Fernando Luján

Three people with insomnia get together at a supermarket where they share their experiences.

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A spoiled, wealthy yacht owner is thrown overboard and becomes the target of revenge from his mistreated employee.

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A retired couple will have to defend their home against an unpredicted menace: Their kids moving back.

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A governor wants to be president, but in order to reach his goal he needs to do what he hates most: being a politician.

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The road to glory is walked as a pack. When the Mexicanine Republic becomes the host for the World Canine Cup, the coach has one chance to put together the best team in history; but the new warriors will have to learn to put aside their differences and work as a team, to show their country that ultimate football glory is more than just a dream.

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Ana Paula catches her fiancé cheating. After a night of drinking, she wakes up far from home, not so certain she wants to go back.

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Turmoil becomes the order of the day when a Mexican theatrical company begins its rehearsals of absurdist philosopher Albert Camus's “Caligula” for an influential upcoming international theater festival.

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Los Rey is a Mexican telenovela produced by Elisa Salinas for Azteca. It stars Leonardo Garcia, with Michel Brown and Rossana Najera as the protagonists, both dubbed as "La pareja" in the face card, alongside Juan Alfonso Baptista, Ana Belena, Fernando Alonso, Cecilia Ponce, Jose Alonso, Ofelia Medina, Fernando Lujan, Ariel Lopez Padilla, Victor Huggo Martin and Elizabeth Cervantes. Rafael Gutiérrez and Rodrigo Cachero serve as the directors. Los Rey is written by Luis Felipe Ybarra who is also the associate producer. From September 3, 2012 to February 22, 2013, Azteca 13 broadcast Los Rey, replacing La Mujer de Judas.

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In Mexico City, Ricardo is a family man, pressed by responsibilities, when he finally lands a better job as creative director for an ad agency. But that's when his problems really begin: his boss is a martinet, and suddenly Ricardo finds himself unable to perform in bed with his luscious wife, whose red lips have driven him wild to now. She's dismayed that he's seemingly lost interest; she seeks advice from friends and tries to spice things up with Ricardo. Meanwhile, at the office, he faces other temptations. Can Ricardo find a way to succeed at work and succeed at home?

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Luisa Braniff who after many years of hard work, obtains the success she has always wished for: to be the General Director of one of the most important technological companies in Mexico. But fate has prepared another surprise to this attractive exectutive. With her new position comes a problem as if it was waiting on the corner of her new dream office: a multimillion scam takes place with her name. Also, it is linked in a direct way to the murder of her best friend Sofia, who is found dead in her apartament. To be able to prove her innocence and preserve her freedom, she will have to look for all the evidence possible to find the real scammer How was it possible that her biggest dream turned in to her worst nightmear? Professional success has its cost.

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Entre el Amor y el Deseo is a Mexican telenovela by TV Azteca. It premiered on 2010. The protagonists are the international stars Lorena Rojas and Victor Gonzalez Reynoso. Grand actors such as Fernando Lujan, Hector Bonilla, Alvaro Guerrero, Veronica Merchant, Paco de la O and Gina Morett also included as cast members. This telenovela will be produced by Maria del Carmen Marcos, after her successful work in La Loba. Shooting of this series will start on 9 August 2010. The series premiered on 27 September 2010, at 10pm, sharing La Loba's timeslot.

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Stuck in a world of dreams and nostalgia, Pat struggles to forget the limelight and fleeting fame of his glory days. When a beautiful young woman named Ana saves his life, Pat agrees to drive her to her ancestral home, in hopes that she can save him from his own past. Unpaved roads treat the pair to a bumpy adventure full of anger management, Beethoven and The Doors, as the journey proves to be full of lessons and revelations.

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Jose learns that Nora, the woman he was married to for 30 years and from whom divorced, has committed suicide. The rabbi explains Joseph that due to the celebrations this time of the year, if Nora is not buried that same day, they should wait at least 5 days for the funeral. Nora had planned before his death, a Machiavellian plan in order that Joseph was the one who has to take care of his funeral. But Nora forgot a small detail, a mysterious photograph stored under her bed, that will remind Joseph that the greatest love stories, sometimes are hidden in the smallest places.

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Esmeralda is a teenager with an unusual obsession: she collects lost, forgotten or discarded objects from people she doesn't know and keeps them in a box beneath her bed. This is the tale of three objects in the box and the people behind them, all in some way incapable of relating to the person they love most. It is also a tale of the box itself, and of how Esmeralda learns to open it, to feel and to hoard the most valuable thing of all: human relations.

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Claudia is a troubled teen confined in a very particular support center ruled with roughness by renowned psychiatrist Bernarda Alquicira. Coexisting with girls who have experienced similar trances, Claudia confronts horrible visions of Andrea, a beautiful intern who committed suicide a year ago. Another strange patient -Josefina- and doctor Lucia Franyutti -the right arm of Bernarda- seem to know the key to the bizarre return of Andrea, but even they are disturbed by the supernatural events that take place when the wind starts to blow.

