining with frantic pacing, loads of music and even a massive roller blade street chase! As a vision of future, it wasn't too far off if the future was defined as 80s rock, bad fashion and comic book films.

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A new insect enemy that feeds off of the energy of all living things has set its eyes on Earth.

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The third movie in the "Boso" series.

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Teruo Ishii's West Side Story, done as a bloody, violent, sexploitative biker gang film. It's the Red Chilis versus the Black Cats, and the chick who just may heal the divide.

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In this retelling of an infamous unsolved heist, a couple tries to outlast the statute of limitations after successfully stealing 300 million yen.

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Wild-hearted mechanic boy Iwaki falls in love with the innocent but gang tied Michiko.

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A group of prisoners attempts to break the Abashiri prison. This film can be considered a sequel to the Abashiri Bangaichi series, written and directed by Ishii Teruo. The friendship between two men on death row, a fleeting love affair with a traveling dancer and a deadly battle with the real culprit who has hunted him down filmed over a long period of time on location in Hokkaido.

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When both a priceless jewel and the daughter of a rich heiress are stolen by a master criminal, Koga and his gang are hired to retrieve both. But a double-cross leads to a risky high-security bank heist and loads of martial arts mayhem.

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Three men, the skilled ninja Ryuichi Koga, the deadly assassin and former drug detective Takeshi Hayato, and the criminal mastermind Ichiro Sakura work together to take out an infamous drug dealer.

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In the roaring 1970s, a man who has left the world of the yakuza to become the owner of a sushi restaurant decides to rise up again when he sees his former family being overrun by a modern yakuza group from the Kansai region.

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Ocho is accidentally captured by a drug trafficking cartel who use Chinese women to smuggle drugs into Japan by hiding it in their vaginas. She is tortured, and manages to escape, fighting both the male yakuzas and a gang of female thieves.

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Ogami Itto is a master swordsman who holds a position of high power in the Tokugawa Shogunate. Highly trusted by the Shogun, he serves as the official decapitator, assisting lords and samurai who have been ordered by the Shogun to commit seppuku. One day, Itto’s wife and members of his household are brutally murdered by a clan seeking to avenge their lord’s execution, which had been carried out by Itto. In the wake of the attack, two items are left in Itto’s home: his unhurt infant son, Daigoro, and a symbol meant to signify Itto’s betrayal of the Shogun. Disgraced by the false symbol, Itto is labeled a traitor and forced to forfeit his position. He becomes a ronin, wandering the country with his son, searching for the men who killed his wife, seeking to clear his name and avenge her death.

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A Ronin with a death wish reluctantly joins the Clan of the Forgotten Eight, a nasty crew of ronin who are wrapped up in a clan war over local prostitution.

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With her first love that unfolded in the battlefield in her heart, and with a short sword and a pillbox as her weapons, female gambler Okatsu the Tiger Lily travels from gambling site to gambling site. Surrounding her are Omon, an outlaw star blind lone gambler; Onaka, a thief who’s after Okatsu to avenge her father’s death; Ohide, a tattoo artist whose back is covered by a dragon tattoo; and Oryu, a young girl sold as a prostitute to a gambling family.

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Sixth film of "Mysterious Thirteen Nights" series.

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This is the second volume of a ghost story TV series presented by Nobuo Nakagawa, Saburo Endo and Teruo Ishii. Contains films 5 to 8 in the "Mysterious Thirteen Nights" series.

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Second film of "Mysterious Thirteen Nights" series.

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This is the first volume of a ghost story TV series presented by Nobuo Nakagawa, Saburo Endo and Teruo Ishii. Contains films 1 to 4 in the "Mysterious Thirteen Nights" series.

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Akemi is a dragon tattooed leader of the Tachibana Yakuza clan. In a duel with a rival gang Akemi slashes the eyes of an opponent and a black cat appears, to lap the blood from the gushing wound. The cat along with the eye-victim go on to pursue Akemi’s gang in revenge, leaving a trail of dead Yakuza girls, their dragon tattoos skinned from their bodies.

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A 1970 entertainment action masterpiece directed by Teruo Ishii. A companion piece to another Ishii-directed film from 1970, also starring Watase, Yoshida and Sato called PRISONERS' BACK LIST.

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After escaping from an insane asylum, a medical student assumes the identity of a mysterious dead man, who appears to be his doppelganger, and gets lured to a sinister island ruled by a mad scientist and his malformed men.

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Discover 4 famous Japanese murderers: Takahashi Oden, the last woman beheaded in Japan, Sada Abe, a crazy lover, Kunihiko Kodaira, a rapist-killer and finally, the Toyokaku case, a woman who did everything to own a hotel.

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A story of yakuza lynching during the Edo, Meiji, and Showa periods.

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Japan nineteenth century. High demand for tattooed geisha generates an entire industry for their "production". Europeans pay more for tattooed beauties. Against this background, and considering the gorgeous tattooed women develop the history of confrontation between two highly skilled masters of tattoo.

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Japanese crime film

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A Japanese woman is raped by her boyfriend day in day out.

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Three stories of moral sickness set during Japan’s prosperous Genroku era are told in this bloody follow-up to the sexploitation classic Shogun’s Joy of Torture, the politically incorrect moral lessons paint a trio of tales of tragic heroines caught up in violence, sadomasochism, incest and torture.

