Hrishikesh Mukherjee

When two twin brothers Sudhir and Adhir get orphaned upon the death of their father, Magistrate Chaturvedi adopts them and brings them up like his own children. Though Adhir goes insane after the death of his father, Sudhir picks up the opportunity, studies hard and becomes a doctor like Magistrate Chaturvedi's son Prashant. When Prashant gets caught for performing an illegal operation, Sudhir takes up the blame to repay the debt of the Chaturvedi family on him and his brother.

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An impoverished employee tries to prevent his superiors and employers from marrying his sweetheart.

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Nirmala Gupta rules her household with an iron fist. While most of her family resents it, they do comply and try to appease to her. When her daughter-in-law's free-spirited sister comes over to stay for a few days, things in the Gupta family start to change, agitating Nirmala.

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Inder, a contractor who believes in the power of money, places a bet with his friend Prakash to woo Rama, a simple girl. Rama is charmed by Inder but an event forces her to leave the city.

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A man's simple lie to secure his job escalates into more complex lies when his orthodox boss becomes suspicious.

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A disabled man who can't support his family contemplates committing suicide. However, a mysterious figure appears who forces him to reflect on his life.

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Dedicated to the memory of the great singers K. L. Saigal and Mukesh, this charming and unpretentious film offers a palate-cleansing change from the spicy “masala” epics that dominated its era, and features their superstar Amitabh Bachchan in a decidedly offbeat role.

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Arjun Pandit is a 1976 Hindi movie starring Sanjeev Kumar, Ashok Kumar, and Vinod Mehra, and directed by Hrishikesh Mukherjee. Bindu, Deven Verma, Sachin, and Keshto Mukherjee play other roles in the movie. The film's music is by Sachin Dev Burman.

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Based on the Bengali novel of the same name by Bengali writer Ashapoorna Devi

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Shekhar is new to the block and it doesn't take long before the street noise and the children playing nearby push his tolerance to the limit. To the rescue comes Mili, who has the exact opposite disposition. While Shekhar may be at a loss over what to do with her at first, he eventually falls in love.

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Sulekha is in awe of her brother-in-law Raghavendra for his intelligence. Parimal, her husband, decides to take up the challenge of fooling Raghavendra and goes to work for him as a driver.

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Sapna, the daughter of a wealthy businessman likes Rajesh, a simple man. Her father wants her to marry Randhir, a notorious womanizer and drunkard. Will Sapna ever accept Randhir?

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Somu and Vicky decide to exact revenge on the union leader, Bipinlal Pandey. However, when Somu understands the plight of the workers, it creates a rift between the two friends.

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A popular singer encourages his wife to sing, but tensions mount between the pair when his career begins to falter and her own musical career and popularity surpasses his own.

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Village born Lalloo re-locates to Bombay, and returns a wealthy man. He goes to meet his friend, Shankar alias Bhompu, and together they meet and share tales, mostly about women, sex, and playboy magazines' pictures. A Bollywood movie director is shooting a film nearby, and they go and meet him and his beautiful actress, Urvashi. After meeting Urvashi, Shankar feigns a racking cough, and tells his family that he must go to Bombay, and seek medical treatment. Together he and Lalloo take the next train to Bombay to see if they can find the biggest happiness in life.

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Desperate for a cook, the disgruntled Sharmas are relieved when a multi-talented man, Raghu, takes up the job. However, when all seems well, the family jewels disappear and so does Raghu.

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A teenage girl will not accept her family's attempt to arrange a marriage for her, as her heart is currently too full of love for the movies and heartthrob actor "Dharmendra."

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Dr. Bhaskar Bannerjee struggles with his patients' suffering and the darkness and poverty he confronts daily. He treats cancer patient Anand who upon learning of his impending death determines to use the time he has left to the absolute fullest.

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A couple of unemployed slackers find a millionaire, who according to several newspaper advertisements has gone missing. They decide to use him in a grand scheme to get hold of his fortune, but things go horribly wrong.

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Follows Satyapriya Acharya, an idealistic young engineer raised on strict moral principles, who enters post-Independence India determined to live by truth and integrity despite the corruption around him. He marries Ranjana, a woman carrying a painful past, and his compassionate decision to stand by her deepens both his personal struggles and his moral resolve. As professional setbacks, social pressures, and family responsibilities mount, Satyapriya’s unwavering honesty tests the limits of his ideals and the cost of living truthfully in a compromised world.

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In order to study abroad in Great Britain, Ramesh agrees to marry a village girl named Sudha, but refuses to love her. Heartbroken, Sudha tries to kill herself, but is rescued by Shankernath, who coaches her etiquette and teaches her English so she can go to England to win back her husband. The plan seems to work perfectly, until Shankernath discovers his own long lost granddaughter, Jenny, has fallen in love with Ramesh.

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Aashirwad is a 1968 Bollywood film. Produced by N.C. Sippy and Hrishikesh Mukherjee, it is directed by Hrishikesh Mukherjee. The film stars Ashok Kumar and Sanjeev Kumar.

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Bipinchandra breaks family tradition by marrying a city girl, Hemangini, much to the chagrin of his sister-in-law, Kadambini, and her husband, Navinchandra. Things are delicate even after both women give birth to two children each. Then Hemangini testifies against Navinchandra in Court, leading to the division of the property. Things got worse by the arrival of Kadambini's orphaned school-going step-brother, Kishan, who is beaten and abused by not only by Kadambini and Navinchandra, but also by their overweight son. When Hemangini objects to Kishan's ill-treatment, Bipin takes the side of the rest of the family, and may probably force her to abandon Kishan to his fate or divorce her.

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A grieving widower has a complex relationship with his daughter, blaming her for his wife's death. As she grows up, a kind poet helps her heal and find happiness despite her father's conflicted behavior.

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Four young men re-locate from a village in India, to a big city. While attempting to access accomodation, they are repeatedly told that rooms will only be rented to married couples, not to bachelors. Frustrated at this, two of them disguise themselves as women, and pose as wives for the other two males. They are able to secure accomodation with the Mishra family. Complications arise when the two "women" fall in love with Mishra's two lovely daughters - with results that can only be described as hilarious.

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Based on novel by Munshi Prem Chand. Believing himself to be a suspect for embezzlement in British India, a man must testify against non-violent freedom-fighters.

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Manu is the princely heir to the kingdom ruled over now by Ranimaa. He likes to know what his going on, and changes his princely get-up, and dresses up as an ordinary man, and goes around the territory. He meets up with gorgeous Bijli, and both fall in love. When Bijli introduces him to her dad, he identifies himself as Badal. Then he notices that soldiers from his palace are molesting the young women from this community. After his return to the palace, he finds out that the soldiers had been acting on the orders of Kunver Pratap Singh, and he immediately puts a stop to this. This angers Pratap Singh, and he plans to avenge this humiliation, with a plan so devious that will endanger the lives of Manu, the Ranimaa, as well Bijli and the people in her community.

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Shankar Chaudhry, a wealthy man gets married to Maya assuming she is the daughter of Ambala-based Advocate Madhusudan. He is shocked to realize that Maya and her brother Prakash have cheated him.

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