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Based on the novel by Carlos Trejo, supposedly based on true events, the film retells the story of a group of friends that played the Ouija one night together and started to die one by one in mysterious ways. The only survivor was the real-life author, Carlos Trejo.

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In a seedy brothel, their frustrations parade: A poet who has never published, a revolutionary who came late to history, a provocative angel, a bureaucrat with delusions of a dancer, a greedy Chinese man and his timorous wife, Monica, a prostitute with low professional esteem, a group of prostitutes of dubious sensuality and, finally, a priest with a stench of holiness and another with redeeming instincts. But a stranger with the air of a princess appears, and upsets the balance of the establishment.

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Lázaro Expósito is a young revolutionary in mid-nineteenth century Mexico. This story tells us the life of a boy who, from his very birth, is adopted by Javier Artal a member of a Spanish landowning family but within this family he is repudiated by his father’s elder brother because of his race and origin. This fact will mark him as he grows up in a comfortable environment although he is aware he does not really form part of it. The continuous in-and-outs of the story allow us to get to know Lázaro who is strong in fighting and tender in love but who will never get to know his true origins. The story takes place on an estate run-down from constant fighting which was the famous Artal Brothers Estate before the war. They arrived with their wives from Spain and their descendants were already born on the other side of the Atlantic.

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Miguel wants the love of Helena but he dies. In order to reach heaven and avoid limbo, there is one condition, he must forget Helena, but he will try to avoid this, since he doesn't want to reach heaven if he won't be able to remember her.

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Mirada de mujer: El regreso is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 2003. It is the sequel of Mirada de Mujer.

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An elderly man returns to his native town with the hope of finding his childhood love.

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An army deserter turned bandit robs from thieves to give the money to the poor. He was famous for being caught by the police "with his pants down"

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A crooked CEO is kidnapped and nobody cares enough to pay his ransom.

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Every Friday, the Colonel puts on his only suit and goes to the dock to await a letter announcing the arrival of his pension. But the townsfolk all know that this pension will never come. His wife also knows it, and even he knows it. But he is still waiting, living with the pain of the death of his son.

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Four raw stories about justice and law.

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Mirada de mujer is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 1997, based in the Colombian telenovela of 1994 " Señora Isabel". It is considered one of the best Telenovelas in the history of the television industry in Mexico. It came a year after TV Azteca's first telenovela, Nada personal and was the first telenovela in that TV station for its five mayor stars, who had been working for the rival station, Televisa, prior to this production. In 2003 the sequel for this telenovela Mirada de mujer: El Regreso was produced. This telenovela can be dated so far as the only TV Azteca telenovela that got the TVyNovelas Award as Best Telenovela of the Year in a shocking moment, making Televisa know to the audience the respect that got over his competitor product as long as the TVyNovelas Awards are only given to Televisa programs. Aside from enjoying wide viewership in Latin America, it was also broadcast in countries like Afghanistan and Israel and Eastern Europe. In India, this was shown by Sahara TV, dubbed in Hindi, under the title of Maria.

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Gabriela is a good and generous young woman studying at a university, without knowing who pays for her education since she has no family. After a series of circumstances, she decides to replace a classmate Leticia, a rich and vicious girl who after escaping never returned home.

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After her parents death, the little Cecilia is under the care of her aunts: Natalia and Evangelina. Evangelina is a cruel woman who doesn't love the child and she treats her bad. Unlike Evangelina, Natalia is good and will help Cecilia because she is her real mother. She was seduced and got pregnant by Padre Julio. Evangelina hates Padre Julio because in the past he preferred Natalia to her. Many years later, there is a problem, because Evangelina doesn't want to give Cecilia money to attend the University. But Cecilia wins a grant and she can study now. She is engaged and wants to marry Giovanni, but Evangelina is against. She will poison him with a drink. Then Cecilia meets and falls in love with Gerardo, who is engaged to Sofia. Sofia's parents are Marta and Armando. Armando returns home after abandoning his family for many years. Marta has a romance with Manuel, but Sofia and Armando are opposed. Ines and Renato, who are Gerardo's parents, also are opposed to his romance with Cecilia. She breaks up the romance and goes to sor Angelina's nunnery to become a nun. Sonia and Roberto try to separate Gerardo from Cecilia. Then Cecilia finds out the truth about her birth and meets padre Julio. Natalia discovers that Evangelina tries to appropriate the whole patrimony of Cecilia and Evangelina kills her.

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Two families gather at a cemetery to honor their departed.

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After winning a bet, Lalo goes on vacation with his two daughters and his best friend, they will try to keep Lalo's daughters away from perverted boys.

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Music and dance nurture the story of a group of people who live in a popular neighborhood. The invasion of North American soldiers to Panama will break the tranquility of the place bringing a wave of violence with them.

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A 1968 film.

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