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In 1979 Toei president Shigeru Okada saw the future. More precisely, he saw Walter Hill's The Warriors in the US prior to its Japanese opening. Okada rushed back to make his own version. "Towards the 80! Our era! Now filming!" the trailer exclaimed. The plot is roughly the same as in The Warriors except this time the chased gang has to make it from Kobe to Tokyo and the leader's got the enemy's sister handcuffed to him. Hardly great cinema, but undeniably entertaining with frantic pacing, loads of music and even a massive roller blade street chase! As a vision of future, it wasn't too far off if the future was defined as 80s rock, bad fashion and comic book films.

Open details →

The third movie in the "Boso" series.

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Teruo Ishii's West Side Story, done as a bloody, violent, sexploitative biker gang film. It's the Red Chilis versus the Black Cats, and the chick who just may heal the divide.

Open details →

In this retelling of an infamous unsolved heist, a couple tries to outlast the statute of limitations after successfully stealing 300 million yen.

Open details →

Wild-hearted mechanic boy Iwaki falls in love with the innocent but gang tied Michiko.

Open details →

A group of prisoners attempts to break the Abashiri prison. This film can be considered a sequel to the Abashiri Bangaichi series, written and directed by Ishii Teruo. The friendship between two men on death row, a fleeting love affair with a traveling dancer and a deadly battle with the real culprit who has hunted him down filmed over a long period of time on location in Hokkaido.

Open details →

When both a priceless jewel and the daughter of a rich heiress are stolen by a master criminal, Koga and his gang are hired to retrieve both. But a double-cross leads to a risky high-security bank heist and loads of martial arts mayhem.

Open details →

Three men, the skilled ninja Ryuichi Koga, the deadly assassin and former drug detective Takeshi Hayato, and the criminal mastermind Ichiro Sakura work together to take out an infamous drug dealer.

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Movie based on a book by Kakou Senda about the use of women as sexual slaves by the Japanese Army during WW2.

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When a rebellious roughneck enlists in the Navy and goes on a rampage against his superiors, he is sent to the Yokosuka Naval Prison.

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Ocho is accidentally captured by a drug trafficking cartel who use Chinese women to smuggle drugs into Japan by hiding it in their vaginas. She is tortured, and manages to escape, fighting both the male yakuzas and a gang of female thieves.

Open details →

Akemi is a dragon tattooed leader of the Tachibana Yakuza clan. In a duel with a rival gang Akemi slashes the eyes of an opponent and a black cat appears, to lap the blood from the gushing wound. The cat along with the eye-victim go on to pursue Akemi’s gang in revenge, leaving a trail of dead Yakuza girls, their dragon tattoos skinned from their bodies.

Open details →

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A 1970 entertainment action masterpiece directed by Teruo Ishii. A companion piece to another Ishii-directed film from 1970, also starring Watase, Yoshida and Sato called PRISONERS' BACK LIST.

Open details →

After escaping from an insane asylum, a medical student assumes the identity of a mysterious dead man, who appears to be his doppelganger, and gets lured to a sinister island ruled by a mad scientist and his malformed men.

Open details →

Discover 4 famous Japanese murderers: Takahashi Oden, the last woman beheaded in Japan, Sada Abe, a crazy lover, Kunihiko Kodaira, a rapist-killer and finally, the Toyokaku case, a woman who did everything to own a hotel.

Open details →

A story of yakuza lynching during the Edo, Meiji, and Showa periods.

Open details →

Japan nineteenth century. High demand for tattooed geisha generates an entire industry for their "production". Europeans pay more for tattooed beauties. Against this background, and considering the gorgeous tattooed women develop the history of confrontation between two highly skilled masters of tattoo.

Open details →

Japanese crime film

Open details →

A Japanese woman is raped by her boyfriend day in day out.

Open details →

Three stories of moral sickness set during Japan’s prosperous Genroku era are told in this bloody follow-up to the sexploitation classic Shogun’s Joy of Torture, the politically incorrect moral lessons paint a trio of tales of tragic heroines caught up in violence, sadomasochism, incest and torture.

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A young magistrate recalls three tales of heinous crimes committed by women, and the brutal punishments that ensued.

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A look at the lives of a troupe of geishas working in a small seaside resort town. For the most part, their lives consist of greeting boatloads of oversexed businessmen and providing bawdy entertainment through the evening followed by private companionship at night, interspersed with occasional catfights with the rival geisha house. Their routine is suddenly thrown off by the appearance of an abandoned baby in the geishas' dormitory, followed by its disappearance only a short time later. Who could be responsible for such a thing?

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A tragic love story involving the 5th Shogun of the Tokugawa dynasty and a woman who became one of his concubines.

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Continuation of the film Once and For All about two yakuza brothers Joji and Goro.

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Convict son revenges innocent father's death.

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Film concerning warring yakuza families.

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Based on Ito Hajime's original story, this is the seventh installment in the "Bangaichi" series, adapted jointly by Kamba Fumio and Matsuda Hiroo, and directed by Ishii Teruo of "Kamba 101: Killing Bouncer" fame. The film was shot by Kiichi Inada, who also directed "Abashiri Bangaichi: Confrontation in the South" in the same series.

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